| # | Title | Length |
|---|
| 1 | Plain Gold Ring | 3:54 |
| 2 | Black Is the Colour of My True Love’s Hair | 3:45 |
| 3 | I’ll Look Around | 5:08 |
| 4 | Flo Me La | 7:14 |
| 5 | Zungo | 3:00 |
| 6 | Summertime- recorded at:
- The Town Hall in Theater District, New York, New York, United States (on 1959-09-15)
- live cover recording of:
- Summertime (on 1959-09-15)
- lyricist:
- Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
- composer:
- George Gershwin (in 1934)
- publisher:
- Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- version of:
- Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
| 6:03 |
| 7 | Good Bait | 5:28 |
| 8 | Do Nothin’ Till You Hear From Me | 2:50 |
| 9 | Solitaire | 3:26 |
| 10 | In the Evening by the Moonlight | 6:10 |
| 11 | Mood Indigo- recorded in:
- New York, New York, United States (in 1957-12)
- bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano and lead vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Phillips (in 1966)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- cover recording of:
- Mood Indigo (in 1957-12)
- lyricist:
- Irving Mills (in 1930)
- composer:
- Barney Bigard (in 1930) and Duke Ellington (in 1930)
- publisher:
- Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
- sub-publisher:
- ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
- part of:
- The Real Book
| 4:05 |
| 12 | I Don’t Want Him Anymore | 5:49 |
| 13 | Rags and Old Iron | 4:08 |
| 14 | Blue Prelude | 3:23 |
| 15 | African Mailman | 3:10 |
| 16 | Tomorrow We Will Meet Once More | 3:02 |
| 17 | Don’t Smoke in Bed | 3:14 |
| 18 | Willow Weep for Me | 3:14 |
| 19 | He Needs Me | 2:33 |
| 20 | Gin House Blues | 3:06 |
| 21 | It Might as Well Be Spring | 3:56 |
| 22 | I Love You Porgy | 4:12 |
| 23 | Work Song | 2:36 |
| 24 | Central Park Blues | 3:07 |
| 25 | Chilly Winds Don’t Blow | 2:48 |
| 26 | Exactly Like You | 3:26 |
| 27 | Theme (From “Middle of the Night”) | 2:30 |
| 28 | Merry Mending | 2:35 |
| 29 | Memphis in June | 2:39 |
| 30 | Children Go Where I Send You | 2:52 |
| 31 | Can’t Get Out of This Mood | 2:33 |
| 32 | You’d Be So Nice to Come Home To | 5:25 |
| 33 | No Good Man | 3:39 |
| 34 | That’s Him Over There | 2:31 |
| 35 | I Love to Love | 3:27 |
| 36 | Cotton Eyed Joe | 3:14 |
| 37 | Love Me or Leave Me- recorded in:
- New York, New York, United States (in 1957-12)
- double bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano and lead vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Bethlehem Records (in 1958)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- cover recording of:
- Love Me or Leave Me (in 1957-12)
- lyricist:
- Gus Kahn
- composer:
- Walter Donaldson
- publisher:
- EMI Music, EMI Music Publishing Ltd., Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp., Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
| 3:24 |
| 38 | Tomorrow | 3:03 |
| 39 | My Baby Just Cares for Me- double bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano and lead vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Bethlehem Records (in 1958)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- edit of:
- My Baby Just Cares for Me (special extended version) by Nina Simone
- cover recording of:
- My Baby Just Cares for Me (in 1957-12)
- lyricist and composer:
- Walter Donaldson and Gus Kahn
- publisher:
- Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd., Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
| 3:38 |
| 40 | For All We Know- recorded in:
- New York, New York, United States (in 1957-12)
- double bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano:
- Nina Simone (in 1957-12)
- vocals:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- Bethlehem Records (in 1959)
- cover recording of:
- For All We Know (in 1957-12)
- lyricist:
- Sam M. Lewis (in 1934)
- composer:
- J. Fred Coots (in 1934)
- publisher:
- Bienstock Publishing Company (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
| 4:02 |
| 41 | I Got It Bad (And That Ain’t Good) | 4:06 |
| 42 | The Gal From Joe’s | 2:08 |
| 43 | He’s Got the Whole World in His Hands | 3:10 |
| 44 | You Can Have Him | 5:59 |
| 45 | Where Can I Go Without You | 2:51 |
| 46 | Something to Live For | 2:55 |
| 47 | You’ll Never Walk Alone- recorded in:
- New York, New York, United States (in 1957-12)
- bass:
- Jimmy Bond (in 1957-12)
- drums (drum set):
- Albert “Tootie” Heath (in 1957-12)
- piano:
- Nina Simone (in 1957-12)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1998)
- recorded at:
- Beltone Studios in New York, New York, United States (in 1957-12)
- instrumental cover recording of:
- You’ll Never Walk Alone (in 1957-12)
- lyricist:
- Oscar Hammerstein II
- composer:
- Richard Rodgers
- publisher:
- Chappell Music Ltd., EMI Music Publishing, EMI Music Publishing Ltd., T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
- part of:
- Carousel
| 3:47 |
| 48 | Little Girl Blue- cover recording of:
- Little Girl Blue
- lyricist:
- Lorenz Hart (in 1935)
- composer:
- Richard Rodgers (in 1935)
- arranger:
- Sarah Latto
- publisher:
- Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc., Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jumbo
| 4:17 |
| 49 | Fine and Mellow | 3:46 |
| 50 | Wild Is the Wind- producer:
- Bob Blake and Jack Gold
- bass:
- Jimmy Bond (in 1959-10)
- drums (drum set):
- Albert “Tootie” Heath (in 1959-10)
- piano:
- Nina Simone (on 1959-09-12)
- lead vocals:
- Nina Simone (in 1959-10)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1959)
- recorded at:
- The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
- live cover recording of:
- Wild Is the Wind (on 1959-09-12)
- lyricist:
- Ned Washington
- composer:
- Dimitri Tiomkin
- publisher:
- BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
- part of:
- The 30th Academy Award for Best Original Song (number: 2)
| 3:29 |
| 51 | The Other Woman | 3:01 |
| 52 | Nina’s Blues | 6:11 |
| 53 | Return Home | 5:28 |
| 54 | Trouble in Mind | 5:42 |
| 55 | Stompin’ at the Savoy | 2:10 |
| 56 | Just Say I Love Him | 6:39 |
| 57 | Forbidden Fruit | 3:48 |
| 58 | You’ve Been Gone Too Long | 2:08 |
| 59 | It Don’t Mean a Thing (If It Ain’t Got That Swing) | 2:33 |
