Messiah

~ Release by Handel; Ameling, Reynolds, Langridge, Howell, Academy & Chorus of St Martin-in-the-Fields, Neville Marriner (see all versions of this release, 5 available)

Tracklist

1▶CD
2▼CD
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1Messiah: Part 2: No. 24. Chorus: “Surely he hath borne our griefs”
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:07
2Messiah: Part 2: No. 25. Chorus: “And with his stripes”
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:26
3Messiah: Part 2: No. 26. Chorus: “All we like sheep”
engineer:
Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:27
4Messiah: Part 2: Nos. 27/28. Recitative Tenor & Chorus: “All they that see him… He trusted in God”
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:51
5Messiah: Part 2: Nos. 29/30. Recitative & Arioso Soprano: “Thy rebuke hath broken his heart… Behold and see”
producer:
Chris Hazell
soprano vocals:
Elly Ameling (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:49
6Messiah: Part 2: Nos. 31/32. Recitative & Air Tenor: “He was cut off out of the land of the living…”
producer:
Chris Hazell
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:23
7Messiah: Part 2: No. 33. Chorus: “Lift up your heads”
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:58
8Messiah: Part 2: Nos. 34/35. Recitative Tenor & Chorus: “Unto which of the angels… Let all the angels of God worship him”
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:42
9Messiah: Part 2: No. 36. Air Bass: “Thou art gone up on high”
producer:
Chris Hazell
bass vocals:
Gwynne Howell (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:11
10Messiah: Part 2: No. 37. Chorus: “The Lord gave the Word”
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:03
11Messiah: Part 2: No. 38. Duet Soprano & Alto, Chorus: “How beautiful are the feet… Break forth into joy”
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
mezzo-soprano vocals:
Anna Reynolds (in 1976-07)
soprano vocals:
Elly Ameling (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1976-07)
composer:
George Frideric Handel (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:17
12Messiah: Part 2: No. 39. Arioso Tenor: “Their sound is gone out”
producer:
Chris Hazell
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:09
13Messiah: Part 2: Nos. 40/41. Air bass & Chorus: “Why do the nations so furiously rage together… Let us break their bonds”
producer:
Chris Hazell
bass vocals:
Gwynne Howell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:08
14Messiah: Part 2: Nos. 42/43. Recitative & Air Tenor: “He that dwelleth in heaven… Thou shall break them”
producer:
Chris Hazell
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:34
15Messiah: Part 2: No. 44. Chorus: “Hallelujah”
engineer:
Simon Eadon (in 1976-07) and Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
chorus master:
László Heltay (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1976-07)
composer:
George Frideric Handel (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:45
16Messiah: Part 3: No. 45. Air Soprano: “I know that my Redeemer liveth”
engineer:
Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
soprano vocals:
Elly Ameling (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:14
17Messiah: Part 3: No. 46. Chorus: “Since by man came death”
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:51
18Messiah: Part 3: Nos. 47/48. Recitative & Air Bass: “Behold, I tell you a mystery…”
producer:
Chris Hazell
bass vocals:
Gwynne Howell (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel10:10
19Messiah: Part 3: Nos. 49–51. Recitative Alto, Duet Alto & Tenor, Chorus: “Then shall be brought to pass… O Death, where is thy sting… But thanks be to God”
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
mezzo-soprano vocals:
Anna Reynolds (in 1976-07)
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:57
20Messiah: Part 3: No. 52. Air Alto: “If God be for us”
producer:
Chris Hazell
mezzo-soprano vocals:
Anna Reynolds (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:40
21Messiah: Part 3: No. 53. Chorus: “Worthy is the Lamb… Amen”
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:36