Les Triomphes du rhythm’n’blues, Volume 6: chanteuses # 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1Hound Dog
recorded in:
Los Angeles, California, United States (on 1952-08-13)
recording engineer and mixer:
Joel Moss
assistant engineer:
Tom Hardisty, Brandon Harris and Sue McLean
producer:
Hummie Mann, Johnny Otis and Marc Shaiman
editor:
Curtis Roush
double bass [bass]:
Albert Winston (on 1952-08-13)
drums (drum set):
Leard Bell (on 1952-08-13)
guitar:
Pete Lewis (on 1952-08-13)
piano:
Devonia Williams (on 1952-08-13)
vibraphone [vibes]:
Johnny Otis (on 1952-08-13)
vocals:
Big Mama Thornton (on 1952-08-13)
orchestra:
Johnny Otis & His Orchestra (on 1952-08-13)
conductor:
Artie Kane
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2006)
recording of:
Hound Dog (on 1952-08-13)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc., MCA Music Ltd., MCA Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing, Universal/MCA Music, Williamson Music Company and Williamson Music, Inc.
Big Mama Thornton2:51
2They Call Me Big Mama
recorded in:
Los Angeles, California, United States (on 1952-08-13)
baritone saxophone:
Fred Ford (on 1952-08-13)
double bass [bass]:
Albert Winston (on 1952-08-13)
drums (drum set) [drums]:
Leard Bell (on 1952-08-13)
guitar:
Pete Lewis (on 1952-08-13)
piano:
Devonia Williams (on 1952-08-13)
tenor saxophone:
James Von Streeter (on 1952-08-13)
trombone:
George Washington (on 1952-08-13)
trumpet:
Don Johnson (on 1952-08-13)
vibraphone [vibes]:
Johnny Otis (on 1952-08-13)
orchestra:
Johnny Otis Orchestra (on 1952-08-13)
recording of:
They Call Me Big Mama (on 1952-08-13)
writer:
Don Robey and Big Mama Thornton
Big Mama Thornton2:04
3I Ain’t No Fool Either
Big Mama Thornton2:21
4Rock a Bye Baby
recorded in:
Los Angeles, California, United States (on 1952-08-13)
baritone saxophone:
Fred Ford (on 1952-08-13)
double bass [bass]:
Albert Winston (on 1952-08-13)
drums (drum set) [drums]:
Leard Bell (on 1952-08-13)
guitar:
Pete Lewis (on 1952-08-13)
piano:
Devonia Williams (on 1952-08-13)
tenor saxophone:
James Von Streeter (on 1952-08-13)
trombone:
George Washington (on 1952-08-13)
trumpet:
Don Johnson (on 1952-08-13)
vibraphone [vibes]:
Johnny Otis (on 1952-08-13)
vocals:
Big Mama Thornton (on 1952-08-13)
orchestra:
Johnny Otis Orchestra (on 1952-08-13)
Big Mama Thornton2:36
5Let Your Tears Fall, Babe
recorded in:
Houston, Texas, United States (in 1952)
tenor saxophone:
Bill Harvey (in 1952)
vocals:
Willie Mae "Big Mama" Thornton (in 1952)
orchestra:
Billy Harvey Band (in 1952)
recorded at:
ACA Studio in Houston, Texas, United States (in 1952)
recording of:
Let Your Tears Fall Baby (in 1952)
writer:
Don Robey
Big Mama Thornton2:45
6Mischievous Boogie
recorded in:
Houston, Texas, United States (in 1951)
trumpet:
Joe Scott (in 1951)
lead vocals:
Willie Mae "Big Mama" Thornton (in 1951)
orchestra:
Joe Scott Orchestra (in 1951)
recorded at:
ACA Studio in Houston, Texas, United States (in 1951)
recording of:
Mischievous Boogie (in 1951)
writer:
Doris Manning
Big Mama Thornton2:33
7Walking Blues
recorded in:
Los Angeles, California, United States (on 1952-08-13)
baritone saxophone:
Fred Ford (on 1952-08-13)
double bass [bass]:
Albert Winston (on 1952-08-13)
drums (drum set):
Leard Bell (on 1952-08-13)
guitar:
Pete Lewis (on 1952-08-13)
piano:
Devonia Williams (on 1952-08-13)
tenor saxophone:
James Von Streeter (on 1952-08-13)
trombone:
George Washington (on 1952-08-13)
trumpet:
Don Johnson (on 1952-08-13)
vibraphone [vibes]:
Johnny Otis (on 1952-08-13)
vocals:
Big Mama Thornton (on 1952-08-13)
orchestra:
Johnny Otis Orchestra (on 1952-08-13)
recording of:
Walking Blues (on 1952-08-13)
writer:
Don Robey and Big Mama Thornton
Big Mama Thornton3:01
8Nightmare
recorded in:
Los Angeles, California, United States (on 1952-08-13)
baritone saxophone:
Fred Ford (on 1952-08-13)
double bass [bass]:
Albert Winston (on 1952-08-13)
drums (drum set) [drums]:
Leard Bell (on 1952-08-13)
guitar:
Pete Lewis (on 1952-08-13)
piano:
Devonia Williams (on 1952-08-13)
tenor saxophone:
James Von Streeter (on 1952-08-13)
trombone:
George Washington (on 1952-08-13)
trumpet:
Don Johnson (on 1952-08-13)
vibraphone [vibes]:
Johnny Otis (on 1952-08-13)
vocals:
Big Mama Thornton (on 1952-08-13)
orchestra:
Johnny Otis Orchestra (on 1952-08-13)
Big Mama Thornton2:53
9I’m a Bad Bad Girl
recording of:
I’m a Bad, Bad Girl
lyricist and composer:
Gladys DeJesus
Esther Phillips2:57
10Cherry Wine
recording of:
Cherry Wine
lyricist and composer:
Henry Glover
Esther Phillips2:21
11Looking for a Man
Esther Phillips2:45
12The Deacon Moves In
recording of:
The Deacon Moves In
writer:
Rose Marks and Billy Ward
Esther Phillips2:47
13Ring a Ding Doo
Esther Phillips2:55
14Better Beware
recording of:
Better Beware
writer:
Johnny Otis and Rick Darnell
Esther Phillips2:39
15Hollerin’ and Dreamin’
Esther Phillips2:58
16The Storm
Esther Phillips3:09
17Aged and Mellow
vocals:
Esther Phillips
recording of:
Aged and Mellow (on 1952-01-16)
writer:
Preston Love and Johnny Otis
Esther Phillips2:47
18Teardrops From My Eyes
recorded in:
New York, New York, United States (in 1950-09)
producer:
Ahmet Ertegun and Herb Abrahmson
tenor saxophone:
Budd Johnson (in 1950-09)
vocals:
Ruth Brown (in 1950-09)
orchestra:
Budd Johnson Orchestra (in 1950-09)
recording of:
Teardrops From My Eyes (in 1950-09)
lyricist and composer:
Rudolph Toombs
publisher:
Rightsong Music Inc. and Simon House
Ruth Brown2:53
19Mama, He Treats Your Daughter Mean
recording of:
(Mama) He Treats Your Daughter Mean
writer:
Herb Lance (in 1952), Charlie Singleton (in 1952) and John Wallace (in 1952)
Ruth Brown2:55
20Wild, Wild Young Men
recorded in:
New York, New York, United States (on 1953-04-10)
producer:
Ahmet Ertegun and Herb Abrahmson
baritone saxophone:
Haywood Henry (on 1953-04-10)
double bass [bass]:
George Duvivier (on 1953-04-10)
drums (drum set) [drums]:
Connie Kay (on 1953-04-10)
guitar:
Rector Bailey (on 1953-04-10)
piano:
Van Walls (on 1953-04-10)
tenor saxophone:
Freddie Mitchell (on 1953-04-10)
trumpet:
Taft Jordan (on 1953-04-10)
vocals:
Ruth Brown (on 1953-04-10)
arranger:
Jesse Stone
recording of:
Wild Wild Young Men (on 1953-04-10)
lyricist and composer:
Nugetre
Ruth Brown2:31
21I Know
Ruth Brown2:49
22Shine On
Ruth Brown2:53
235‒10‒15 Hours
Ruth Brown3:14
24Daddy Daddy
recorded in:
New York, New York, United States (on 1952-07-02)
producer:
Ahmet Ertegun and Herb Abrahmson
tenor saxophone:
Willis Jackson (on 1952-07-02)
vocals:
Ruth Brown (on 1952-07-02)
recording of:
Daddy Daddy (song introduced by Ruth Brown in 1952) (on 1952-07-02)
lyricist and composer:
Rudolph Toombs
publisher:
Unichappell Music, Inc.
Ruth Brown2:52
25So Long
recorded in:
New York, New York, United States (on 1949-05-25)
producer:
Ahmet Ertegun and Herb Abrahmson
cornet:
Bobby Hackett (on 1949-05-25)
double bass [bass]:
Jack Lesberg (on 1949-05-25)
drums (drum set) [drums]:
Sid Catlett (on 1949-05-25)
guitar:
Eddie Condon (on 1949-05-25)
piano:
Joe Bushkin (on 1949-05-25)
reeds:
Ernie Caceres (on 1949-05-25) and Peanuts Hucko (on 1949-05-25)
tenor horn / alto horn [alto horn]:
Dick Carey (on 1949-05-25)
trombone:
Will Bradley (on 1949-05-25)
vocals:
Ruth Brown (on 1949-05-25)
recording of:
So Long (on 1949-05-25)
writer:
Remus Harris, Irving Melsher and Russ Morgan
Ruth Brown2:37

Credits

Release group

part of:Les Triomphes du rhythm'n'blues (number: 6) (order: 6)