Savoy Jazz Vol. 1 (compliments of Esquire)

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

On the disc label, tracks 12 & 13 are incorrectly attributed to D. Jordan. This probably arose because tracks from both Duke Jordan and Hall Overton appear on the Savoy Jazz release "Do It Yourself Jazz", from which tracks 12 and 13 are derived.

Tracklist

1CD
#TitleArtistLength
1Constellation
producer:
Teddy Reig
alto saxophone:
Charlie Parker (on 1948-09-18)
double bass:
Curley Russell (on 1948-09-18)
drums (drum set):
Max Roach (on 1948-09-18)
piano:
John Lewis (on 1948-09-18)
trumpet:
Miles Davis (on 1948-09-18)
orchestra:
Charlie Parker All Stars (on 1948-09-18)
recorded at:
Harry Smith Studios in New York, New York, United States (on 1948-09-18)
recording of:
Constellation (on 1948-09-18)
composer:
Charlie Parker
Charlie Parker All-Stars2:29
2Barbados
producer:
Teddy Reig
alto saxophone:
Charlie Parker (on 1948-09-18)
double bass:
Curley Russell (on 1948-09-18)
drums (drum set):
Max Roach (on 1948-09-18)
piano:
John Lewis (on 1948-09-18)
trumpet:
Miles Davis (on 1948-09-18)
recorded at:
Harry Smith Studios in New York, New York, United States (on 1948-09-18)
recording of:
Barbados (on 1948-09-18)
composer:
Charlie Parker
Charlie Parker All-Stars2:29
3Five Spot After Dark
recording engineer:
Rudy van Gelder (on 1959-05-21)
bass:
Jimmy Garrison (on 1959-05-21)
drums (drum set):
Al Harewood (on 1959-05-21)
piano:
Tommy Flanagan (on 1959-05-21)
tenor saxophone:
Benny Golson (on 1959-05-21)
trombone:
Curtis Fuller (on 1959-05-21)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-05-21)
recording of:
Five Spot After Dark (on 1959-05-21)
writer:
Benny Golson
Curtis Fuller Quintet5:20
4Surf Ride
recorded in:
Los Angeles, California, United States (on 1952-03-04)
producer:
Dick Bock
alto saxophone:
Art Pepper (on 1952-03-04)
double bass:
Joe Mondragon (on 1952-03-04)
drums (drum set):
Larry Bunker (on 1952-03-04)
piano:
Hampton Hawes (on 1952-03-04)
recording of:
Surf Ride (on 1952-03-04)
composer:
Art Pepper
Art Pepper Quartet2:53
5Opus de Bop
producer:
Teddy Reig
double bass [bass]:
Curley Russell (on 1946-07-31)
drums (drum set):
Max Roach (on 1946-07-31)
piano:
Hank Jones (on 1946-07-31)
tenor saxophone:
Stan Getz (on 1946-07-31)
recorded at:
Schurmer Studios in New York, New York, United States (on 1946-07-31)
recording of:
Opus de Bop (on 1946-07-31)
composer:
Hank Jones
Stan Getz Quartet2:32
6Nostalgia
recorded in:
New York, New York, United States (on 1947-12-05)
producer:
Teddy Reig
double bass:
Nelson Boyd (on 1947-12-05)
drums (drum set):
Art Blakey (on 1947-12-05)
piano:
Tadd Dameron (on 1947-12-05)
tenor saxophone:
Charlie Rouse (on 1947-12-05)
trumpet:
Fats Navarro (on 1947-12-05)
Fats Navarro Quintette2:44
7Caribbean Cutie
recorded in:
New York, New York, United States (on 1955-07-14)
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
alto saxophone:
Julian “Cannon Ball” Adderley (on 1955-07-14)
cornet:
Nat Adderley (on 1955-07-14)
double bass:
Paul Chambers (on 1955-07-14)
drums (drum set):
Kenny Clarke (on 1955-07-14)
piano:
Hank Jones (on 1955-07-14)
phonographic copyright (℗) by:
SLG, LLC (in 2002, in 2006)
recording of:
Caribbean Cutie (on 1955-07-14)
composer:
Julian “Cannonball” Adderley
Cannonball Adderley Quintet7:04
8I Married an Angel
cornet:
Nat Adderley (on 1955-07-26)
double bass:
Wendell Marshall (on 1955-07-26)
drums (drum set):
Kenny Clarke (on 1955-07-26)
piano:
Hank Jones (on 1955-07-26)
woodwind:
Jerome Richardson (on 1955-07-26)
instrumental recording of:
I Married an Angel (on 1955-07-26)
lyricist:
Lorenz Hart
composer:
Richard Rodgers
part of:
I Married an Angel (full musical)
recording of:
I Married an Angel
lyricist:
Lorenz Hart
composer:
Richard Rodgers
part of:
I Married an Angel (full musical)
Nat Adderley Quintet4:32
9When I Fall in LoveHank Mobley3:46
10Mirage
alto saxophone:
Jackie McLean (from 1957-03-08 until 1957-03-09)
bass:
Jimmy "Spanky" DeBrest (from 1957-03-08 until 1957-03-09)
drums (drum set):
Art Blakey (from 1957-03-08 until 1957-03-09)
piano:
Sam Dockery (from 1957-03-08 until 1957-03-09)
trumpet:
Bill Hardman (from 1957-03-08 until 1957-03-09)
recorded at:
Carl Fischer Concert Hall in New York, New York, United States (from 1957-03-08 until 1957-03-09)
Art Blakey & The Jazz Messengers4:41
11Prelude to a Kiss
recording engineer:
Rudy van Gelder (on 1956-01-19)
double bass:
Wendell Marshall (on 1956-01-19)
drums (drum set):
Kenny Clarke (on 1956-01-19)
piano:
Hank Jones (on 1956-01-19)
trumpet:
Joe Wilder (on 1956-01-19)
instrumental recording of:
Prelude to a Kiss (on 1956-01-19)
lyricist:
Irving Gordon (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
Joe Wilder Quartet5:04
12It’s Only a Paper Moon
recording engineer:
Rudy van Gelder (on 1955-02-08)
alto saxophone:
Phil Woods (on 1955-02-08)
double bass:
Teddy Kotick (on 1955-02-08)
drums (drum set):
Nick Stabulas (on 1955-02-08)
piano:
Hall Overton (on 1955-02-08)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-02-08)
instrumental recording of:
It’s Only a Paper Moon (on 1955-02-08)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music
Hall Overton Trio plus Phil Woods5:18
13You’d Be So Nice to Come Home to
recording engineer:
Rudy van Gelder (on 1955-02-08)
alto saxophone:
Phil Woods (on 1955-02-08)
double bass:
Teddy Kotick (on 1955-02-08)
drums (drum set):
Nick Stabulas (on 1955-02-08)
piano:
Hall Overton (on 1955-02-08)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-02-08)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1955-02-08)
lyricist and composer:
Cole Porter (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
The 16th Academy Award for Best Original Song (number: 2)
Hall Overton Trio plus Phil Woods5:30
14Dance of the Infidels
recording engineer:
Rudy van Gelder (on 1957-11-14)
alto saxophone:
Phil Woods (on 1957-11-14)
double bass:
Knobby Totah (on 1957-11-14)
drums (drum set):
Nick Stabulas (on 1957-11-14)
piano:
George Wallington (on 1957-11-14)
trumpet:
Donald Byrd (on 1957-11-14)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-11-14)
recording of:
Dance of the Infidels (on 1957-11-14)
composer:
Bud Powell
publisher:
EMI Longitude Music
George Wallington Quintet6:51
15Hank’s Shout
recording engineer:
Rudy van Gelder (on 1956-11-05)
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass and double bass:
Doug Watkins (on 1956-11-05)
drums (drum set):
Art Taylor (on 1956-11-05)
piano:
Hank Jones (on 1956-11-05)
tenor saxophone:
Hank Mobley (on 1956-11-05)
trumpet:
Lee Morgan (on 1956-11-05)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-11-05)
recording of:
Hank's Shout (on 1956-11-05)
composer:
Hank Mobley
Hank Mobley Quintet7:03
16Softly, as in a Morning SunriseMilt Jackson Quartet3:28