Jazz for Driving

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2020 UMG Recordings, Inc.»
℗ «FP»

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Tracklist

1Digital Media
#TitleArtistLength
1Caravan (1955 version)
recording of:
Caravan (in 1955)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc., Famous Music Corporation, Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Duke Ellington & His Orchestra4:33
2Hit the Road JackShirley Horn3:11
3Over the Rainbow
bass:
Ken Pendergast
cello:
Larry Corbett, Christina Soule and Cécilia Tsan
double bass:
Nico Abandolo and Drew Dembowski
drums (drum set):
Charlie Patterno
harp:
Amy Shulma
percussion:
Paulinho da Costa
tenor saxophone:
Bryan Rogers
trumpet:
Patrick Hughes
vibraphone:
Behn Gillece
viola:
Alma Fernandez, Samuel Formicola, Jody Rubin and Dave Walther
violin:
Darius Campo, Roberto Cani, Joel Derouin, Miran H. Kojian, Natalie Leggett, Liane Mautner, Robin Olson, Katia Popov, Audrey Solomon and Irina Voloshina
vocals:
Melody Gardot
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music, EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
香港商百代音樂股份有限公司台灣分公司, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Melody Gardot4:34
4Road SongWes Montgomery3:50
5Don’t Dream It’s Over
additional recording engineer:
Steve Price (other instruments [orchestra])
recording engineer:
Jorge Vivo
programming, sound engineer and mixer:
Jochem van der Saag
co-producer:
Jochem van der Saag
producer:
David Foster
drums (drum set):
Jim Keltner (in 2014)
guitar [guitars]:
Michael Thompson
keyboard [keyboards]:
David Foster
synthesizer [synths]:
Jochem van der Saag
vocals:
Diana Krall
conductor:
Gavin Greenaway
arranger:
David Foster
orchestrator:
Vince Mendoza
phonographic copyright (℗) by:
Verve Music Group (in 2014)
additionally recorded at:
Air Studios in Hampstead, Camden, London, England, United Kingdom (other instruments [orchestra])
recorded at:
Verve Studios in Santa Monica, California, United States
mixed at:
Blue Studios in Agoura Hills, California, United States
cover recording of:
Don’t Dream It’s Over (in 2014)
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music, EMI Music Publishing Ltd., Mushroom Music, Mushroom Music Publishing and Roundhead Music
part of:
APRA Top 100 New Zealand Songs of All Time (number: 2)
Diana Krall3:38
6Come Away With MeNorah Jones3:17
7(Get Your Kicks on) Route 66 (remastered)
double bass:
Johnny Miller (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
instruments:
The Nat King Cole Trio (in 1946)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole
vocals:
Nat King Cole (in 1946, on 1946-03-15)
performer:
The Nat King Cole Trio (on 1946-03-15)
phonographic copyright (℗) by:
Capitol Records, LLC (in 2000)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (on 1946-03-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部 and Burke-Van Heusen, Inc. (on 1946-04-22)
Nat King Cole Trio3:01
8How Do You Keep the Music Playing?
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (on 1984-04-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
piano:
Joe Parnello (on 1984-04-17)
vocals:
Frank Sinatra (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Joe Parnello
cover recording of:
How Do You Keep the Music Playing? (on 1984-04-17)
lyricist:
Alan Bergman and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (in 1982)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Frank Sinatra3:53
9PerfidiaJulie London2:33
10Histoire d’un amour
vocals:
Dalida (in 1957)
recording of:
Histoire d’un amour (in 1957)
writer:
Carlos Eleta Almarán
translator:
Francis Blanche
version of:
Historia de un amor (original)
Dalida3:06
11Drive TimeChris Botti5:32
12Another Day of SunLa La Land Cast3:48
13You’re Driving Me Crazy
recorded in:
New York, New York, United States (in 1958-08)
recording engineer:
Jack Higgins
producer:
Bill Grauer, Jr.
bass:
Sam Jones (in 1958-08)
drums (drum set):
Dannie Richmond (in 1958-08)
piano:
Kenny Drew (in 1958-08)
trumpet:
Chet Baker (in 1958-08)
vocals:
Chet Baker (in 1958-08)
instrumental recording of:
You’re Driving Me Crazy (in 1958-08)
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
Chet Baker2:57
14Basie - Straight AheadCount Basie & His Orchestra3:56
15Groovin’ Hard (live at the Tropicana, Las Vegas, NV/1970)
Buddy Rich4:55
16Hit the Road to Dreamland
recorded in:
New York, New York, United States (on 1957-11-26)
vocals:
Sarah Vaughan (on 1957-11-26)
orchestra:
Hal Mooney & His Orchestra (on 1957-11-26)
recording of:
Hit the Road to Dreamland (on 1957-11-26)
lyricist:
Johnny Mercer
composer:
Harold Arlen
publisher:
Famous Music Corporation
Sarah Vaughan2:52
17Moanin’
recording of:
Moanin’
composer:
Bobby Timmons
publisher:
Orphum Music Inc.
Art Blakey9:32
18Quizas, Quizas, Quizas
Laura Fygi3:25
19In the MoodGlenn Miller Orchestra3:41
20Liquid Spirit (Claptone remix)
vocals:
Gregory Porter
remixer:
Claptone
remix of:
Liquid Spirit by Gregory Porter
recording of:
Liquid Spirit
lyricist and composer:
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
Gregory Porter6:24
21Manteca (live Japan 1993)
recording engineer:
Bernie Kirsh (on 1993-01-31)
co-producer:
Gretchen Hoffman Abene
producer:
Michael Abene
mixer:
Bernie Kirsh
bass:
John Patitucci (on 1993-01-31)
brass:
Randy Brecker (on 1993-01-31), Chuck Findley (on 1993-01-31), Arturo Sandoval (on 1993-01-31) and Byron Stripling (on 1993-01-31)
clarinet:
Eddie Daniels (on 1993-01-31)
drums (drum set):
Dave Weckl (on 1993-01-31)
flute:
Phillip Bent (on 1993-01-31)
piano:
Dave Grusin (on 1993-01-31)
reeds:
Bob Mintzer (on 1993-01-31)
saxophone:
Eric Marienthal (on 1993-01-31), Tom Scott (on 1993-01-31) and Ernie Watts (on 1993-01-31)
trombone:
George Bohanon (on 1993-01-31)
vibraphone:
Gary Burton (on 1993-01-31)
woodwind:
Nelson Rangell (on 1993-01-31)
phonographic copyright (℗) by:
GRP Records, Inc.
recorded at:
東京簡易保険会館 in Tokyo, Japan (on 1993-01-31)
mixed at:
Mad Hatter Studios in Echo Park, Los Angeles, California, United States
GRP All-Star Big Band7:33
22Speedball
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1965-06-25)
drums (drum set):
Billy Higgins (on 1965-06-25)
piano:
Harold Mabern (on 1965-06-25)
tenor saxophone:
Wayne Shorter (on 1965-06-25)
trumpet:
Lee Morgan (on 1965-06-25)
recording of:
Speedball (on 1965-06-25)
composer:
Lee Morgan
live recording of:
Speedball (in 1970)
composer:
Lee Morgan
Lee Morgan5:32
23Open Sesame (alternate take/the Rudy Van Gelder edition/2002 digital remaster)
recording engineer:
Rudy van Gelder (on 1960-06-19)
producer:
Alfred Lion
double bass [bass]:
Sam Jones (on 1960-06-19)
drums (drum set):
Clifford Jarvis (on 1960-06-19)
piano:
McCoy Tyner (on 1960-06-19)
tenor saxophone:
Tina Brooks (on 1960-06-19)
trumpet:
Freddie Hubbard (on 1960-06-19)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-06-19)
recording of:
Open Sesame (on 1960-06-19)
composer:
Harold Floyd Brooks
publisher:
EMI Unart Catalog Inc.
Freddie Hubbard7:16
24Stolen Moments
recording engineer:
Rudy van Gelder (on 1961-02-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and flute:
Eric Dolphy (on 1961-02-23)
alto saxophone and tenor saxophone:
Oliver Nelson (on 1961-02-23)
baritone saxophone:
George Barrow (on 1961-02-23)
double bass:
Paul Chambers (on 1961-02-23)
drums (drum set):
Roy Haynes (on 1961-02-23)
piano:
Bill Evans (on 1961-02-23)
trumpet:
Freddie Hubbard (on 1961-02-23)
arranger:
Oliver Nelson
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-02-23)
instrumental recording of:
Stolen Moments (original instrumental version) (on 1961-02-23)
composer:
Oliver Nelson (in 1960)
publisher:
Alameda Music Co, Edward B. Marks Music Co. and Noslen Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Oliver Nelson8:46
25II B.S. (edit)
recorded in:
New York, New York, United States (on 1963-09-20)
recording engineer:
Bob Simpson (from 1963-09-20 to present)
engineer:
Bob Simpson
producer:
Bob Thiele
alto saxophone:
Eric Dolphy
alto saxophone and flute:
Eric Dolphy (on 1963-09-20)
baritone saxophone and soprano saxophone:
Jerome Richardson (on 1963-09-20)
clarinet and oboe:
Dick Hafer (on 1963-09-20)
double bass:
Charles Mingus (on 1963-09-20)
double bass [bass]:
Charles Mingus
drums (drum set):
Walter Perkins (on 1963-09-20)
flute:
Eric Dolphy, Dick Hafer (on 1963-09-20) and Jerome Richardson (on 1963-09-20)
guitar:
Jay Berliner (on 1963-09-20)
piano:
Charles Mingus and Jaki Byard (on 1963-09-20)
tenor saxophone:
Booker Ervin (on 1963-09-20) and Dick Hafer (on 1963-09-20)
trombone:
Britt Woodman (on 1963-09-20)
trumpet:
Eddie Preston (on 1963-09-20) and Richard Williams (on 1963-09-20)
tuba:
Don Butterfield (on 1963-09-20)
recording of:
II B.S. (on 1963-09-20)
composer:
Charles Mingus
Charles Mingus4:49
26Intermission Riff
bongos and timbales:
Chico Guerrero (on 1956-02-11)
drums (drum set):
Mel Lewis (on 1956-02-11)
guitar:
Ralph Blaze (on 1956-02-11)
piano:
Stan Kenton (on 1956-02-11)
saxophone:
Skeets Herfurt (on 1956-02-11), Vido Musso (on 1956-02-11), Lennie Niehaus (on 1956-02-11), Jack Nimitz (on 1956-02-11), Bill Perkins (on 1956-02-11) and Spence Sinatra (on 1956-02-11)
trombone:
Milt Bernhart (on 1956-02-11), Bob Fitzpatrick (on 1956-02-11), Carl Fontana (on 1956-02-11), Don Kelley (on 1956-02-11) and Kent Larsen (on 1956-02-11)
trumpet:
Pete Candoli (on 1956-02-11), Maynard Ferguson (on 1956-02-11), Ed Leddy (on 1956-02-11), Sam Noto (on 1956-02-11), Don Paladino (on 1956-02-11) and Vinnie Tanno (on 1956-02-11)
conductor:
Stan Kenton (on 1956-02-11)
recorded at:
Goldwyn Studios in Los Angeles, California, United States (on 1956-02-11)
recording of:
Intermission Riff (on 1956-02-11)
composer:
Ray Wetzel
Stan Kenton4:15
27The Jeep Is Jumpin’
alto saxophone:
Johnny Hodges (on 1962-08-18)
baritone saxophone:
Harry Carney (on 1962-08-18)
cornet:
Ray Nance (on 1962-08-18)
double bass and double bass [bass]:
Aaron Bell (on 1962-08-18)
drums (drum set):
Sam Woodyard (on 1962-08-18)
piano:
Duke Ellington (on 1962-08-18)
tenor saxophone:
Coleman Hawkins (on 1962-08-18)
trombone:
Lawrence Brown (on 1962-08-18)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1962-08-18)
recording of:
The Jeep Is Jumpin' (on 1962-08-18)
composer:
Duke Ellington and Johnny Hodges
Duke Ellington4:51
28Blue Skies
recorded in:
Hollywood, Los Angeles, California, United States (on 1958-03-18)
engineer:
Val Valentin (on 1958-03-18)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (on 1958-03-18)
conductor:
Paul Weston (on 1958-03-18)
performer:
Paul Weston and His Orchestra (on 1958-03-18)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-18)
cover recording of:
Blue Skies (on 1958-03-18)
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Ella Fitzgerald3:45
29What a Wonderful World / What a Wonderful LifeBarry Manilow with Louis Armstrong4:05
30Reunion
recording engineer:
Rob Eaton (from 1989-05-06 until 1989-05-10)
assistant engineer:
Dan Gellert
mixer:
Rob Eaton
bass:
Will Lee (from 1989-05-06 until 1989-05-10)
drums (drum set):
Peter Erskine (from 1989-05-06 until 1989-05-10)
guitar:
Pat Metheny (from 1989-05-06 until 1989-05-10)
keyboard and piano:
Mitchel Forman (from 1989-05-06 until 1989-05-10)
vibraphone:
Gary Burton (from 1989-05-06 until 1989-05-10)
phonographic copyright (℗) by:
GRP Records, Inc. (in 1990)
recorded at:
Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1989-05-06 until 1989-05-10)
recording of:
Reunion (from 1989-05-06 until 1989-05-10)
composer:
Mitchel Forman
Gary Burton5:16
31Blue Train (live at Gotanda Kan‐i Hoken Hall, Tokyo/1993)
GRP All-Star Big Band4:40
32One Breath
recording of:
One Breath
composer:
Walter Afanasieff and Kenny G
Kenny G3:32
33Grey SkiesNikki Yanofsky3:22
34Get Out of Town
Caetano Veloso3:55
35It’s Been a Long, Long Time
vocals:
Peggy Lee (on 1958-05-25)
recording of:
It’s Been a Long, Long Time (on 1958-05-25)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd.
cover recording of:
It’s Been a Long, Long Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd.
Peggy Lee2:20
36A Fine Romance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (on 1957-08-13)
piano:
Oscar Peterson (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
lead vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (on 1957-08-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Ella Fitzgerald3:55
37Prelude in E minor
recording engineer:
Tommy Nola
baritone saxophone:
Gerry Mulligan (in 1963-09)
bass:
Bill Crow (in 1963-09)
drums (drum set):
Dave Bailey (in 1963-09)
flugelhorn and trumpet:
Art Farmer (in 1963-09)
guitar:
Jim Hall (in 1963-09)
trombone:
Bob Brookmeyer (in 1963-09)
instruments arranger:
Gerry Mulligan
recorded at:
Nola’s Penthouse in New York, New York, United States (in 1963-09)
cover recording of:
Prelude in E Minor (arr. Gerry Mulligan) (in 1963-09)
composer:
Fryderyk Chopin
instruments arranger:
Gerry Mulligan
arrangement of:
Prélude no. 4 in E minor, op. 28: Largo
Gerry Mulligan Sextet4:17
38Mas que nada / De manhã
Jorge Ben Jor3:00
39A mis abuelos
Arturo Sandoval5:24
40Cruise ControlGeorge Benson5:10
41Isn’t It RomanticJohnny Hartman2:05
42Love Is Here to StayBlossom Dearie3:11
43Mediterráneo
Andrea Motis5:05
44My WayFrank Sinatra4:37
45California Dreamin’Diana Krall3:17
46Lean on MeJosé James4:58
47On the Sunny Side of the Street (English version)
Lisa Ono2:04
48Have You Met Miss Jones?
Stan Getz Quintet3:14
49On a Clear Day (You Can See Forever)
recording engineer:
Ray Hall (from 1968-09-23 until 1968-10-21)
producer:
Helen Keane
piano:
Bill Evans (from 1968-09-23 until 1968-10-21)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09-23 until 1968-10-21)
instrumental cover recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (from 1968-09-23 until 1968-10-21)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc., Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
Bill Evans4:49
50Makin’ Whoopee!Ella Fitzgerald3:00
51Orange Colored Sky
Oscar Peterson2:15
52Soul Eyes
recording of:
Soul Eyes
composer:
Mal Waldron
publisher:
Prestige Music
Kandace Springs3:22
53Hey Laura
assistant engineer:
Owen Mulholland and Ted Tuthill
engineer:
Jay Newland
associate producer:
Kamau Kenyatta
producer:
Brian Bacchus
mixer:
Jay Newland (from 2013-04 until 2013-05)
bass:
Aaron James
drums (drum set):
Emanuel Harrold
Hammond organ [Hammond B3 organ]:
Glenn Patscha
piano:
Chip Crawford
vocals:
Gregory Porter
brass [horns] arranger:
Kamau Kenyatta
recorded at:
Sear Sound in New York, New York, United States (from 2013-03-28 until 2013-03-30, on 2013-04-15)
mixed at:
The Grateful Shed in Norwalk, Connecticut, United States (from 2013-04 until 2013-05)
recording of:
Hey Laura
lyricist and composer:
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
Gregory Porter3:19
54Flying Home (single version)
recording of:
Flying Home (instrumental version)
composer:
Benny Goodman and Lionel Hampton
publisher:
Ragbag Music and Regent Music
Lionel Hampton and His Orchestra3:13
55You’re Still the One
assistant recording engineer:
Mikhail Pivovarov
recording engineer:
Jay Newland (from 2014-04-03 until 2014-04-04)
producer:
John Scofield
mixer:
Jay Newland
drums (drum set):
Bill Stewart (from 2016-04-03 until 2016-04-04)
electric bass guitar:
Steve Swallow (from 2016-04-03 until 2016-04-04)
guitar:
John Scofield (from 2016-04-03 until 2016-04-04)
Hammond organ:
Larry Goldings (from 2016-04-03 until 2016-04-04)
recorded at:
Carriage House Studios in Stamford, Connecticut, United States (from 2016-04-03 until 2016-04-04)
instrumental recording of:
You’re Still the One (from 2016-04-03 until 2016-04-04)
writer:
Eilleen Shania Lange and Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. and PolyGram International, Inc.
John Scofield4:20
56Déjà vu
recording of:
Déjà vu
composer:
Walter Afanasieff and Kenny G
Kenny G5:01
57The Way Home
Chris Botti4:52