Messiah: A Sacred Oratorio

~ Release by Handel; Cantillation, Orchestra of the Antipodes, Macliver, Sherman, Field, McMahon, Rhodes, Walker (see all versions of this release, 2 available)

Tracklist

1▶CD

2▼CD
#	Title	Artist	Length
1	The Messiah, Part 2 (No. 24): Chorus, Surely he hath borne our griefs choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	1:34
2	The Messiah, Part 2 (No. 25): Chorus, And with His stripes choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	1:50
3	The Messiah, Part 2 (No. 26): Chorus, All we, like sheep choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	3:48
4	The Messiah, Part 2 (No. 27): Accompanied Recitative (Tenor), All they that see Him tenor vocals: Paul McMahon orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	0:38
5	The Messiah, Part 2 (No. 28): Chorus, He trusted in God choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	2:01
6	The Messiah, Part 2 (No. 29): Accompanied Recitative (Tenor), Thy rebuke hath broken His heart tenor vocals: Paul McMahon orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	2:10
7	The Messiah, Part 2 (No. 30): Air (Tenor), Behold and see tenor vocals: Paul McMahon orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) composer: George Frideric Handel part of: Messiah, HWV 56: Part II	George Frideric Handel	1:32
8	The Messiah, Part 2 (No. 31): Accompanied Recitative (Tenor), He was cut off tenor vocals: Paul McMahon orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	0:34
9	The Messiah, Part 2 (No. 32): Air (Soprano), Behold and see soprano vocals: Sara Macliver orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) composer: George Frideric Handel part of: Messiah, HWV 56: Part II	George Frideric Handel	2:09
10	The Messiah, Part 2 (No. 33): Chorus, Lift up your heads choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	3:00
11	The Messiah, Part 2 (No. 34): Recitative (Tenor), Unto which of the Angels tenor vocals: Paul McMahon orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	0:17
12	The Messiah, Part 2 (No. 35): Chorus, Let all the angels choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	1:22
13	The Messiah, Part 2 (No. 36): Air (Countertenor), Thou art gone up on high countertenor vocals: Christopher Field orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) composer: George Frideric Handel (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	3:16
14	The Messiah, Part 2 (No. 37): Chorus, The Lord gave us the word choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	1:09
15	The Messiah, Part 2 (No. 38): Air (Soprano), How beautiful are the feet soprano vocals: Sara Macliver orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) composer: George Frideric Handel part of: Messiah, HWV 56: Part II	George Frideric Handel	2:18
16	The Messiah, Part 2 (No. 39): Chorus, Their sound is gone out choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) composer: George Frideric Handel (in 1745) is based on: Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) part of: Messiah, HWV 56: Part II	George Frideric Handel	1:25
17	The Messiah, Part 2 (No. 40): Air (Bass), Why do the nations bass vocals: Teddy Tahu Rhodes orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	2:25
18	The Messiah, Part 2 (No. 41): Chorus, Let us break their bonds asunder choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	1:30
19	The Messiah, Part 2 (No. 42): Recitative (Tenor), He hath dwelleth in heaven tenor vocals: Paul McMahon orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	0:14
20	The Messiah, Part 2 (No. 43): Air (Tenor), Thou shalt break them tenor vocals: Paul McMahon orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) composer: George Frideric Handel part of: Messiah, HWV 56: Part II	George Frideric Handel	2:01
21	The Messiah, Part 2 (No. 44): Chorus, Hallelujah! choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel	3:36
22	The Messiah, Part 3 (No. 45): Air (Soprano), I know that me Redeemer liveth soprano vocals: Sara Macliver orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	6:33
23	The Messiah, Part 3 (No. 46): Chorus, since by man came death choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	2:20
24	The Messiah, Part 3 (No. 47): Accompanied Recitative (Bass), Behold I tell you a mystery bass vocals: Teddy Tahu Rhodes orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	0:47
25	The Messiah, Part 3 (No. 48): Air (Bass), The trumpet shall sound bass vocals: Teddy Tahu Rhodes orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	8:37
26	The Messiah, Part 3 (No. 49): Recitative (Countertenor), Then shall be brought to pass countertenor vocals: Christopher Field orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) composer: George Frideric Handel part of: Messiah, HWV 56: Part III	George Frideric Handel	0:19
27	The Messiah, Part 3 (No. 50): Duet (Countertenor, Tenor), O death, where is thy sting countertenor vocals: Christopher Field tenor vocals: Paul McMahon orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	0:59
28	The Messiah, Part 3 (No. 51): Chorus, But thanks be to God choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	2:09
29	The Messiah, Part 3 (No. 52): Air (Alto), If God be for us alto vocals: Alexandra Sherman orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Alto) (version transposed for Alto) composer: George Frideric Handel version of: Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) part of: Messiah, HWV 56: Part III	George Frideric Handel	5:11
30	The Messiah, Part 3 (No. 53): Chorus, Worthy is the Lamb choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part III, no. 53a. Chorus “Worthy is the Lamb” composer: George Frideric Handel part of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”	George Frideric Handel	3:25
31	The Messiah, Part 3 (No. 54): Chorus, Amen choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part III, no. 53b. Chorus “Amen” composer: George Frideric Handel part of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”	George Frideric Handel	3:58

Messiah: A Sacred Oratorio

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