Messiah

~ Release by Georg Friedrich Händel; Boston Baroque, Martin Pearlman, Karen Clift, Catherine Robbin, Bruce Fowler, Victor Ledbetter (see all versions of this release, 2 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	Part one, Sinf miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman (in 1992-05) recorded at: Campion Center in Weston, Massachusetts, United States (in 1992-05) recording of: Messiah, HWV 56: Part I, no. 1. Symphony composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	2:54
2	Part One, Recitative: Comfort Ye, My People miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge tenor vocals: Bruce Fowler (in 1992-05) orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman (in 1992-05) recorded at: Campion Center in Weston, Massachusetts, United States (in 1992-05) recording of: Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	2:48
3	Part One, Air: Every Valley Shall Be Exhaulted miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge tenor vocals: Bruce Fowler (in 1992-05) orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman (in 1992-05) recorded at: Campion Center in Weston, Massachusetts, United States (in 1992-05) recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	3:10
4	Part One, Chor: And the Glory of the Lord miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman (in 1992-05) recorded at: Campion Center in Weston, Massachusetts, United States (in 1992-05) recording of: Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	2:38
5	Part One, Recitative: Thus saith the Lord miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge baritone vocals: Victor Ledbetter orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22) recording of: Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	1:24
6	Part One, Air: But who may abide miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge mezzo-soprano vocals: Catherine Robbin orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22) recording of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” composer: George Frideric Handel version of: Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	3:58
7	Part One, Chor: And He shall purify miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge orchestra: Boston Baroque Orchestra and Chorus (in 1992-05) conductor: Martin Pearlman (in 1992-05) recorded at: Campion Center in Weston, Massachusetts, United States (in 1992-05) recording of: Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	2:10
8	Part One, Recitative: Behold, a virgin shall conceive miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge mezzo-soprano vocals: Catherine Robbin (in 1992-05) orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman (in 1992-05) recorded at: Campion Center in Weston, Massachusetts, United States (in 1992-05) recording of: Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	0:22
9	Part One, Air & Chor: O Thou that tellest good tidings to Zion miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge mezzo-soprano vocals: Catherine Robbin (in 1992-05) orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman (in 1992-05) recorded at: Campion Center in Weston, Massachusetts, United States (in 1992-05) recording of: Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	5:20
10	Part One, Recitative: For behold, darkness shall cover the earth miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge baritone vocals: Victor Ledbetter orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22) recording of: Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	1:49
11	Part One, Air: The people that walked in darkness miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge baritone vocals: Victor Ledbetter orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22) recording of: Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	4:06
12	Part One, Chor: For unto us a Child is born miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman (in 1992-05) recorded at: Campion Center in Weston, Massachusetts, United States (in 1992-05) recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	3:36
13	Part One, Sym: Pastoral orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recording of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	2:53
14	Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge soprano vocals: Karen Clift orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22) recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	0:33
15	Part One, Recitative: And the angel said unto them miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge soprano vocals: Karen Clift orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22) recording of: Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	0:35
16	Part One, Recitative: And suddenly there was with the angel miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge soprano vocals: Karen Clift orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22) recording of: Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	0:16
17	Part One, Chor: Glory to the God miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22) recording of: Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	1:46
18	Part One, Air: Rejoice greatly, O daughter of Zion miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge soprano vocals: Karen Clift (in 1992-05) orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman (in 1992-05) recorded at: Campion Center in Weston, Massachusetts, United States (in 1992-05) recording of: Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) composer: George Frideric Handel (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	4:16
19	Part One, Recitative: Then shall the eyes of the blind miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge soprano vocals: Karen Clift orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22) recording of: Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	0:23
20	Part One, Air: He shall feed His flock like a shepherd miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge mezzo-soprano vocals: Catherine Robbin soprano vocals: Karen Clift orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22) recording of: Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	4:39
21	Part One, Chor: His yoke is easy miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman (in 1992-05) recorded at: Campion Center in Weston, Massachusetts, United States (in 1992-05) recording of: Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	2:22
22	Part Two, Chor: Behold the lamb of God miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22) recording of: Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	2:28
23	Part Two, Air: He was despised miscellaneous support: John Newton (in 1992-05) engineer: Jack Renner (in 1992-05) assistant producer: Elaine Martone (in 1992-05) producer: James Mallinson (in 1992-05) editor: Tony Bridge mezzo-soprano vocals: Catherine Robbin orchestra: Boston Baroque (in 1992-05) conductor: Martin Pearlman recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-05-18 until 1992-05-22) recording of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	8:25

2▶CD

Credits

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art direction:	Anilda Carrasquillo Ray Kirschensteiner
photography:	Erich Lessing
liner notes:	Patricia Dussaux Gila Fox Martin Pearlman
executive producer:	Robert Woods
harpsichord:	Martin Pearlman

Discogs:	https://www.discogs.com/release/3218651 [info]
ASIN:	US: B000003CYY [info]

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Allmusic:	https://www.allmusic.com/album/mw0001374144 [info]
Wikidata:	Q207732 [info]

Messiah

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