Orff: Carmina Burana / Stravinsky: Fireworks / Circus Polka

~ Release by Carl Orff, Igor Stravinsky; Lucia Popp, Gerhard Unger, Raymond Wolansky, John Noble, New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos (see all versions of this release, 1 available)

Annotation

This seems to be a recording with Rafael Fruhbeck de Burgos as conductor, which has two stravinsky tracks tagged on the end. Does actually seem to exist (it's in amazon).

This appears to also be a remastered version of another release.

Tracklist

1▼CD
#TitleArtistLength
1Fortuna Imperatrix Mundi: O Fortuna
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:51
2Fortuna Imperatrix Mundi: Fortune plango vulnera
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:50
3Primo Vere: Veris leta facies
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: I. Primo Vere
Carl Orff3:52
4Primo Vere: Omnia sol temperat
producer:
Peter Andry
baritone vocals:
Raymond Wolansky (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: I. Primo Vere
Carl Orff1:44
5Primo Vere: Ecce gratum
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:53
6Uf dem Anger: Tanz
producer:
Peter Andry
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:59
7Uf dem Anger: Floret silva nobilis
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:29
8Uf dem Anger: Chramer, gip die varwe mir
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:36
9Uf dem Anger: Reie...
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff5:13
10Uf dem Anger: Were diu werlt alle min
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:01
11In Taberna: Estuaris interius
producer:
Peter Andry
baritone vocals:
Raymond Wolansky (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: II. In Taberna
Carl Orff2:25
12In Taberna: Olim lacus colueram
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
tenor vocals:
Gerhard Unger (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: II. In Taberna
Carl Orff3:23
13In Taberna: Ego sum abbas
producer:
Peter Andry
baritone vocals:
Raymond Wolansky (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: II. In Taberna
Carl Orff1:16
14In Taberna: In taberna quando sumus
producer:
Peter Andry
baritone vocals:
Raymond Wolansky (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: II. In Taberna
Carl Orff3:24
15Cours d'amour: Amor volat undique
producer:
Peter Andry
choir vocals:
Wandsworth School Boys’ Choir (from 1965-06-12 until 1965-06-16)
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Russell Burgess (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:16
16Cours d'amour: Dies, nox et omnia
producer:
Peter Andry
baritone vocals:
John Noble (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:07
17Cours d'amour: Stetit puella
producer:
Peter Andry
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:01
18Cours d'amour: Circa mea pectora
producer:
Peter Andry
baritone vocals:
Raymond Wolansky (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:12
19Cours d'amour: Si puer cum puellula
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:58
20Cours d'amour: Veni, veni, venias
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:55
21Cours d'amour: In trutina
producer:
Peter Andry
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:07
22Cours d'amour: Tempus est iocondum
producer:
Peter Andry
baritone vocals:
Raymond Wolansky (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16) and Wandsworth School Boys’ Choir (from 1965-06-12 until 1965-06-16)
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Russell Burgess (from 1965-06-12 until 1965-06-16) and Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:25
23Cours d'amour: Dulcissime
producer:
Peter Andry
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:32
24Blanziflor et Helena: Ave formosissima
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff1:44
25Fortuna Imperatrix Mundi: O Fortuna
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff3:04
26Fireworks, Op. 4
orchestra:
Philharmonia Orchestra
conductor:
Rafael Frühbeck de Burgos
recording of:
Feu d’artifice, op. 4 (Fireworks, op. 4)
composer:
Игорь Фёдорович Стравинский (in 1908)
premiered at:
[concert]
part of:
K Catalog (number: K007)
Igor Stravinsky3:39
27Circus Polka
orchestra:
Philharmonia Orchestra
conductor:
Rafael Frühbeck de Burgos
recording of:
Circus Polka: For a Young Elephant (for orchestra)
composer:
Игорь Фёдорович Стравинский (until 1942-02-05)
arranger:
Игорь Фёдорович Стравинский (in 1944)
premiered at:
[concert]
premiered at:
Symphony Hall in Boston, Massachusetts, United States (on 1944-01-15)
arrangement of:
Circus Polka: For a Young Elephant (for piano)
Igor Stravinsky3:24