Handel in Hamburg

~ Release by Handel; The Parley of Instruments, Peter Holman (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistLength
1Suite from the opera Almira, HWV 1: Ouverture
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel3:59
2Suite from the opera Almira, HWV 1: Courante
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel1:16
3Suite from the opera Almira, HWV 1: Bourree
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel0:36
4Suite from the opera Almira, HWV 1: Menuet
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel0:44
5Suite from the opera Almira, HWV 1: Rigaudon
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel0:56
6Suite from the opera Almira, HWV 1: Rondeau
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel1:19
7Suite from the opera Almira, HWV 1: Sarabande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel2:13
8Suite from the opera Almira, HWV 1: Gigue
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel0:59
9Suite from the opera Almira, HWV 1: Chaconne
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Almira Suite (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Almira, Königin von Castilien, HWV 1
George Frideric Handel1:32
10Suite in G minor, possibly from the opera Nero, HWV 453: Ouverture
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite in G minor, HWV 453 (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
arrangement of:
Suite in G minor, HWV 453
George Frideric Handel2:28
11Suite in G minor, possibly from the opera Nero, HWV 453: Entree
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite in G minor, HWV 453 (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
arrangement of:
Suite in G minor, HWV 453
George Frideric Handel1:44
12Suite in G minor, possibly from the opera Nero, HWV 453: Menuet 1 / Menuet 2 / Menuet 1
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite in G minor, HWV 453 (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
arrangement of:
Suite in G minor, HWV 453
George Frideric Handel2:48
13Suite in G minor, possibly from the opera Nero, HWV 453: Chaconne
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite in G minor, HWV 453 (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
arrangement of:
Suite in G minor, HWV 453
George Frideric Handel2:28
14Oboe Concerto in G minor, HWV 287: Grave
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
oboe:
Frank de Bruine (from 1997-12-03 until 1997-12-05)
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
recording of:
Oboe Concerto no. 3 in G minor, HWV 287: I. Grave (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Oboe Concerto no. 3 in G minor, HWV 287
George Frideric Handel2:34
15Oboe Concerto in G minor, HWV 287: Allegro
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
oboe:
Frank de Bruine (from 1997-12-03 until 1997-12-05)
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
recording of:
Oboe Concerto no. 3 in G minor, HWV 287: II. Allegro (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Oboe Concerto no. 3 in G minor, HWV 287
George Frideric Handel1:44
16Oboe Concerto in G minor, HWV 287: Sarabande (Largo)
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
oboe:
Frank de Bruine (from 1997-12-03 until 1997-12-05)
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
recording of:
Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande (Largo) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Oboe Concerto no. 3 in G minor, HWV 287
George Frideric Handel1:50
17Oboe Concerto in G minor, HWV 287: Allegro
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
oboe:
Frank de Bruine (from 1997-12-03 until 1997-12-05)
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
recording of:
Oboe Concerto no. 3 in G minor, HWV 287: IV. Allegro (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Oboe Concerto no. 3 in G minor, HWV 287
George Frideric Handel1:54
18Suite from the operas Florindo and Daphne, HWV 336, 352-4: Ouverture
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel3:33
19Suite from the operas Florindo and Daphne, HWV 336, 352-4: Sarabande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:59
20Suite from the operas Florindo and Daphne, HWV 336, 352-4: Gavotte
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel0:41
21Suite from the operas Florindo and Daphne, HWV 336, 352-4: Menuet
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:20
22Suite from the operas Florindo and Daphne, HWV 336, 352-4: Allemande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel0:42
23Suite from the operas Florindo and Daphne, HWV 336, 352-4: Bourree – Allemande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:10
24Suite from the operas Florindo and Daphne, HWV 336, 352-4: Menuet
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:24
25Suite from the operas Florindo and Daphne, HWV 336, 352-4: Allemande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:03
26Suite from the operas Florindo and Daphne, HWV 336, 352-4: Coro
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:18
27Suite from the operas Florindo and Daphne, HWV 336, 352-4: Allemande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel0:54
28Suite from the operas Florindo and Daphne, HWV 336, 352-4: Rigaudon – Allemande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Suite From the Operas Florindo and Daphne (reconstr. Holman) (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
reconstructed by:
Peter Holman
is based on:
Ouverture in B-flat major, HWV 336
is based on:
Suite in B-flat major, HWV 352
is based on:
Suite in B-flat major, HWV 354
is based on:
Suite in G major, HWV 353
George Frideric Handel1:57
29Overture in B-flat major from the opera Rodrigo, HWV 5: Ouverture
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel3:37
30Overture in B-flat major from the opera Rodrigo, HWV 5: Gigue
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel0:57
31Overture in B-flat major from the opera Rodrigo, HWV 5: Sarabande
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel2:07
32Overture in B-flat major from the opera Rodrigo, HWV 5: Matelot
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel1:17
33Overture in B-flat major from the opera Rodrigo, HWV 5: Menuet
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel1:15
34Overture in B-flat major from the opera Rodrigo, HWV 5: Bourree
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel1:06
35Overture in B-flat major from the opera Rodrigo, HWV 5: [Air]
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel1:04
36Overture in B-flat major from the opera Rodrigo, HWV 5: Menuet
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel1:08
37Overture in B-flat major from the opera Rodrigo, HWV 5: Passacaille
recording engineer:
Antony Howell (from 1997-12-03 until 1997-12-05) and Julian Millard (from 1997-12-03 until 1997-12-05)
producer:
Martin Compton
orchestra:
The Parley of Instruments (from 1997-12-03 until 1997-12-05)
conductor:
Peter Holman (from 1997-12-03 until 1997-12-05)
concertmaster:
Elizabeth Wallfisch (from 1997-12-03 until 1997-12-05)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1998)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-12-03 until 1997-12-05)
partial recording of:
Rodrigo, HWV 5: Overture (from 1997-12-03 until 1997-12-05)
composer:
George Frideric Handel
part of:
Rodrigo, HWV 5
George Frideric Handel4:00