Tracklist

1CD
2CD
3CD
4CD
#TitleArtistLength
1Kantate, BWV 104 "Du Hirte Israel, höre": I. Coro "Du Hirte Israel, höre"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": I. Coro "Du Hirte Israel, höre" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach4:54
2Kantate, BWV 104 "Du Hirte Israel, höre": II. Recitativo (Tenore) "Der höchste Hüter sorgt für mich"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
tenor vocals:
Peter Schreier (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": II. Recitativo (Tenor) "Der höchste Hirte sorgt vor mich" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach0:49
3Kantate, BWV 104 "Du Hirte Israel, höre": III. Aria (Tenore) "Verbirgt mein Hirte sich zu lange"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
tenor vocals:
Peter Schreier (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": III. Aria (Tenor) "Verbirgt mein Hirte sich zu lange" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach3:12
4Kantate, BWV 104 "Du Hirte Israel, höre": IV. Recitativo (Basso) "Ja, dieses Wort ist meiner Seelen Speise"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
bass vocals:
Dietrich Fischer‐Dieskau (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": IV. Recitativo (Bass) "Ja, dieses Wort ist meiner Seelen Speise" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach1:13
5Kantate, BWV 104 "Du Hirte Israel, höre": V. Aria (Basso) "Beglückte Herde, Jesu Schafe"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
bass vocals:
Dietrich Fischer‐Dieskau (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": V. Aria (Bass) "Beglückte Herde, Jesu Schafe" (from 1973-05 until 1973-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach8:25
6Kantate, BWV 104 "Du Hirte Israel, höre": VI. Chorale "Der Herr ist mein getreuer Hirt"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (from 1973-05 until 1973-06, in 1973-10)
cello:
Fritz Kiskalt (from 1973-05 until 1973-06, in 1973-10)
double bass:
Herbert Duft (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore I]:
Manfred Clement (from 1973-05 until 1973-06, in 1973-10)
oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1973-05 until 1973-06, in 1973-10)
organ:
Hedwig Bilgram (from 1973-05 until 1973-06, in 1973-10) and Elmar Schloter (from 1973-05 until 1973-06, in 1973-10)
choir vocals:
Münchener Bach‐Chor (from 1973-05 until 1973-06, in 1973-10)
orchestra:
Münchener Bach‐Orchester (from 1973-05 until 1973-06, in 1973-10)
conductor:
Karl Richter (from 1973-05 until 1973-06, in 1973-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1973-05 until 1973-06, in 1973-10)
recording of:
Kantate, BWV 104 "Du Hirte Israel, höre": VI. Choral "Der Herr ist mein getreuer Hirt" (from 1973-05 until 1973-06)
lyricist:
Kornelius Becker
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 13)
part of:
Kantate, BWV 104 "Du Hirte Israel, höre"
Johann Sebastian Bach1:16
7Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
cello:
Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
double bass:
Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
oboe:
Robert Eliscú (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
organ:
Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
trumpet:
Pierre Thibaud (from 1974-01 until 1974-02)
orchestra:
Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
conductor:
Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:48
8Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
cello:
Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
double bass:
Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
organ:
Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
trumpet:
Pierre Thibaud (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
choir vocals:
Münchener Bach‐Chor (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
orchestra:
Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
conductor:
Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach8:26
9Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
cello:
Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
double bass:
Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
organ:
Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
trumpet:
Pierre Thibaud (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
alto vocals:
Anna Reynolds (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
orchestra:
Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
conductor:
Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:11
10Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
cello:
Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
double bass:
Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
oboe:
Manfred Clement (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
organ:
Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
trumpet:
Pierre Thibaud (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
alto vocals:
Anna Reynolds (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
orchestra:
Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
conductor:
Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:53
11Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
cello:
Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
double bass:
Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
organ:
Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
trumpet:
Pierre Thibaud (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
bass vocals:
Theo Adam (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
orchestra:
Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
conductor:
Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:24
12Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
cello:
Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
double bass:
Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
organ:
Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
trumpet:
Pierre Thibaud (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
tenor vocals:
Peter Schreier (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
orchestra:
Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
conductor:
Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach3:58
13Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan"
recording engineer:
Klaus Scheibe and Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
bassoon:
Karl Kolbinger (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
cello:
Fritz Kiskalt (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
double bass:
Herbert Duft (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
organ:
Hedwig Bilgram (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
trumpet:
Pierre Thibaud (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
choir vocals:
Münchener Bach‐Chor (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
orchestra:
Münchener Bach‐Orchester (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
conductor:
Karl Richter (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (from 1974-01 until 1974-02)
lyricist:
Samuel Rodigast
composer:
Johann Sebastian Bach (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:59
5CD

Credits

Release

part of:Bach · Kantaten (number: 2) (order: 2)
ASIN:DE: B0000057EJ [info]
other databases:https://d-nb.info/355014041 [info]
discography entry:http://www.deutschegrammophon.com/cat/4393742 [info]