| # | Title | Length |
|---|
| 1 | Monotony | 2:57 |
| 2 | Interlude | 3:16 |
| 3 | Artistry in Harlem Swing | 2:49 |
| 4 | Please Be Kind | 2:59 |
| 5 | I Got It Bad (and That Ain’t Good) | 2:22 |
| 6 | By the River Sainte Marie | 1:41 |
| 7 | April in Paris | 2:16 |
| 8 | Don’t Worry ’bout Me | 2:05 |
| 9 | If I Could Be With You (One Hour Tonight) | 3:46 |
| 10 | Sophisticated Lady- producer:
- Lee Gillette
- alto saxophone:
- Vinnie Dean (from 1953-01-28 until 1953-01-30) and Lee Konitz (from 1953-01-28 until 1953-01-30)
- baritone saxophone:
- Bob Gioga (from 1953-01-28 until 1953-01-30)
- bass:
- Don Bagley (from 1953-01-28 until 1953-01-30)
- bass trombone:
- George Roberts (from 1953-01-28 until 1953-01-30)
- drums (drum set):
- Stan Levey (from 1953-01-28 until 1953-01-30)
- guitar:
- Sal Salvador (from 1953-01-28 until 1953-01-30)
- piano:
- Stan Kenton (from 1953-01-28 until 1953-01-30)
- tenor saxophone:
- Bill Holman (from 1953-01-28 until 1953-01-30) and Richie Kamuca (from 1953-01-28 until 1953-01-30)
- trombone:
- Bill Russo (from 1953-01-28 until 1953-01-30), Bob Burgess (from 1953-01-28 until 1953-01-30), Keith Moon (from 1953-01-28 until 1953-01-30) and Frank Rosolino (from 1953-01-28 until 1953-01-30)
- trumpet:
- Conte Candoli (from 1953-01-28 until 1953-01-30), Buddy Childers (from 1953-01-28 until 1953-01-30), Don Dennis (from 1953-01-28 until 1953-01-30), Maynard Ferguson (from 1953-01-28 until 1953-01-30) and Ruben McFall (from 1953-01-28 until 1953-01-30)
- conductor:
- Stan Kenton (from 1953-01-28 until 1953-01-30)
- arranger:
- Bill Russo
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1953-01-28 until 1953-01-30)
- recording of:
- Sophisticated Lady
- lyricist:
- Mitchell Parish and Irving Mills (in 1932)
- composer:
- Duke Ellington (in 1932)
- publisher:
- Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc., Famous Music Corporation (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
- part of:
- Sophisticated Ladies
- part of:
- The Real Book
| 3:17 |
| 11 | That Fatal Apple | 2:31 |
| 12 | Elegy for Alto | 3:12 |
| 13 | Soothe Me | 3:11 |
| 14 | Chorale for Brass, Piano and Bongo (Prologue Suite, Second Movement) | 3:03 |
| 15 | Curiosity | 2:43 |
| 16 | Theme to the West | 3:11 |
| 17 | Abstraction (Prologue Suite, Third Movement) | 3:07 |
| 18 | Fugue for Rhythm Section | 2:59 |
| 19 | Monotony | 3:09 |
| 20 | Unison Riff- bongos and timbales:
- Chico Guerrero (on 1956-02-11)
- drums (drum set):
- Mel Lewis (on 1956-02-11)
- guitar:
- Ralph Blaze (on 1956-02-11)
- piano:
- Stan Kenton (on 1956-02-11)
- saxophone:
- Skeets Herfurt (on 1956-02-11), Vido Musso (on 1956-02-11), Lennie Niehaus (on 1956-02-11), Jack Nimitz (on 1956-02-11), Bill Perkins (on 1956-02-11) and Spence Sinatra (on 1956-02-11)
- trombone:
- Milt Bernhart (on 1956-02-11), Bob Fitzpatrick (on 1956-02-11), Carl Fontana (on 1956-02-11), Don Kelley (on 1956-02-11) and Kent Larsen (on 1956-02-11)
- trumpet:
- Pete Candoli (on 1956-02-11), Maynard Ferguson (on 1956-02-11), Ed Leddy (on 1956-02-11), Sam Noto (on 1956-02-11), Don Paladino (on 1956-02-11) and Vinnie Tanno (on 1956-02-11)
- conductor:
- Stan Kenton (on 1956-02-11)
- recorded at:
- Goldwyn Studios in Los Angeles, California, United States (on 1956-02-11)
- recording of:
- Unison Riff (on 1956-02-11)
- composer:
- Pete Rugolo
| 3:12 |
| 21 | Lament | 3:07 |
| 22 | Introduction to a Latin Rhythm (Prologue Suite, First Movement) | 2:42 |
