Yesterday’s Love Songs • Today’s Blues

~ Release by Nancy Wilson (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#	Title	Length
A1	The Song Is You producer: Tom Morgan bass: Jimmy Bond (from 1963-10-08 until 1963-10-10) bass trombone: Ken Shroyer (from 1963-10-08 until 1963-10-10) guitar: Joe Pass (from 1963-10-08 until 1963-10-10) membranophone: Kenny Dennis (from 1963-10-08 until 1963-10-10) piano: Jack Wilson (from 1963-10-08 until 1963-10-10) reeds: Teddy Edwards (from 1963-10-08 until 1963-10-10), Paul Horn (from 1963-10-08 until 1963-10-10), Harold Land (from 1963-10-08 until 1963-10-10), Joe Maini (from 1963-10-08 until 1963-10-10) and Donald Ruffell (from 1963-10-08 until 1963-10-10) solo trumpet: Carmell Jones (from 1963-10-08 until 1963-10-10) trombone: Bob Edmondson (from 1963-10-08 until 1963-10-10), John Ewing (from 1963-10-08 until 1963-10-10) and Lester Robertson (from 1963-10-08 until 1963-10-10) trumpet: Jules Chaikin (from 1963-10-08 until 1963-10-10), Freddie Hill (from 1963-10-08 until 1963-10-10), Carmell Jones (from 1963-10-08 until 1963-10-10) and Al Porcino (from 1963-10-08 until 1963-10-10) vocals: Nancy Wilson (from 1963-10-08 until 1963-10-10) orchestra: Gerald Wilson Orchestra (from 1963-10-08 until 1963-10-10) remixer: Malcolm Addey arranger: Gerald Wilson recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10) cover recording of: The Song Is You (from 1963-10-08 until 1963-10-10) lyricist: Oscar Hammerstein II composer: Jerome Kern publisher: PolyGram International Publishing, Inc. and T.B. Harms Co.	1:58
A2	The Very Thought of You producer: Brad Benedict and Tom Morgan bass: Jimmy Bond (from 1963-10-08 until 1963-10-10) celesta and piano: Jack Wilson (from 1963-10-08 until 1963-10-10) cello: Edgar Lustgarten (from 1963-10-08 until 1963-10-10) guitar: Joe Pass (from 1963-10-08 until 1963-10-10) membranophone: Kenny Dennis (from 1963-10-08 until 1963-10-10) strings: George Poole (from 1963-10-08 until 1963-10-10) vocals: Nancy Wilson (from 1963-10-08 until 1963-10-10) conductor: Gerald Wilson (from 1963-10-08 until 1963-10-10) remixer: Malcolm Addey and Bob Norberg arranger: Gerald Wilson recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10) cover recording of: The Very Thought of You (from 1963-10-08 until 1963-10-10) lyricist and composer: Ray Noble publisher: Quartet Music Inc., Range Road Music, Redwood Music Ltd. and Warner Bros. Music	2:51
A3	Satin Doll producer: Tom Morgan bass: Jimmy Bond (from 1963-10-08 until 1963-10-10) bass trombone: Ken Shroyer (from 1963-10-08 until 1963-10-10) guitar: Joe Pass (from 1963-10-08 until 1963-10-10) membranophone: Kenny Dennis (from 1963-10-08 until 1963-10-10) piano: Jack Wilson (from 1963-10-08 until 1963-10-10) reeds: Teddy Edwards (from 1963-10-08 until 1963-10-10), Paul Horn (from 1963-10-08 until 1963-10-10), Harold Land (from 1963-10-08 until 1963-10-10), Joe Maini (from 1963-10-08 until 1963-10-10) and Donald Ruffell (from 1963-10-08 until 1963-10-10) trombone: Bob Edmondson (from 1963-10-08 until 1963-10-10), John Ewing (from 1963-10-08 until 1963-10-10) and Lester Robertson (from 1963-10-08 until 1963-10-10) trumpet: Jules Chaikin (from 1963-10-08 until 1963-10-10), Freddie Hill (from 1963-10-08 until 1963-10-10), Carmell Jones (from 1963-10-08 until 1963-10-10) and Al Porcino (from 1963-10-08 until 1963-10-10) vocals: Nancy Wilson (from 1963-10-08 until 1963-10-10) orchestra: Gerald Wilson Orchestra (from 1963-10-08 until 1963-10-10) remixer: Malcolm Addey arranger: Gerald Wilson recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10) cover recording of: Satin Doll (from 1963-10-08 until 1963-10-10) lyricist: Johnny Mercer (in 1953) additional composer: Duke Ellington (in 1953) composer: Billy Strayhorn (in 1953) publisher: Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. and WB Music Corp.	2:21
A4	Bewitched producer: Tom Morgan bass: Jimmy Bond (from 1963-10-08 until 1963-10-10) bass trombone: Ken Shroyer (from 1963-10-08 until 1963-10-10) guitar: Joe Pass (from 1963-10-08 until 1963-10-10) membranophone: Kenny Dennis (from 1963-10-08 until 1963-10-10) piano: Jack Wilson (from 1963-10-08 until 1963-10-10) reeds: Teddy Edwards (from 1963-10-08 until 1963-10-10), Paul Horn (from 1963-10-08 until 1963-10-10), Harold Land (from 1963-10-08 until 1963-10-10), Joe Maini (from 1963-10-08 until 1963-10-10) and Donald Ruffell (from 1963-10-08 until 1963-10-10) trombone: Bob Edmondson (from 1963-10-08 until 1963-10-10), John Ewing (from 1963-10-08 until 1963-10-10) and Lester Robertson (from 1963-10-08 until 1963-10-10) trumpet: Jules Chaikin (from 1963-10-08 until 1963-10-10), Freddie Hill (from 1963-10-08 until 1963-10-10), Carmell Jones (from 1963-10-08 until 1963-10-10) and Al Porcino (from 1963-10-08 until 1963-10-10) vocals: Nancy Wilson (from 1963-10-08 until 1963-10-10) orchestra: Gerald Wilson Orchestra (from 1963-10-08 until 1963-10-10) remixer: Malcolm Addey arranger: Gerald Wilson recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10) cover recording of: Bewitched, Bothered and Bewildered (Pal Joey) (from 1963-10-08 until 1963-10-10) lyricist: Lorenz Hart (in 1940) composer: Richard Rodgers (in 1940) publisher: WB Music Group (ended), Chappell & Co., Inc., Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited and Williamson Music Company part of: Pal Joey	2:59
A5	Suffering With the Blues producer: Tom Morgan bass: Jimmy Bond (from 1963-10-08 until 1963-10-10) bass trombone: Ken Shroyer (from 1963-10-08 until 1963-10-10) guitar: Joe Pass (from 1963-10-08 until 1963-10-10) membranophone: Kenny Dennis (from 1963-10-08 until 1963-10-10) piano: Jack Wilson (from 1963-10-08 until 1963-10-10) reeds: Teddy Edwards (from 1963-10-08 until 1963-10-10), Paul Horn (from 1963-10-08 until 1963-10-10), Harold Land (from 1963-10-08 until 1963-10-10), Joe Maini (from 1963-10-08 until 1963-10-10) and Donald Ruffell (from 1963-10-08 until 1963-10-10) trombone: Bob Edmondson (from 1963-10-08 until 1963-10-10), John Ewing (from 1963-10-08 until 1963-10-10) and Lester Robertson (from 1963-10-08 until 1963-10-10) trumpet: Jules Chaikin (from 1963-10-08 until 1963-10-10), Freddie Hill (from 1963-10-08 until 1963-10-10), Carmell Jones (from 1963-10-08 until 1963-10-10) and Al Porcino (from 1963-10-08 until 1963-10-10) vocals: Nancy Wilson (from 1963-10-08 until 1963-10-10) orchestra: Gerald Wilson Orchestra (from 1963-10-08 until 1963-10-10) remixer: Malcolm Addey arranger: Gerald Wilson recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10) cover recording of: Sufferin’ With the Blues writer: Conners and Pemberton	2:09
A6	Someone to Watch Over Me producer: Brad Benedict and Tom Morgan bass: Jimmy Bond (from 1963-10-08 until 1963-10-10) celesta and piano: Jack Wilson (from 1963-10-08 until 1963-10-10) cello: Edgar Lustgarten (from 1963-10-08 until 1963-10-10) guitar: Joe Pass (from 1963-10-08 until 1963-10-10) membranophone: Kenny Dennis (from 1963-10-08 until 1963-10-10) strings: George Poole (from 1963-10-08 until 1963-10-10) vocals: Nancy Wilson (from 1963-10-08 until 1963-10-10) conductor: Gerald Wilson (from 1963-10-08 until 1963-10-10) remixer: Malcolm Addey and Bob Norberg arranger: Gerald Wilson recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10) cover recording of: Someone to Watch Over Me (Oh, Kay!) (from 1963-10-08 until 1963-10-10) lyricist: Ira Gershwin (in 1926) composer: George Gershwin (in 1926) publisher: Warner Bros., Inc., WB Music Corp. (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01) sub-publisher: ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部 part of: Crazy for You (1992 musical) part of: Oh, Kay! (1926 musical)	2:32
B1	The Best Is Yet to Come producer: Brad Benedict and Tom Morgan bass: Jimmy Bond (from 1963-10-08 until 1963-10-10) bass trombone: Ken Shroyer (from 1963-10-08 until 1963-10-10) guitar: Joe Pass (from 1963-10-08 until 1963-10-10) membranophone: Kenny Dennis (from 1963-10-08 until 1963-10-10) piano: Jack Wilson (from 1963-10-08 until 1963-10-10) reeds: Teddy Edwards (from 1963-10-08 until 1963-10-10), Paul Horn (from 1963-10-08 until 1963-10-10), Harold Land (from 1963-10-08 until 1963-10-10), Joe Maini (from 1963-10-08 until 1963-10-10) and Donald Ruffell (from 1963-10-08 until 1963-10-10) trombone: Bob Edmondson (from 1963-10-08 until 1963-10-10), John Ewing (from 1963-10-08 until 1963-10-10) and Lester Robertson (from 1963-10-08 until 1963-10-10) trumpet: Jules Chaikin (from 1963-10-08 until 1963-10-10), Freddie Hill (from 1963-10-08 until 1963-10-10), Carmell Jones (from 1963-10-08 until 1963-10-10) and Al Porcino (from 1963-10-08 until 1963-10-10) vocals: Nancy Wilson (from 1963-10-08 until 1963-10-10) orchestra: Gerald Wilson Orchestra (from 1963-10-08 until 1963-10-10) conductor: Gerald Wilson (from 1963-10-08 until 1963-10-10) remixer: Malcolm Addey and Bob Norberg arranger: Gerald Wilson recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10) cover recording of: The Best Is Yet to Come (from 1963-10-08 until 1963-10-10) lyricist: Carolyn Leigh (in 1959) composer: Cy Coleman (in 1959) publisher: Carwin Music, Inc., EMI U Catalog Inc., Notable Music, Notable Music Co., Inc. and WB Music Corp.	2:21
B2	Never Let Me Go producer: Tom Morgan bass: Jimmy Bond (from 1963-10-08 until 1963-10-10) celesta and piano: Jack Wilson (from 1963-10-08 until 1963-10-10) cello: Edgar Lustgarten (from 1963-10-08 until 1963-10-10) guitar: Joe Pass (from 1963-10-08 until 1963-10-10) membranophone: Kenny Dennis (from 1963-10-08 until 1963-10-10) strings: George Poole (from 1963-10-08 until 1963-10-10) vocals: Nancy Wilson (from 1963-10-08 until 1963-10-10) remixer: Malcolm Addey arranger: Gerald Wilson recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10) cover recording of: Never Let Me Go (from 1963-10-08 until 1963-10-10) lyricist: Ray Evans composer: Jay Livingston publisher: Famous Music Corporation	2:31
B3	Send Me Yesterday producer: Tom Morgan bass: Jimmy Bond (from 1963-10-08 until 1963-10-10) bass trombone: Ken Shroyer (from 1963-10-08 until 1963-10-10) guitar: Joe Pass (from 1963-10-08 until 1963-10-10) membranophone: Kenny Dennis (from 1963-10-08 until 1963-10-10) piano: Jack Wilson (from 1963-10-08 until 1963-10-10) reeds: Teddy Edwards (from 1963-10-08 until 1963-10-10), Paul Horn (from 1963-10-08 until 1963-10-10), Harold Land (from 1963-10-08 until 1963-10-10), Joe Maini (from 1963-10-08 until 1963-10-10) and Donald Ruffell (from 1963-10-08 until 1963-10-10) trombone: Bob Edmondson (from 1963-10-08 until 1963-10-10), John Ewing (from 1963-10-08 until 1963-10-10) and Lester Robertson (from 1963-10-08 until 1963-10-10) trumpet: Jules Chaikin (from 1963-10-08 until 1963-10-10), Freddie Hill (from 1963-10-08 until 1963-10-10), Carmell Jones (from 1963-10-08 until 1963-10-10) and Al Porcino (from 1963-10-08 until 1963-10-10) vocals: Nancy Wilson (from 1963-10-08 until 1963-10-10) orchestra: Gerald Wilson Orchestra (from 1963-10-08 until 1963-10-10) remixer: Malcolm Addey arranger: Gerald Wilson recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10)	2:16
B4	All My Tomorrows producer: Tom Morgan bass: Jimmy Bond (from 1963-10-08 until 1963-10-10) bass trombone: Ken Shroyer (from 1963-10-08 until 1963-10-10) guitar: Joe Pass (from 1963-10-08 until 1963-10-10) membranophone: Kenny Dennis (from 1963-10-08 until 1963-10-10) piano: Jack Wilson (from 1963-10-08 until 1963-10-10) reeds: Teddy Edwards (from 1963-10-08 until 1963-10-10), Paul Horn (from 1963-10-08 until 1963-10-10), Harold Land (from 1963-10-08 until 1963-10-10), Joe Maini (from 1963-10-08 until 1963-10-10) and Donald Ruffell (from 1963-10-08 until 1963-10-10) trombone: Bob Edmondson (from 1963-10-08 until 1963-10-10), John Ewing (from 1963-10-08 until 1963-10-10) and Lester Robertson (from 1963-10-08 until 1963-10-10) trumpet: Jules Chaikin (from 1963-10-08 until 1963-10-10), Freddie Hill (from 1963-10-08 until 1963-10-10), Carmell Jones (from 1963-10-08 until 1963-10-10) and Al Porcino (from 1963-10-08 until 1963-10-10) vocals: Nancy Wilson (from 1963-10-08 until 1963-10-10) orchestra: Gerald Wilson Orchestra (from 1963-10-08 until 1963-10-10) remixer: Malcolm Addey arranger: Gerald Wilson recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10) cover recording of: All My Tomorrows (from 1963-10-08 until 1963-10-10) lyricist: Sammy Cahn composer: Jimmy Van Heusen publisher: Maraville Music Corp.	2:44
B5	Please Send Me Someone to Love producer: Tom Morgan bass: Jimmy Bond (from 1963-10-08 until 1963-10-10) celesta and piano: Jack Wilson (from 1963-10-08 until 1963-10-10) cello: Edgar Lustgarten (from 1963-10-08 until 1963-10-10) guitar: Joe Pass (from 1963-10-08 until 1963-10-10) membranophone: Kenny Dennis (from 1963-10-08 until 1963-10-10) strings: George Poole (from 1963-10-08 until 1963-10-10) vocals: Nancy Wilson (from 1963-10-08 until 1963-10-10) remixer: Malcolm Addey arranger: Gerald Wilson recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10) cover recording of: Please Send Me Someone to Love (from 1963-10-08 until 1963-10-10) lyricist and composer: Percy Mayfield (until 1950) publisher: ATV Music	2:32
B6	Blue Prelude producer: Tom Morgan bass: Jimmy Bond (from 1963-10-08 until 1963-10-10) bass trombone: Ken Shroyer (from 1963-10-08 until 1963-10-10) guitar: Joe Pass (from 1963-10-08 until 1963-10-10) membranophone: Kenny Dennis (from 1963-10-08 until 1963-10-10) piano: Jack Wilson (from 1963-10-08 until 1963-10-10) reeds: Teddy Edwards (from 1963-10-08 until 1963-10-10), Paul Horn (from 1963-10-08 until 1963-10-10), Harold Land (from 1963-10-08 until 1963-10-10), Joe Maini (from 1963-10-08 until 1963-10-10) and Donald Ruffell (from 1963-10-08 until 1963-10-10) trombone: Bob Edmondson (from 1963-10-08 until 1963-10-10), John Ewing (from 1963-10-08 until 1963-10-10) and Lester Robertson (from 1963-10-08 until 1963-10-10) trumpet: Jules Chaikin (from 1963-10-08 until 1963-10-10), Freddie Hill (from 1963-10-08 until 1963-10-10), Carmell Jones (from 1963-10-08 until 1963-10-10) and Al Porcino (from 1963-10-08 until 1963-10-10) vocals: Nancy Wilson (from 1963-10-08 until 1963-10-10) orchestra: Gerald Wilson Orchestra (from 1963-10-08 until 1963-10-10) remixer: Malcolm Addey arranger: Gerald Wilson recorded at: Capitol Studios in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10) cover recording of: Blue Prelude (from 1963-10-08 until 1963-10-10) lyricist: Gordon Jenkins composer: Joe Bishop	2:54

Credits

Release

Discogs:	https://www.discogs.com/release/1356135 [info]
ASIN:	US: B0011MHHCK [info]

Release group

Wikipedia:	en: Yesterday's Love Songs/Today's Blues [info]
Wikidata:	Q8052952 [info]