Sternstunden der Musik: J. S. Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Annotation

from: http://d-nb.info/352017775/about/html

Güttler, Ludwig Trp
Pommer, Max Dir
Kästner, Hannes Org
Schreier, Peter Ten
Grüß, Hans Dir
Haupt, Eckart Fl
Glaetzner, Burkhard Ob
Lorenz, Siegfried Bass
Suske, Karl Vl
Masur, Kurt Dir
Rotzsch, Hans-Joachim Dir
Ragossnig, Konrad Lt
Koopman, Ton Cemb

Leipziger Universitätschor
Neues Bachisches Collegium Musicum (Leipzig)
Capella Fidicinia (Leipzig)
Gewandhausorchester
Thomanerchor Leipzig

Tracklist

1▼CD
#TitleLength
1Kantate "Tönet ihr Pauken! Erschallet, Trompeten!", BWV 214: Eingangschor, Nr. 1
orchestra:
Neues Bachisches Collegium Musicum
conductor:
Max Pommer
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (in 1984)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!" (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen, Germany (in 1733)
composer:
Johann Sebastian Bach (in 1733)
librettist:
[anonymous]
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
7:31
2Brandenburgisches Konzert Nr. 2 in F-Dur, BWV 1047: Andante
orchestra:
Neues Bachisches Collegium Musicum
conductor:
Max Pommer
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
composer:
Johann Sebastian Bach
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:36
3Motette, BWV 227: Jesu, meine Freude
choir vocals:
Rostocker Motettenchor
conductor:
Hartwig Eschenburg and Hans Grüß
performer:
Capella Fidicinia
partial recording of:
Jesu, meine Freude, BWV 227
composer:
Johann Sebastian Bach (in 1723)
part of:
Bach-Werke-Verzeichnis (number: BWV 227), Bach-Werke-Verzeichnis (number: BWV 227) and Bach Compendium (number: BC C 5)
2:15
4Choralbearbeitung, BWV 645: Wachet auf, ruft uns die Stimme
producer:
Horst Kunze
organ:
Hannes Kästner (in 1981)
recorded at:
Thomaskirche in Leipzig, Sachsen, Germany (in 1981)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1981)
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
5:00
5Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken
conductor:
Hans Grüß
performer:
Capella Fidicinia
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (attribution doubtful)
composer:
Johann Sebastian Bach
part of:
Bachs Notenbibliothek (number: BNB I/An/13), Notebook for Anna Magdalena Bach (number: 37), Bach-Werke-Verzeichnis (number: BWV 518), Bach-Werke-Verzeichnis (number: BWV 518) and Bach-Werke-Verzeichnis (number: BWV 518)
3:10
6Zweistimmige Invention Nr. 1 in C-Dur, BWV 772
harpsichord:
Ton Koopman (in 1987)
recording of:
Inventio Nr. 1 C-Dur, BWV 772 (in 1987)
composer:
Johann Sebastian Bach (from 1720 until 1723)
part of:
15 Inventions, BWV 772-786 (number: 1), Bach Compendium (number: BC L 27) and Bach-Werke-Verzeichnis (number: BWV 772)
1:23
7Ouvertüre in h-Moll, BWV 1067: Badinerie
bassoon:
Gerd Schulze
cello:
Burkhard Schmidt
double bass:
Rainer Hucke
flute:
Karl-Heinz Passin
harpsichord:
Walter Heinz Bernstein
orchestra:
Neues Bachisches Collegium Musicum Leipzig
conductor:
Max Pommer
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:27
8Toccata und Fuge in d-Moll, BWV 565
producer:
Horst Kunze
organ:
Hannes Kästner (in 1981)
recorded at:
Thomaskirche in Leipzig, Sachsen, Germany (in 1981)
recording of:
Toccata und Fuge d-Moll, BWV 565 (in 1981)
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 565) and Bach Compendium (number: BC J 37)
9:25
9Kantate "Ich liebe den Höchsten von ganzem Herzen", BWV 174: Sinfonia Nr. 1
cello:
Siegfried Hunger (in 1984), Burkhard Schmidt (in 1984) and Matthias Schreiber (in 1984)
trumpet:
Kurt Sandau (in 1984)
viola:
Eberhard Freiberger (in 1984), Wolfgang Gränitz (in 1984) and Olaf Hallmann (in 1984)
violin:
Gunar Kaltofen (in 1984), Roald Reinecke (in 1984) and Karl Suske (in 1984)
orchestra:
Neues Bachisches Collegium Musicum (in 1984)
conductor:
Max Pommer (in 1984)
performer:
Ludwig Güttler (in 1984)
phonographic copyright (℗) by:
Delta Music GmbH (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (in 1984)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia (in 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
6:14
10Choralsatz "Jesu, meines Herzens Freud", BWV 361
choir vocals:
Rostocker Motettenchor
orchestra:
Capella Fidicinia
conductor:
Hartwig Eschenburg
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1983)
recording of:
Choralsatz, BWV 361 "Jesu, meines Herzens Freud"
lyricist:
Johann Flitner
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 361), Breitkopf 389 Choralgesänge (number: 202) and Bach Compendium (number: BC F 117.1)
3:10
11Konzert für Oboe, Streicher und Basso continuo in d-Moll, BWV35/1 & 5, BWV 156/1, BWV 1056/2, BWV 1059: Adagio
oboe:
Burkhard Glaetzner
orchestra:
Neues Bachisches Collegium Musicum
conductor:
Max Pommer
recording of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: II. Adagio
composer:
Johann Sebastian Bach
part of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R
3:05
12Menuett in d-Moll, BWV Anh. 132
conductor:
Hans Grüß
performer:
Capella Fidicinia
recording of:
Menuett in d-Moll, BWV Anh. 132
composer:
[unknown]
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 36), Bach-Werke-Verzeichnis (number: BWV Anh. II 132) and Bach-Werke-Verzeichnis (number: BWV Anh. 132)
1:14
13Aria "Bist du bei mir", BWV 508
orchestra and performer:
Capella Fidicinia
conductor:
Hans Grüß
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown]
composer:
Gottfried Heinrich Stölzel
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)
2:36
14Menuett in G-Dur BWV Anh. 116
harpsichord and virginal:
Walter Heinz Bernstein
recording of:
Minuet in G major, BWV Anh. 116
composer:
[anonymous]
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 7), Bach-Werke-Verzeichnis (number: BWV Anh. II 116) and Bach-Werke-Verzeichnis (number: BWV Anh. 116)
2:11
15Ouvertüre Nr. 1 in C-Dur, BWV 1066: VII Passepied I alternativement - Passepied II - Passepied I da capo
bassoon:
Gerd Schulze (from 1982 until 1984)
cello:
Burkhard Schmidt
double bass:
Rainer Hucke
harpsichord:
Walter Heinz Bernstein
oboe:
Günter Heidrich (from 1982 until 1984) and Uwe Kleinsorge (from 1982 until 1984)
orchestra:
New Bach Collegium Musicum
conductor:
Max Pommer
phonographic copyright (℗) by:
Delta Music GmbH (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II (from 1982 until 1984)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
3:10
16Kantate "Herz und Mund und Tat und Leben", BWV 147: Choral Nr. 10 "Jesu bleibet meine Freude"
choir vocals:
Leipziger Universitätschor (from 1982 until 1984)
orchestra:
Neues Bachisches Collegium Musicum (from 1982 until 1984)
conductor:
Max Pommer (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1984)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1982 until 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (in 1665)
composer:
Johann Sebastian Bach (in 1723)
part of:
Classic 100: Piano (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:36
2▶CD

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discography entry:https://d-nb.info/352017775/about/html [info]