| # | Title | Artist | Length |
|---|
| 1 | Better Things | Massive Attack | 4:17 |
| 2 | ’round Midnight- double bass:
- Paul Chambers (on 1956-10-26)
- drums (drum set):
- Philly Joe Jones (on 1956-10-26)
- piano:
- Red Garland (on 1956-10-26)
- tenor saxophone:
- John Coltrane (on 1956-10-26)
- trumpet:
- Miles Davis (on 1956-10-26)
- instrumental cover recording of:
- ’Round Midnight (on 1956-10-26)
- lyricist:
- Bernie Hanighen
- composer:
- Thelonious Monk and Cootie Williams
- publisher:
- Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
- is based on:
- I Need You So
- cover recording of:
- ’Round Midnight
- lyricist:
- Bernie Hanighen
- composer:
- Thelonious Monk and Cootie Williams
- publisher:
- Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
- is based on:
- I Need You So
| Miles Davis | 5:23 |
| 3 | Glory Box (live) | Portishead | 5:37 |
| 4 | A Case of You (live) | Diana Krall | 6:50 |
| 5 | Tubular Bells, Pt. I | Mike Oldfield | 25:59 |
| 6 | Too High | Stevie Wonder | 4:36 |
| 7 | Messaien’s Gumbo | John Patitucci | 5:29 |
| 8 | Hurt | Nine Inch Nails | 6:14 |
| 9 | Bye Bye Blackbird- recording engineer:
- Jim Anderson (on 2006-02-18)
- mixer:
- Jim Anderson
- double bass:
- Ron Carter (on 2006-02-18)
- drums (drum set):
- Payton Crossley (on 2006-02-18)
- percussion:
- Roger Squitero (on 2006-02-18)
- piano:
- Stephen Scott (on 2006-02-18)
- arranger:
- Robert Freedman
- recorded at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States (on 2006-02-18)
- mixed at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States
- instrumental recording of:
- Bye Bye Blackbird (on 2006-02-18)
- lyricist:
- Mort Dixon (in 1926)
- composer:
- Ray Henderson (in 1926)
- publisher:
- Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. and Warner Bros., Inc.
| Ron Carter | 5:27 |
| 10 | Bad Man’s Song | Tears for Fears | 8:33 |
| 11 | I Love You… I’ll Kill You | Enigma | 8:53 |
| 12 | Leave- additional recording engineer:
- John Keane and Patrick McCarthy
- recording engineer:
- Joe O’Herlihy, Jo Ravitch and Jeff Wooding
- additional assistant engineer:
- Victor Janacua
- assistant engineer:
- William “Billy” Field
- producer:
- Scott Litt and R.E.M.
- mixer:
- John Keane and Scott Litt
- editor:
- Eric Stolz
- acoustic guitar, drums (drum set), percussion and synthesizer:
- Bill Berry
- bass guitar and keyboard:
- Mike Mills
- guitar:
- Peter Buck and Nathan December
- synthesizer [ARP Odyssey]:
- Scott McCaughey
- lead vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1996)
- additionally recorded at:
- John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
- recorded at:
- Omni Theater in Atlanta, Georgia, United States (from 1995-11-18 until 1995-11-21)
- mixed at:
- John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
- recording of:
- Leave
- writer:
- Bill Berry, Peter Buck, Mike Mills and Michael Stipe
- publisher:
- Universal Tunes, Warner-Tamerlane and Night Garden Music (in 1996)
| R.E.M. | 7:18 |
| 13 | Take the Veil Cerpin Taxt | The Mars Volta | 8:42 |
| 14 | Aja- recording engineer:
- Bill Schnee
- executive engineer:
- Roger Nichols
- producer:
- Gary Katz
- bass guitar:
- Chuck Rainey
- drums (drum set):
- Steve Gadd
- guitar:
- Walter Becker, Larry Carlton and Denny Dias
- percussion:
- Victor Feldman
- piano:
- Michael Omartian
- Rhodes piano [Fender Rhodes]:
- Joe Sample
- synthesizer, whistle [police whistle] and lead vocals:
- Donald Fagen
- tenor saxophone:
- Wayne Shorter
- background vocals:
- Donald Fagen and Tim Schmit
- conductor:
- Tom Scott (horn)
- horn arranger:
- Tom Scott
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1977)
- recorded at:
- Producer’s Workshop in Hollywood, Los Angeles, California, United States
- recording of:
- Aja
- lyricist and composer:
- Walter Becker and Donald Fagen
- publisher:
- ABC/Dunhill Music, Inc. (, in 1977), MCA Music Ltd., MCA Music Publishing and Anchor Music Ltd. (in 1977)
| Steely Dan | 7:56 |
| 15 | Clap Hands | Tom Waits | 3:47 |
| 16 | Headshots | Suzanne Vega | 3:08 |
| 17 | The Long Honeymoon | Elvis Costello & The Attractions | 4:16 |
| 18 | Welcome to the Pleasuredome | Frankie Goes to Hollywood | 13:41 |
| 19 | Right On | Marvin Gaye | 7:32 |
| 20 | You Keep Me Hangin’ On (stereo version) | The Supremes | 2:42 |
| 21 | Spirits in the Material World | The Police | 2:59 |
| 22 | Into the Void | Nine Inch Nails | 4:49 |
| 23 | Love’s in Need of Love Today | Stevie Wonder | 7:06 |
| 24 | The Logical Song | Supertramp | 4:11 |
| 25 | Wish You Were Here | Alice Cooper | 5:01 |
| 26 | Now We Are Free (from “Gladiator” soundtrack) | Lisa Gerrard | 4:17 |
| 27 | True to Life | Roxy Music | 4:25 |
| 28 | Drive- additional engineer:
- George Cowan, Mark Howard, John Keane, Ted Malia and Andrew Roshberg
- engineer:
- Clif Norrell
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Ed Brooks
- assistant mixer:
- Tod Lemkuhl
- mixer:
- Scott Litt and Clif Norrell
- guest cello:
- Kathleen Kee, Daniel Laufer and Elizabeth Proctor Murphy
- guest oboe:
- Deborah Workman
- guest viola:
- Reid Harris, Paul Murphy and Heidi Nitchie
- guest violin:
- Denise Berginson-Smith, Patti Gouvas, Lonnie Ottzen, Sandy Salzinger, Sou-Chun Su and Jody Taylor
- vocals:
- Michael Stipe
- conductor:
- George Hanson
- orchestrator:
- John Paul Jones
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
- additionally recorded at:
- Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios in New Orleans, Louisiana, United States
- recorded at:
- Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
- mixed at:
- Bad Animals Studio in Seattle, Washington, United States
- music videos:
- Drive (music video) by R.E.M.
- recording of:
- Drive
- writer:
- Bill Berry, Peter Buck, Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| R.E.M. | 4:28 |
| 29 | Unfinished Sympathy (2012 mix/master)- engineer:
- Hayden (strings)
- producer:
- Jonny Dollar and Massive Attack
- mixer:
- Jeremy Allom
- vocals:
- Shara Nelson
- conductor:
- Wil Malone
- remixer:
- Bruno Ellingham
- strings arranger:
- Wil Malone
- concertmaster:
- Gavin Wright
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom and Coach House Studios in Bristol, England, United Kingdom
- mixed at:
- Matrix Studios in Soho, Westminster, London, England, United Kingdom
- recording of:
- Unfinished Sympathy
- writer:
- Robert Del Naja, Grant Marshall, Shara Nelson, Jonathan Sharp and Andrew Vowles
| Massive Attack | 5:08 |
| 30 | Night School | Frank Zappa | 4:51 |
| 31 | Nightclubbing | Grace Jones | 4:29 |
| 32 | Axel F (from “Beverly Hills Cop” soundtrack) | Harold Faltermeyer | 3:03 |
| 33 | 2/1 | Brian Eno | 8:54 |
