That’s Amore: Dean Martin’s Greatest Hits

~ Release by Dean Martin (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleLength
1That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1953)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks
composer:
Harry Warren
publisher:
Famous Chappell, Famous Music Corporation, Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. and Universal Songs
sub-publisher:
BMG Ariola Belgium and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:08
2Sway
producer:
Lee Gillette
vocals:
Dean Martin (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1952)
cover recording of:
Sway (in 1952)
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
2:43
3Volare
producer:
Lee Gillette
vocals:
Dean Martin (on 1958-07-14)
orchestra:
Dick Stabile and His Orchestra (on 1958-07-14)
conductor:
Gus Levene (on 1958-07-14)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (on 1958-07-14)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
translator:
Mitchell Parish
publisher:
Copyright Control and Robbins Music Corp.
translated version of:
Nel blu dipinto di blu (Volare)
3:02
4Kiss
producer:
Lee Gillette
vocals:
Dean Martin (in 1957)
orchestra:
Gus Levene and His Orchestra (in 1957)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1957)
cover recording of:
Kiss (Niagara) (in 1957)
lyricist:
Haven Gillespie
composer:
Lionel Newman
2:22
5Young and Foolish
phonographic copyright (℗) by:
Capitol Records, Inc.
cover recording of:
Young and Foolish
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music
2:47
6The Man Who Plays the Mandolino
recording of:
The Man Who Plays the Mandolino (Guaglione, english version)
lyricist:
Alan Bergman and Nicola Salerno
writer:
Marilyn Bergman
composer:
Giuseppe Fanciulli
translated version of:
Guaglione
2:52
7Standing on the Corner
producer:
Lee Gillette and Voyle Gilmore
vocals:
Dean Martin (in 1956)
orchestra:
Dick Stabile and His Orchestra (in 1956)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1956)
cover recording of:
Standing on the Corner (The Most Happy Fella) (in 1956)
lyricist and composer:
Frank Loesser
part of:
The Most Happy Fella (full musical)
2:49
8Watching the World Go By
2:09
9Angel Baby
recording of:
Angel Baby
writer:
Carl Niessen and John Michael
2:45
10On an Evening in Roma
producer:
Lee Gillette
recording of:
On an Evening in Roma
writer:
Umberto Bertini, Nan Frederics and Alessandro Taccani
2:24
11From the Bottom of My Heart
recording of:
From the Bottom of My Heart
writer:
Morty Berk, Andy Gibson, Billy Hayes and Harry James
2:42
12Hey Brother. Pour the Wine
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc.
recording of:
Hey, Brother, Pour the Wine
lyricist and composer:
Ross Bagdasarian
publisher:
Frank Music Corp.
2:38
13You Belong to Me
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc.
cover recording of:
You Belong to Me
writer:
Pee Wee King, Chilton Price and Redd Stewart
publisher:
Hill & Range Inc. and Ridgeway Music Co, Inc.
3:03
14Until the Real Thing Comes Along
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (on 1960-05-10), Dick Noel (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (on 1960-05-10)
vocals:
Dean Martin (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
Until the Real Thing Comes Along (on 1960-05-10)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. and WB Music Corp.
3:02
15Solitaire
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc.
cover recording of:
Solitaire
writer:
Reneé Borek, King Guion and Carl Nutter
2:52
16Powder Your Face With Sunshine
producer:
Lee Gillette
vocals:
Dean Martin (in 1948)
orchestra:
Paul Weston and His Orchestra (in 1948)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1948)
cover recording of:
Powder Your Face With Sunshine (in 1948)
writer:
Carmen Lombardo and Stanley Rochinski
2:32
17I’ve Got My Love to Keep Me Warm
conductor:
Gus Levene (in 1959)
arranger:
Irving Berlin
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1959)
cover recording of:
I’ve Got My Love to Keep Me Warm (in 1959)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:43
18On the Street Where You Live
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd.
part of:
My Fair Lady (full musical)
3:41
19Heaven Can Wait
cover recording of:
Heaven Can Wait
writer:
Eddie DeLange and Jimmy Van Heusen
2:29
20Baby It’s Cold Outside
producer:
Lee Gillette
lead vocals:
Dean Martin (on 1959-08-06)
conductor:
Gus Levene (on 1959-08-06)
arranger:
Frank Loesser
phonographic copyright (℗) by:
Capitol (UK) Ltd. (in 1959) and Capitol Records, Inc. (in 1959)
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser) (on 1959-08-06)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd., MPL UK Publishing, Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
2:21
21You’re Nobody ’Till Somebody Loves You
producer:
Lee Gillette
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (on 1960-05-10), Dick Noel (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (on 1960-05-10)
vocals:
Dean Martin (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (on 1960-05-10)
writer:
James Cavanaugh, Russ Morgan and Larry Stock
publisher:
Capitol Records, Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc.
part of:
The Real Book (compilation of jazz standards, Volume I)
2:13
22Innamorata
producer:
Lee Gillette
vocals:
Dean Martin (in 1956)
orchestra:
Dick Stabile and His Orchestra (in 1956)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1956)
recording of:
Innamorata (in 1956)
lyricist:
Jack Brooks
composer:
Harry Warren
2:24
23Let Me Go Lover
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc.
cover recording of:
Let Me Go, Lover
lyricist:
Al Hill
composer:
Jenny Lou Carson
is based on:
Let Me Go, Devil
3:00
24Mambo Italiano
producer:
Lee Gillette
vocals:
Dean Martin (on 1954-11-26)
orchestra:
Dick Stabile and His Orchestra (on 1954-11-26)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1954)
cover recording of:
Mambo Italiano (original english version) (on 1954-11-26)
lyricist and composer:
Bob Merrill
2:18
25Open Up the Doghouse
alto saxophone:
Skeets Herfurt (on 1954-09-07) and Harry Klee (on 1954-09-07)
baritone saxophone:
Chuck Gentry (on 1954-09-07)
bass:
Charlie Harris (on 1954-09-07)
drums (drum set):
Lee Young (on 1954-09-07)
guitar:
John Collins (on 1954-09-07)
piano:
Lew Brown (on 1954-09-07)
tenor saxophone:
Ted Nash (on 1954-09-07)
trombone:
Ed Kusby (on 1954-09-07), Murray McEachern (on 1954-09-07) and Si Zentner (on 1954-09-07)
trumpet:
Johnny Best (on 1954-09-07), Conrad Gozzo (on 1954-09-07) and Manny Klein (on 1954-09-07)
vocals:
Nat King Cole (on 1954-09-07) and Dean Martin (on 1954-09-07)
orchestra:
Billy May & His Orchestra (on 1954-09-07)
conductor:
Billy May (on 1954-09-07)
arranger:
Billy May
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1954)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-09-07)
recording of:
Open Up the Doghouse (on 1954-09-07)
writer:
Roy Alfred and Marvin Fisher
2:27
2▶CD

Credits

Release

ASIN:UK: B01FJTHZV8 [info]