The Very Best of Blues Brother Soul Sister

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

3 x Slim Jewel Cases in card slip-case.

Tracklist

1▼CD
#TitleArtistLength
1These Arms of Mine
recording of:
These Arms of Mine
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc. and Regent Music Corp.
Otis Redding2:31
2Piece of My Heart
producer:
Bert Russell Berns
vocals:
Erma Franklin (in 1967-08)
conductor:
Gary Sherman (in 1967-08)
arranger:
Gary Sherman
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1967)
recording of:
Piece of My Heart (in 1967-08)
writer:
Bert Russell and Jerry Ragovoy
publisher:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC, Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited, Web IV Music Inc. and Wren Music Co.
Erma Franklin2:32
3I’m in the Mood
John Lee Hooker2:42
4In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (in 1965)
recorded at:
Stax Studios in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc., East Publishing Inc. and Irving Music, Inc.
Wilson Pickett2:36
5Abraham, Martin & John
phonographic copyright (℗) by:
Motown Record Corporation (in 1970)
cover recording of:
Abraham, Martin and John
lyricist and arranger:
Dick Holler
composer:
Dick Holler (in 1968)
publisher:
Regent Music and TJ Musicservice GmbH
Marvin Gaye4:16
6B‐A‐B‐Y
recording of:
B-A-B-Y
writer:
Isaac Hayes and David Porter
publisher:
Universal Music Publishing Ltd. and Warner/Chappell North America
Carla Thomas2:53
7Tired of Being Alone
recorded at:
Royal Studios in Memphis, Tennessee, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 293)
recording of:
Tired of Being Alone
lyricist and composer:
Al Green
publisher:
Burlington Music Ltd., Irving Music, Inc. and Universal Music Publishing Group
Al Green2:49
8Private Number
producer:
Booker T. Jones
performer:
Judy Clay
recorded at:
Stax Studios in Memphis, Tennessee, United States (in 1968)
recording of:
Private Number (in 1968)
writer:
William Bell and Booker T. Jones
publisher:
Irving Music, Inc. and Music for Africa
Judy Clay & William Bell2:37
9Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin2:23
10Sweet Soul Music
engineer:
Jimmy Johnson
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
part of:
Billboard: The 500 Best Pop Songs (number: 351)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke and Otis Redding
publisher:
ABKCO Music and Rondor
is based on:
Yeah Man
Arthur Conley2:19
11Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr., Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music, Carlin Music Corporation, East/Memphis Music Corp. and Irving Music
Booker T. & the MG’s2:52
12Oh No Not My Baby
producer:
Luther Dixon and Stan Green
arranger:
Bert Keyes
recording of:
Oh No Not My Baby
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music, EMI Music Publishing Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部
Maxine Brown2:35
13Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (on 1964-05-21)
strings [nine strings]:
[unknown] (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (on 1964-05-21)
tenor vocals:
Charlie Thomas (on 1964-05-21)
conductor:
Gary Sherman (on 1964-05-21)
arranger:
Gary Sherman and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1988) and WEA International Inc. (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 6), Billboard: The 500 Best Pop Songs (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick and Kenny Young
publisher:
Alley Music Corp., Intersong, TM Music Ltd. and Trio Music Company
The Drifters2:40
14Dust My Broom
recording of:
Dust My Broom
additional lyricist and additional composer:
Robert Johnson
lyricist and composer:
Elmore James
publisher:
ARC Music, Flair Publishing and MPCA King of Spades
version of:
I Believe I’ll Dust My Broom
Elmore James2:55
15Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (on 1960-10-27)
arranger:
Stan Applebaum
phonographic copyright (℗) by:
HHO Ltd., WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music, Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt, Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music, Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
Ben E. King2:58
16I’ll Be the Other Woman
The Soul Children3:33
17Stormy Monday
Little Milton4:23
18Midnight Train to Georgia
recording of:
Midnight Train to Georgia
lyricist and composer:
James D. Weatherly
Gladys Knight & the Pips4:18
19It’s a Man’s Man’s World (live)
live recording of:
It’s a Man’s Man’s Man’s World
writer:
James Brown and Betty Jean Newsome
James Brown4:01
20Stay With Me
recording of:
Stay With Me Baby
writer:
Jerry Ragovoy and George David Weiss
publisher:
TRO Essex Music Ltd.
Lorraine Ellison3:31
2▶CD
3▶CD

Credits

Release

additional engineer:Guy Katsav
engineer and mastering:Joe Fields
Discogs:https://www.discogs.com/release/1017703 [info]
ASIN:UK: B0007ZEJMI [info]