| # | Title | Artist | Length |
|---|
| 1 | Please Forgive Me- recording engineer:
- Steve Jackson (on 1993-09-30)
- producer:
- Bryan Adams and Robert John 'Mutt' Lange
- mixer:
- Bob Clearmountain
- acoustic guitar:
- Joe Walker, Jr. (on 1993-09-30)
- drums (drum set):
- Mickey Curry (on 1993-09-30)
- electric bass guitar [bass]:
- James "Hutch" Hutchinson (on 1993-09-30)
- guitar:
- BA (on 1993-09-30) and Keith Scott (on 1993-09-30)
- Hammond organ:
- David Paich (on 1993-09-30)
- lead vocals:
- BA (on 1993-09-30)
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1993, in 1999), Badman Ltd. (in 1993, in 1999) and UMG Recordings, Inc. (in 1993)
- recorded at:
- Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (on 1993-09-30)
- mixed at:
- Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France
- part of:
- The Downloader’s Music Source Book (number: 174)
- recording of:
- Please Forgive Me (on 1993-09-30)
- writer:
- Bryan Adams (from 1993-09-30 until 1993-10) and Robert John “Mutt” Lange (from 1993-09-30 until 1993-10)
- publisher:
- Badams Music Limited, Out-of-Pocket Productions Ltd., WorkSongs Ltd. and Zomba Enterprises, Inc.
| Bryan Adams | 5:56 |
| 2 | All for Love- assistant recording engineer:
- Rob Vermeulen (from 1993-10-17 until 1993-10-26)
- programming:
- Olle Romo
- engineer:
- David Nicholas
- producer:
- BA, David Nicholas and Chris Thomas
- mixer:
- David Nicholas (from 1993-10-17 until 1993-10-26)
- bass:
- Sting (from 1993-10-17 until 1993-10-26)
- drums (drum set):
- Mickey Curry (from 1993-10-17 until 1993-10-26)
- guitar:
- BA (from 1993-10-17 until 1993-10-26) and Keith Scott (from 1993-10-17 until 1993-10-26)
- piano:
- Bill Payne (from 1993-10-17 until 1993-10-26)
- lead vocals:
- Bryan Adams (from 1993-10-17 until 1993-10-26)
- vocals:
- Sting (from 1993-10-17 until 1993-10-26) and Rod Stewart (on 1993-10-19)
- phonographic copyright (℗) by:
- A&M Records (in 1993), A&M Records, Inc. (in 1999) and Badman Ltd. (in 1999)
- recorded at:
- Air Studios in London, England, United Kingdom (from 1993-10-17 until 1993-10-26), The Town House in Shepherd's Bush, Hammersmith and Fulham, London, England, United Kingdom (from 1993-10-17 until 1993-10-26: bass), The Warehouse Studio in Vancouver, British Columbia, Canada (from 1993-10-17 until 1993-10-26) and Cherokee Studios in Hollywood, Los Angeles, California, United States (on 1993-10-19)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (from 1993-10-17 until 1993-10-26)
- part of:
- The Downloader’s Music Source Book (number: 186)
- recording of:
- All for Love (from 1993-10-17 until 1993-10-26)
- writer:
- Bryan Adams, Michael Kamen and Mutt Lange
- publisher:
- Almo Music Corp., Badams Music Limited, K‐Man Corp., Out-of-Pocket Productions Ltd., Sony Songs Inc., Wonderland Music Company, Inc., WorkSongs Ltd. and Zomba Enterprises, Inc.
| Bryan Adams with Sting and Rod Stewart | 4:44 |
| 3 | Have You Ever Really Loved a Woman?- recorded in:
- Jamaica (in 1995-02) and Wisconsin, United States (from 1995-02-23 until 1995-03-04)
- mixed in:
- France (in 1996-03)
- miscellaneous support:
- Bryan Adams (task: vocal harmony), Mickey Curry (task: brushes) and Olle "Sven" Romo (task: pads)
- programming:
- Olle "Sven" Romo
- engineer:
- Olle "Sven" Romo and Ron Vermeulen
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- mixer:
- Bob Clearmountain (on 1995-03-08)
- acoustic guitar and handclaps:
- BA (from 1995-02-23 until 1995-03-04)
- bass:
- Mutt Lange (from 1995-02-23 until 1995-03-04)
- brushes and drums (drum set):
- Mickey Curry (from 1995-02-23 until 1995-03-04)
- castanets:
- Olle Romo (from 1995-02-23 until 1995-03-04)
- classical guitar [Spanish guitar]:
- Paco de Lucía (from 1995-02-23 until 1995-03-04)
- guitar [spanish]:
- Paco de Lucía
- vocals:
- BA (from 1995-02-23 until 1995-03-04)
- phonographic copyright (℗) by:
- A&M Records (in 1995), A&M Records, Inc. (in 1995, in 1999) and Badman Ltd. (in 1995, in 1999)
- recorded at:
- The Warehouse Studio Mobile Unit (from 1995-02-23 until 1995-03-04)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1995-03-08)
- part of:
- The Downloader’s Music Source Book (number: 163)
- recording of:
- Have You Ever Really Loved a Woman? (from 1995-02-23 until 1995-03-04)
- writer:
- Bryan Adams, Michael Kamen and Robert John “Mutt” Lange
- publisher:
- Out-of-Pocket Productions Ltd., Sony Songs Inc., Zomba Enterprises Inc., Badams Music Limited (in 1995), K‐Man Corp. (in 1995), New Line Music Co. (in 1995), Sony/ATV Songs LLC (in 1995) and Zomba Music Publishing Ltd. (in 1995)
- part of:
- The 68th Academy Award for Best Original Song (number: 2)
| Bryan Adams | 4:53 |
| 4 | Rock Steady (live)- recording engineer:
- Ed Cherney (in 1995-07)
- producer:
- Bonnie Raitt and Don Was
- mixer:
- Ed Cherney
- bass:
- James "Hutch" Hutchinson (in 1995-07)
- drums (drum set):
- Ricky Fataar (in 1995-07)
- electric guitar:
- Bryan Adams (in 1995-07) and George Marinelli (in 1995-07)
- guitar [Tremolo Guitar]:
- Keith Scott (in 1995-07)
- harmonica and keyboard:
- Glen Clark (in 1995-07)
- percussion:
- Debra Dobkin (in 1995-07)
- slide guitar:
- Bonnie Raitt (in 1995-07)
- vocals:
- Bryan Adams (in 1995-07), Glen Clark (in 1995-07), Debra Dobkin (in 1995-07), James "Hutch" Hutchinson (in 1995-07), George Marinelli (in 1995-07) and Bonnie Raitt (in 1995-07)
- phonographic copyright (℗) by:
- EMI‐Capitol Music Special Markets (in 1995)
- recorded at:
- Paramount Theatre in Oakland, California, United States (in 1995-07)
- live recording of:
- Rock Steady (in 1995-07)
- writer:
- Bryan Adams and Gretchen Peters
- publisher:
- EMI April Music Canada Ltd., Sony Music, Sony/ATV Cross Keys Publishing, Badams Music Limited (in 1995), Purple Crayon Music (in 1995) and Sony Cross Keys Publishing Co., Inc. (in 1995)
| Bryan Adams with Bonnie Raitt | 4:06 |
| 5 | The Only Thing That Looks Good on Me Is You- recorded in:
- France (from 1994 until 1996-03-16)
- mixed in:
- Ramatuelle, Var, Provence-Alpes-Côte-d'Azur, France (from 1996-03 until 1996-03-16)
- programming:
- Olle "Sven" Romo
- engineer:
- Olle "Sven" Romo and Ron Vermeulen
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- mixer:
- Bob Clearmountain (from 1996-03 until 1996-03-16)
- 12 string guitar, guitar [Wah Guitar] and lead vocals:
- BA (from 1994 until 1996-03-16)
- bass:
- Dave Taylor (from 1994 until 1996-03-16)
- drums (drum set):
- Mickey Curry (from 1994 until 1996-03-16)
- guitar:
- Mutt Lange (from 1994 until 1996-03-16) and Keith Scott (from 1994 until 1996-03-16)
- percussion:
- Olle Romo (from 1994 until 1996-03-16)
- background vocals:
- The Pointless Brothers
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1996), A&M Records, Inc. (in 1999) and Badman Ltd. (in 1999)
- part of:
- The Downloader’s Music Source Book (number: 172)
- recording of:
- The Only Thing That Looks Good on Me Is You (from 1994 until 1996-03-16)
- written in:
- Ramatuelle, Var, Provence-Alpes-Côte-d'Azur, France
- writer:
- Bryan Adams and Robert John “Mutt” Lange
- publisher:
- Out-of-Pocket Productions Ltd., Sony Music Publishing (UK) Ltd., Badams Music Limited (in 1996), Zomba Enterprises, Inc. (in 1996) and Zomba Music Publishing Ltd. (in 1996)
| Bryan Adams | 3:39 |
| 6 | Let's Make a Night to Remember- recorded in:
- Jamaica (from 1994-10-17 until 1995) and Provence-Alpes-Côte-d'Azur, France (from 1995 until 1996-03-18)
- mixed in:
- Ramatuelle, Var, Provence-Alpes-Côte-d'Azur, France (from 1996-03 until 1996-03-18)
- recording engineer:
- Olle "Sven" Romo (from 1994-10-17 until 1996-03-18)
- miscellaneous support:
- Keith Scott (task: electric sitar)
- programming:
- Olle "Sven" Romo
- engineer:
- Olle "Sven" Romo and Ron Vermeulen
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- mixer:
- Bob Clearmountain (from 1996-03 until 1996-03-18)
- bass:
- Dave Taylor (from 1994-10-17 until 1996-03-18)
- drums (drum set):
- Mickey Curry (from 1994-10-17 until 1996-03-18)
- electric sitar:
- Keith Scott (from 1994-10-17 until 1996-03-18)
- guitar:
- Mutt Lange, BA (from 1994-10-17 until 1996-03-18), Matt Lange (from 1994-10-17 until 1996-03-18) and Keith Scott (from 1994-10-17 until 1996-03-18)
- keyboard and percussion:
- Olle Romo (from 1994-10-17 until 1996-03-18)
- background vocals:
- The Pointless Brothers
- lead vocals:
- BA (from 1994-10-17 until 1996-03-18)
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1996), A&M Records, Inc. (in 1999) and Badman Ltd. (in 1999)
- part of:
- The Downloader’s Music Source Book (number: 169)
- recording of:
- Let’s Make a Night to Remember (from 1994-10-17 until 1996-03-18)
- writer:
- Bryan Adams (on 1994-10-17) and Robert John “Mutt” Lange (on 1994-10-17)
- publisher:
- Out-of-Pocket Productions Ltd., Badams Music Limited (in 1996), Zomba Enterprises, Inc. (in 1996) and Zomba Music Publishing Ltd. (in 1996)
| Bryan Adams | 6:20 |
| 7 | Star | Bryan Adams | 3:42 |
| 8 | Back to You (live) | Bryan Adams | 4:42 |
| 9 | I'm Ready (live)- recording engineer:
- Bob Clearmountain (on 1997-09-26), Dave Hewitt (on 1997-09-26) and David Hewitt (on 1997-09-26)
- assistant engineer:
- Phil Gitomer
- producer:
- BA and Patrick Leonard
- assistant mixer:
- Dean Maher, Chris Potter, Olle Romo and Phil Western
- mixer:
- Bob Clearmountain
- accordion:
- Tommy Mandel (on 1997-09-26)
- bass:
- Dave Taylor (on 1997-09-26)
- drums (drum set):
- Mickey Curry (on 1997-09-26)
- guitar and resonator guitar [dobro]:
- Bryan Adams (on 1997-09-26) and Keith Scott (on 1997-09-26)
- harmonica:
- Bryan Adams (on 1997-09-26)
- low whistle, tin whistle [irish whistle] and uilleann pipes:
- Davy Spillane (on 1997-09-26)
- mandolin and slide guitar:
- Keith Scott (on 1997-09-26)
- organ and piano:
- Patrick Leonard (on 1997-09-26) and Tommy Mandel (on 1997-09-26)
- percussion:
- Danny Cummings (on 1997-09-26)
- background vocals:
- Danny Cummings (on 1997-09-26), Mickey Curry (on 1997-09-26), Keith Scott (on 1997-09-26) and Dave Taylor (on 1997-09-26)
- lead vocals:
- BA (on 1997-09-26)
- orchestra:
- Julliard School NYC (on 1997-09-26)
- conductor:
- Michael Kamen (on 1997-09-26)
- strings arranger:
- Michael Kamen
- arranger:
- BA and Patrick Leonard
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1997)
- recorded at:
- Hammerstein Ballroom in Midtown Manhattan, New York, New York, United States (on 1997-09-26)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada
- live recording of:
- I’m Ready (on 1997-09-26)
- written in:
- Vancouver, British Columbia, Canada (in 1978-10)
- writer:
- Bryan Adams (in 1978-10) and Jim Vallance (in 1978-10)
- publisher:
- Almo Music Corp., Badams Music Limited, Adams Communications Inc. (in 1979), Calypso Toonz (in 1979) and Testatyme Music (in 1979)
| Bryan Adams | 4:30 |
| 10 | On a Day Like Today- recorded in:
- Saint Ann, Jamaica (from 1998-06 until 1998-08)
- additional recording engineer:
- Dean Maher (from 1998-06 until 1998-08), Phil Thornalley (from 1998-06 until 1998-08) and Phil Western (from 1998-06 until 1998-08)
- recording engineer:
- Randy Staub (from 1998-06 until 1998-08)
- miscellaneous support:
- Ron Vermeulen (task: technical assistance)
- programming:
- Olle Romo
- producer:
- Bryan Adams and Phil Thornalley
- assistant mixer:
- Dean Maher
- mixer:
- Bob Clearmountain
- bass and guitar:
- Phil Thornalley (from 1998-06 until 1998-08)
- drums (drum set) [drums]:
- Mickey Curry (from 1998-06 until 1998-08)
- guitar [guitars]:
- ba (from 1998-06 until 1998-08)
- strings:
- Vancouver Orchestra (from 1998-06 until 1998-08)
- vocals:
- BA (from 1998-06 until 1998-08)
- conductor:
- Bob Buckley (from 1998-06 until 1998-08)
- strings arranger:
- David Munday and Phil Thornalley
- arranger:
- Bryan Adams
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1998), Badman Limited (in 1998) and UMG Recordings, Inc. (in 1998)
- recorded at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (from 1998-06 until 1998-08) and The Warehouse Studio Mobile Unit (from 1998-06 until 1998-08)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada
- part of:
- The Downloader’s Music Source Book (number: 170)
- recording of:
- On a Day Like Today (from 1998-06 until 1998-08)
- writer:
- Bryan Adams and Phil Thornalley
- publisher:
- BMG Music Publishing Ltd., badams music ltd. (in 1998) and BMG Songs, Inc. (in 1998)
| Bryan Adams | 3:30 |
| 11 | When You're Gone- recorded in:
- Saint Ann, Jamaica (from 1998-06 until 1998-08)
- additional recording engineer:
- Dean Maher (from 1998-06-06 until 1998-08), Phil Thornalley (from 1998-06-06 until 1998-08) and Phil Western (from 1998-06-06 until 1998-08)
- recording engineer:
- Randy Staub (from 1998-06-06 until 1998-08)
- miscellaneous support:
- Ron Vermeulen (task: technical assistance)
- engineer:
- Eliot Kennedy
- producer:
- Bryan Adams and Bob Rock
- assistant mixer:
- Dean Maher (on 1998-09-03)
- mixer:
- Bob Clearmountain (on 1998-09-03)
- bass:
- Dave Taylor (from 1998-06-06 until 1998-08)
- drums (drum set) [drums]:
- Mickey Curry (from 1998-06-06 until 1998-08)
- guitar [guitars]:
- BA (from 1998-06-06 until 1998-08) and Keith Scott (from 1998-06-06 until 1998-08)
- keyboard [keyboards]:
- Phil Western (from 1998-06-06 until 1998-08)
- guest vocals:
- Melanie C (from 1998-06-06 until 1998-08)
- vocals:
- BA (from 1998-06-06 until 1998-08)
- arranger:
- Bryan Adams
- phonographic copyright (℗) by:
- A&M Records (in 1998), A&M Records, Inc. (in 1998, in 1999), Badman Limited (in 1998) and Badman Ltd. (in 1999)
- recorded at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1998-06-06), Metropolis Studios in London, England, United Kingdom (from 1998-06 until 1998-08) and The Warehouse Studio Mobile Unit (from 1998-06 until 1998-08)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1998-09-03)
- part of:
- The Downloader’s Music Source Book (number: 185)
- recording of:
- When You’re Gone (from 1998-06-06 until 1998-08)
- writer:
- Bryan Adams and Eliot Kennedy
- publisher:
- Badams Music Limited (in 1998) and Sony Music Publishing (UK) Ltd. (in 1998)
| Bryan Adams with Melanie C | 3:25 |
| 12 | Cloud Number Nine (Chicane mix)- recorded in:
- Jamaica (from 1998-06 until 1998-08)
- assistant recording engineer:
- Dean Maher (from 1998-06 until 1998-08)
- recording engineer:
- Randy Staub (from 1998-06 until 1998-08)
- programming:
- Nick Bracegirdle
- producer:
- BA and Bob Rock
- drums (drum set):
- Mickey Curry (from 1998-06 until 1998-08) and 屋敷豪太 (from 1998-06 until 1998-08)
- guitar:
- BA (from 1998-06 until 1998-08) and Keith Scott (from 1998-06 until 1998-08)
- keyboard:
- Nick Bracegirdle (from 1998-06 until 1998-08)
- synthesizer:
- Chicane (from 1998-06 until 1998-08)
- lead vocals:
- BA (from 1998-06 until 1998-08)
- remixer:
- Chicane
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1998), A&M Records, Inc. (in 1999) and Badman Ltd. (in 1999)
- recording of:
- Cloud Number Nine (from 1998-06 until 1998-08)
- writer:
- Bryan Adams, Max Martin and Gretchen Peters
- publisher:
- Sony/ATV Cross Keys Publishing, Badams Music Limited (in 1998), Cross Keys Publishing Co. (in 1998), Grantsville Publishing Ltd. (in 1998), Purple Crayon Music (in 1998), Sony/ATV Tunes LLC (in 1998) and Zomba Enterprises, Inc. (in 1998)
| Bryan Adams | 4:12 |
| 13 | The Best of Me- recording engineer:
- Zach Blackstone (from 1999-09-11 until 1999-09-16) and Phil Western (from 1999-09-11 until 1999-09-16)
- programming:
- Phil Thornalley
- engineer:
- Zach Blackstone, Greg Goldman, Chris Potter and Phil Western
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- assistant mixer:
- Zach Blackstone (in 1999-09)
- mixer:
- Bob Clearmountain (in 1999-09)
- bass and lead vocals:
- BA (from 1999-08-30 until 1999-09-16)
- drums (drum set):
- Mickey Curry (on 1999-09-10)
- guitar:
- BA (from 1999-08-30 until 1999-09-16) and Mutt Lange (from 1999-08-30 until 1999-09-16)
- keyboard:
- Phil Western (from 1999-08-30 until 1999-09-16)
- strings arranger:
- BA and Bob Buckley
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1999), Badman Limited (in 1999), Badman Ltd. (in 1999) and Interscope Geffen (A&M) Records (in 1999)
- recorded at:
- Sully Sound in Switzerland (from 1999-08-30 until 1999-08-31), Conway Recording Studios in Hollywood, Los Angeles, California, United States (on 1999-09-10: drums (drum set)) and The Warehouse Studio in Vancouver, British Columbia, Canada (from 1999-09-11 until 1999-09-16)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (in 1999-09)
- recording of:
- The Best of Me (from 1999-08-30 until 1999-09-16)
- writer:
- Bryan Adams (from 1999-08-19 until 1999-08-20) and Robert John “Mutt” Lange (from 1999-08-19 until 1999-08-20)
- publisher:
- Badams Music Limited, Out-of-Pocket Productions Ltd. and Zomba Enterprises, Inc.
| Bryan Adams | 3:32 |
| 14 | Here I Am | Bryan Adams | 4:46 |
| 15 | Open Road | Bryan Adams | 3:31 |
| 16 | 18 Til I Die (live)- recording engineer:
- Daniel Bekerman and João Escada
- producer:
- BA
- assistant mixer:
- Brandon Duncan (from 2005-06-25 until 2005-06-27)
- mixer:
- Bob Clearmountain (from 2005-06-25 until 2005-06-27)
- bass:
- Norm Fisher
- drums (drum set):
- Mickey Curry
- guitar:
- BA and Keith Scott
- organ and piano:
- Gary Breit
- lead vocals:
- BA
- phonographic copyright (℗) by:
- A&M Records (in 2005)
- recorded at:
- Pavilhao Atlantico in Lisboa, Lisboa, Portugal
- mixed at:
- Mix This! in Pacific Palisades, Los Angeles, California, United States (from 2005-06-25 until 2005-06-27)
- live recording of:
- 18 'til I Die
- writer:
- Bryan Adams and Robert John “Mutt” Lange
- publisher:
- 2855 Music, Almo Music Corp., Sony Music Publishing (UK) Ltd., Zomba Music Publishers Ltd., Badams Music Limited (in 1996), Zomba Enterprises, Inc. (in 1996) and Zomba Music Publishing Ltd. (in 1996)
| Bryan Adams | 4:06 |
| 17 | So Far So Good | Bryan Adams | 3:41 |
| 18 | I'm Not the Man You Think I Am | Bryan Adams | 3:03 |
