| # | Title | Artist | Length |
|---|
| 1 | New York State of Mind- assistant engineer:
- John Bradley
- engineer:
- John Bradley, Don Puluse and Lou Waxman
- producer:
- Billy Joel
- mixer:
- Bruce Botnick
- acoustic guitar:
- James Smith (in 1976)
- acoustic guitar and electric guitar:
- Howard Emerson (in 1976) and Russell Javors (in 1976)
- bass guitar and electric bass guitar:
- Doug Stegmeyer (in 1976)
- drums (drum set):
- Liberty DeVitto (in 1976)
- keyboard, keyboard [keyboards], piano and lead vocals:
- Billy Joel (in 1976)
- percussion:
- Neil Jason (in 1976) and James Mingo Lewis (in 1976)
- saxophone:
- Richie Cannata (in 1976)
- arranger:
- Liberty DeVitto, Billy Joel and Doug Stegmeyer
- orchestrator:
- Kenny Ascher
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Sony BMG Music Entertainment (in 1976), Sony Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- Columbia Recording Studios in Hollywood, Los Angeles, California, United States (in 1976) and Ultra-Sonic Recording Studios in Hempstead, New York, United States (in 1976)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States
- recording of:
- New York State of Mind (in 1976)
- lyricist and composer:
- Billy Joel (in 1975)
- publisher:
- Blackwood Music Inc., EMI Songs Ltd., Home Grown Music, Impulsive Music, Tin Pan Tunes, Joelsongs (from 1975 until 1976) and CBS Songs Ltd. (in 1976)
- sub-publisher:
- ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Billy Joel | 6:05 |
| 2 | Tush | ZZ Top | 2:18 |
| 3 | One Way or Another- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1978, in 2001), Capitol Records, LLC (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 298)
- recording of:
- One Way or Another (from 1978-06 until 1978-07)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Monarch, Chrysalis Music, Chrysalis Music Ltd., Chrysalis Songs, EMI Music Publishing Ltd., Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
| Blondie | 3:34 |
| 4 | Don’t Stop Believin’ (edit)- assistant engineer:
- Wally Buck
- engineer:
- Kevin Elson
- producer:
- Kevin Elson and Mike Stone
- bass guitar:
- Ross Valory (from 1981-04 until 1981-06)
- drums (drum set) and percussion:
- Steve Smith (from 1981-04 until 1981-06)
- guitar:
- Neal Schon (from 1981-04 until 1981-06)
- keyboard and piano:
- Jonathan Cain (from 1981-04 until 1981-06)
- background vocals:
- Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
- lead vocals:
- Steve Perry (from 1981-04 until 1981-06)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1981), Columbia Records (in 1981), Sony Music Entertainment (in 1981) and Sony Music Entertainment Inc. (in 1981)
- recorded at:
- Fantasy Studios in Berkeley, California, United States (from 1981-04 until 1981-06)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- part of:
- SWR1 Hitparade 2022 (number: 10), VH1: 100 Greatest Songs of the 80’s (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard: The 500 Best Pop Songs (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
- recording of:
- Don’t Stop Believin’ (from 1981-04 until 1981-06)
- writer:
- Jonathan Cain, Steve Perry and Neal Schon
- publisher:
- BMG Rights Management (UK) Ltd., Lacey Boulevard Music, Sharandall Music, Sony Music, Universal/MCA Music Ltd. and Weedhigh‐Nightmare Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス, 日音 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
| Journey | 4:12 |
| 5 | You Make My Dreams | Daryl Hall & John Oates | 3:07 |
| 6 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher, Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas, Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla, Bill Gibson, Chris Hayes, Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla, Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control, Huey Lewis Music, Hulex Music, Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2)
- part of:
- Back to the Future: the Musical
| Huey Lewis and the News | 3:54 |
| 7 | Eye of the Tiger- assistant engineer:
- Hill Swimmer
- engineer:
- Phil Bonanno and Mike Clink
- producer:
- Jim Peterik and Frankie Sullivan
- phonographic copyright (℗) by:
- Volcano Entertainment III, L.L.C. (in 1985)
- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Copyright Control, Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music, Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited, Warner/Chappell North America Limited, WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
- part of:
- The 55th Academy Award for Best Original Song (number: 2)
| Survivor | 3:49 |
| 8 | American Woman- programming, engineer and mixer:
- Terry Manning
- producer:
- Lenny Kravitz
- lead vocals:
- Lenny Kravitz
- arranger:
- Lenny Kravitz
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1999)
- cover recording of:
- American Woman
- writer:
- Randy Bachman, Burton Cummings, Jim Kale and Garry Peterson
- publisher:
- BMG Rights Management (UK) Ltd., Bug Music, Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control, Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
| Lenny Kravitz | 4:23 |
| 9 | If You Want My Love- assistant engineer:
- Paul Klingberg
- engineer:
- Ian Taylor
- producer:
- Roy Thomas Baker
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1982), CBS, Inc. (in 1982), Sony Music Entertainment (in 1982) and Sony Music Entertainment Inc. (in 1982)
- recorded at:
- Pierce Arrow Recorders in Evanston, Illinois, United States
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- recording of:
- If You Want My Love
- lyricist and composer:
- Rick Nielsen
- publisher:
- Adult Music, EMI Music Publishing Australia Pty. Limited and Screen Gems–EMI Music, Inc.
| Cheap Trick | 3:38 |
| 10 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony, Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989) and The David Geffen Company (in 1989)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 4:02 |
| 11 | Summer in the City- additional electric piano:
- Artie Schroeck
- lead vocals:
- John Sebastian
- conductor:
- Michael Kamen
- phonographic copyright (℗) by:
- Buddah Records (in 1966), Kama Sutra (in 1966), Sony Music Entertainment (in 1966) and Sony Music Entertainment Inc. (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 393)
- recording of:
- Summer in the City
- writer:
- Steve Boone, John Sebastian and Mark Sebastian
- publisher:
- Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd., Bug Music, Copyright Control, EMI Music Publishing, EMI Music Publishing Ltd., Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music and Trio Music Co., Inc.
| The Lovin’ Spoonful | 2:41 |
| 12 | Turn! Turn! Turn! (To Everything There Is a Season) | The Byrds | 3:52 |
| 13 | Ring of Fire | Johnny Cash | 2:44 |
| 14 | Green Onions (single version) | Booker T. & the MG’s | 2:55 |
| 15 | Use Me | Bill Withers | 3:41 |
| 16 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music, Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros., Warner Bros. Music Ltd., Warner Chappell Music, Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 2:43 |
| 17 | Love and Happiness | Al Green | 5:08 |
| 18 | The Tracks of My Tears (stereo) | The Miracles | 2:57 |
| 19 | California Dreamin’ (single version)- engineer:
- Bones Howe
- producer:
- Lou Adler
- guitar:
- P.F. Sloan (in 1965)
- solo alto flute:
- Bud Shank (in 1965)
- phonographic copyright (℗) by:
- Geffen Records and Dunhill Records (in 1966)
- recorded at:
- Western Recorders in Los Angeles, California, United States (in 1965)
- part of:
- Billboard: The 500 Best Pop Songs (number: 52), Rolling Stone: 500 Greatest Songs of All Time (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
- recording of:
- California Dreamin’ (in 1965)
- writer:
- John Phillips and Michelle Phillips
- publisher:
- American Broadcasting Music, Inc., MCA Music Publishing, Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. and Universal/MCA Music Publishing GmbH
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Mamas & the Papas | 2:42 |
| 20 | Hallelujah | Jeff Buckley | 4:15 |
