Leonard Bernstein: The Remastered Edition

~ Release by Leonard Bernstein (see all versions of this release, 6 available)

Annotation

A 100-CD collection of Leonard Bernstein's American Columbia remastered recordings. Includes a hardcover book with complete tracklists and credits.

Tracklist

1▶CD: Early Recordings - Stravinsky: Histoire du soldat / Octet for Wind Instruments / Milhaud: La Création du monde / Bernstein: Afterthought
2▶CD: Bernstein: The Age of Anxiety (Symphony no. 2 for Piano and Orchestra) / Serenade
3▶CD: Harold Shapero: Symphony for Classical Orchestra
4▶CD: Mozart: Concerto no. 17 in G major for Piano and Orchestra, K. 453 / Concerto no. 15 in B-flat major for Piano and Orchestra, K. 450
5▶CD: Stravinsky: Firebird Suite / Tchaikovsky: Romeo and Juliet Overture-Fantasy
6▶CD: Bartok: Concerto for Violin
7▶CD: Stravinsky: Le Sacre du printemps
8▶CD: Beethoven: Violin Concerto in D major, op. 61
9▶CD: Shostakovitch: Symphony no. 5, op. 47
10▶CD: Gershwin: Rhapsody in Blue / An American in Paris
11▶CD: Debussy: Images for Orchestra
12▶CD: Vivaldi: Concerto in C major for Diverse Instruments (with Mandolins) / Concerto in D minor for Oboe, Strings and Cembalo / Concerto in C minor for Flute, Strings and Cembalo / Concerto in C major for Piccolo, Strings and Cembalo
13▶CD: Charles Ives: Symphony no. 2
14▶CD: Copland: Rodeo / Billy the Kid
15▶CD: Prokofiev: Peter and the Wolf / Tchaikovsky: Nutcracker Suite
16▶CD: Mahler: Kindertotenlieder / Four Songs
17▶CD: Bernstein: On the Town
18▶CD: Ode for St. Cecilia’s Day
19▶CD: Leonard Bernstein Discusses Humor in Music
20▶CD: Symphonic Dances from “West Side Story” / Symphonic Suite from “On the Waterfront”
21▶CD: Beethoven: Concerto no. 4 in G major
22▶CD: Tchaikovsky: Francesca da Rimini / Capriccio italien / Marche slave / 1812 Overture
23▶CD: Debussy: Prelude - Afternoon of a Faun / Nocturnes - Nuages and Fêtes / Jeux - Poème Dansé
24▶CD: Leonard Bernstein: Jeremiah Symphony / Roy Harris: Third Symphony
25▶CD: Mahler: Symphony no. 3 in D minor (Mvt. I)
26▶CD: Mahler: Symphony no. 3 in D minor (Mvts. II-VI)
27▶CD: Stravinsky: Pulcinella Suite / Concerto for Piano & Wind Orchestra
28▶CD: Wagner: Brünnhilde's Immolation Scene from Götterdämmerung / Wesendonck Songs
29▶CD: Copland: El salón México / Appalachian Spring / Music for the Theatre
30▶CD: Berlioz: Harold in Italy, op. 16
31▶CD: Tchaikovsky: Piano Concerto no. 1
32▶CD: Bartók: Two Rhapsodies for Violin and Orchestra / Berg: Violin Concerto
33▶CD: Dvořák: New World Symphony
34▶CD: Saint-Saëns: The Carnival of the Animals / Britten: The Young Person's Guide to the Orchestra
35▶CD: Bernstein Plays and Conducts Beethoven Piano Concerto no. 1 in C / Rachmaninoff: Concerto no. 2
36▶CD: Ravel: Shéhérazade / Berlioz: Cléopâtre
37▶CD: Schumann: Symphony no. 2 in C (Original Orchestration)
38▶CD: Liszt: Piano Concerto no. 1 in E-flat / Les Préludes (Symphonic Poem)
39▶CD: Beethoven: Symphony no. 5 / Bernstein: How a Great Symphony Was Written
40▶CD: Brahms: Symphony no. 4
41▶CD: Bernstein Conducts Favorite Rossini Overtures
42▶CD: Hindemith: Concert Music for Strings and Brass / Bartók: Music for Strings, Percussion and Celesta
43▶CD: Schumann: Spring Symphony no. 1 in B-flat - Original Orchestration / Overture to Genoveva
44▶CD: Franz Liszt: A Faust Symphony
45▶CD: Bernstein: Kaddish - Symphony no. 3
46▶CD: Haydn: Symphony no. 82 “The Bear” / Symphony no. 83 “The Hen”
47▶CD: Beethoven: Third Piano Concerto / Choral Fantasy
48▶CD: Mahler: Symphony no. 2 in C minor “Resurrection” (Mvts. I-II)
49▶CD: Mahler: Symphony no. 2 in C minor “Resurrection” (Mvts. III-V)
50▶CD: Bernstein: Fancy Free / Overture to Candide / On the Town (Three Dance Episodes) / Prelude, Fugue and Riffs
51▶CD: Two Twentieth Century Masterpieces: Barber / Hindemith: Violin Concertos
52▶CD: Sibelius: Symphony no. 5 / Pohjola's Daughter / Violin Concerto
53▶CD: Nielsen: Symphony no. 3 / Symphony no. 5
54▶CD: Bernstein: Chichester Psalms for Chorus and Orchestra / Facsimile - A Choreographic Essay
55▶CD: Mendelssohn: Italian Symphony / Schubert: Unfinished Symphony
56▶CD: Beethoven: Symphony no. 3 “Eroica”
57▶CD: Dvořák: Two Slavonic Dances / Carnival Overture / Smetana: Overture and Three Dances from “The Bartered Bride” / The Moldau
58▶CD: Falstaff (Acts I & II, Scene 1)
59▶CD: Falstaff (Acts II, Scene 2 & Act III)
60▶CD: Schumann: Piano Quintet in E-flat major / Mozart: Piano Quartet in G minor
61▶CD: Bach: Concertos
62▶CD: Mendelssohn: Scotch Symphony / Hebrides Overture
63▶CD: Mussorgsky: Night on Bald Mountain / Khovantchina Prelude / Ippolitov-Ivanov: Two Caucasian Sketches / Borodin: Polovetsian Dances / Glinka: Russlan and Ludmila Overture
64▶CD: Nielsen: Concerto for Flute and Orchestra / Concerto for Clarinet and Orchestra
65▼CD: Die Schöpfung (Parts I & II beginning)
#TitleArtistLength
1Die Schöpfung, Hob. XXI:2: Part I, The First Day. No. 1 Orchestral Prelude: The Representation of Chaos - Recitative and Chorus: “Im Anfange schuf Got Himmel und Erde” (Raphael, Uriel)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn9:16
2Die Schöpfung, Hob. XXI:2: Part I, The First Day. No. 2 Aria and Chorus: “Nun schwanden vor dem heiligen Strahle” (Uriel) - “Verzweiflung, Wut und Schrecken”
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:43
3Die Schöpfung, Hob. XXI:2: Part I, The Second Day. No. 3 Recitative: “Und Gott machte das Firmament” (Raphael)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:09
4Die Schöpfung, Hob. XXI:2: Part I, The Second Day. No. 4 Solo and Chorus: “Mit Staunen sieht das Wunderwerk” (Gabriel) - “Und laut ertönt aus ihren Kehlen”
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 5. Sopransolo mit Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn1:43
5Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 5 Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach: Es sammle sich das Wasser" (Raphael) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:50
6Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 6 Aria: “Rollend in schäumenden Wellen” (Raphael)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:46
7Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 7 Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:37
8Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 8 Aria: “Nun beut die Flur das frische Grün” (Gabriel)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn5:18
9Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 9 Recitative: “Und die himmlischen Heerscharen verkündigten” (Uriel)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: X. Rezitativ: Und die himmlischen Heerscharen verkündigten (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:14
10Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 10 Chorus: “Stimmt an die Saiten”
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:07
11Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 11 Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:44
12Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 12 Recitative: “In vollem Glanze steiget jetzt” (Uriel)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:46
13Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 13 Chorus and Soli: “Die Himmel erzählen die Ehre Gottes” (Gabriel, Uriel, Raphael) - “Dem kommenden Tage sagt es der Tag”
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:47
14Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 14 Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:40
15Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 15 Aria: “Auf starkem Fittiche schwinget sich der Adler stolz” (Gabriel)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn6:19
16Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 16 Recitative: “Und Gott schuf große Walfische” (Raphael)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn2:43
17Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 17 Recitative: “Und die Engel rührten ihr' unsterblichen Harfen” (Raphael)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:30
18Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 18 Trio: “In holder Anmut stehn” (Gabriel, Uriel, Raphael)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXa. Terzett: In holder Anmut stehn (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn4:23
19Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 19 Chorus and Soli: “Der Herr ist groß in seiner Macht” (Gabriel, Uriel, Raphael)
cello [cello continuo]:
Bernard Altmann (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXb. Terzett und Chor: Der Herr ist groß (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn2:22
66▶CD: Die Schöpfung (Parts II conclusion & III)
67▶CD: Mahler: Symphony no. 6 in A minor
68▶CD: Mahler: Symphony no. 9 in D major
69▶CD: Brahms: Serenade in A
70▶CD: Prokofiev: Classical Symphony / Bizet: Symphony in C
71▶CD: Karl Goldmark: Rustic Wedding Symphony
72▶CD: Haydn: Symphony no. 88 / Symphony no. 102
73▶CD: Berlioz: Symphonie fantastique
74▶CD: On the Beautiful Blue Danube
75▶CD: Mahler: Des Knaben Wunderhorn
76▶CD: Hindemith: Symphony in E-flat / Symphonic Metamorphosis of Themes by Carl Maria von Weber
77▶CD: William Schuman: Symphony no. 3 / Symphony for Strings
78▶CD: Tchaikovsky: Swan Lake Ballet Suite
79▶CD: Der Rosenkavalier (Act I)
80▶CD: Der Rosenkavalier (Act II)
81▶CD: Der Rosenkavalier (Act III)
82▶CD: Bernstein Conducts Beethoven Overtures
83▶CD: Bernstein Conducts Bruckner Symphony no. 9
84▶CD: Bernstein Conducts Great Marches
85▶CD: Schubert: Symphony no. 9 in C major, “The Great”
86▶CD: Offenbach: Gaîté Parisienne / Bizet: L'Arlésienne Suites
87▶CD: Tchaikovsky: Symphony no. 2 “Little Russian”
88▶CD: Carmen Suites 1 and 2 / Peer Gynt Suites 1 and 2
89▶CD: Holst: The Planets
90▶CD: Bernstein: Dybbuk
91▶CD: Bernstein: Trouble in Tahiti
92▶CD: Bernstein Conducts Haydn: Harmoniemesse
93▶CD: Leonard Bernstein Conducts Carl Maria von Weber
94▶CD: Age of Gold
95▶CD: A Tribute to Benjamin Britten
96▶CD: Poulenc: Gloria / Stravinsky: Symphony of Psalms
97▶CD: Saint-Saëns: Symphony no. 3 in C minor
98▶CD: West Side Story
99▶CD: Candide
100▶CD: Peter Pan