The Classical Album 2005

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1Never Say Goodbye (Ravel's Pavane)
soprano vocals:
Hayley Westenra
arranger:
Ian Dean
recording of:
Never Say Goodbye
lyricist and composer:
Pam Sheyne
is based on:
Pavane pour une infante défunte (orchestrated version)
Maurice Ravel3:14
2Amore e Musica
programming and producer:
Simon Franglen
assistant engineer:
‘Robo’ Brad Spence and Chris Barrett
engineer:
Jon Bailey and Nick Woollage
mixer:
Mick Guzauski
guitar [guitars]:
Dean Parks
keyboard [keyboards]:
Simon Franglen
tenor vocals:
Russell Watson
orchestra:
Royal Philharmonic Orchestra
conductor:
Simon Hale
orchestrator:
Simon Hale
mixed at:
Barking Doctor Studio in Mount Kisco, New York, United States
recording of:
Amore e musica
lyricist:
Felice di Salvo
composer:
Roberto Pacco
Roberto Pacco3:59
3Time to Say Goodbye
engineer and mixer:
Pete Schwier and Leon Zervos
producer:
Nick Patrick
acoustic guitar:
Bryan Adams
cello:
Adrian Bradbury
mezzo-soprano vocals:
Katherine Jenkins
orchestra:
The Czech Film Orchestra
orchestrator:
James Banbury
phonographic copyright (℗) by:
Universal Classics & Jazz (in 2004)
recording of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar S.r.l., Sugar Songs UK Limited, Double Marpot Edizione Musicali (in 1995) and Insieme S.r.l. (in 1995)
Francesco Sartori3:44
4Granada
bass-baritone vocals:
Bryn Terfel
recording of:
Granada (original Spanish version)
lyricist and composer:
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. and Peer International Corporation (from 1932 to present)
Agustín Lara4:41
5Song to the Moon
soprano vocals:
Lesley Garrett and Lucia Popp
soprano vocals [Rusalka]:
Lucia Popp
orchestra:
Munich Radio Symphony Orchestra and Philharmonia Orchestra
conductor:
Andrew Greenwood and Stefan Soltész
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
composer:
Antonín Dvořák (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák5:57
6Unknown Soldier
producer:
Jaz Coleman
đàn tranh:
Trần Quang Hải
violin:
Nigel Kennedy
orchestra:
Symfonický orchestr hlavního města Prahy FOK
additional conductor:
Petr Pýcha
conductor:
Peter Scholes
arranger and orchestrator:
Jaz Coleman
instrumental cover recording of:
The Unknown Soldier
writer:
John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison
publisher:
Doors Music Company, Rondor Music (London) Ltd. and Nipper Music Co., Inc. (in 1968)
The Doors5:44
7The Nuns's Chorus
producer:
Paul Myers
choir vocals:
The Mormon Tabernacle Choir (from 1989-02-24 until 1989-02-25)
soprano vocals:
Kiri Te Kanawa (from 1989-02-24 until 1989-02-25)
orchestra:
Utah Symphony Orchestra (from 1989-02-24 until 1989-02-25)
conductor:
Julius Rudel (from 1989-02-24 until 1989-02-25)
chorus master:
Jerold Ottley (from 1989-02-24 until 1989-02-25)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1989)
recorded at:
Salt Lake Tabernacle in Salt Lake City, Utah, United States (from 1989-02-24 until 1989-02-25)
live recording of:
Casanova: Nuns’ Chorus & Laura’s Song (from 1989-02-24 until 1989-02-25)
additional composer:
Ralph Benatzky
composer:
Johann Strauss
librettist:
Rudolf Schanzer and Ernst Welisch
part of:
Casanova
partial recording of:
Casanova: Nuns’ Chorus & Laura’s Song
additional composer:
Ralph Benatzky
composer:
Johann Strauss
librettist:
Rudolf Schanzer and Ernst Welisch
part of:
Casanova
Johann Strauss3:32
8Prayer in the Night
recording engineer:
Matt Howe
additional programming:
Nick Patrick
programming:
Yuki Yamamoto
additional percussion:
Nick Patrick
bass:
Laurie Cottle
keyboard:
Richard Cottle
percussion:
Miles Bould
vocals:
Amici Forever
orchestra:
The Budapest Film Orchestra
conductor:
Nick Ingman
recording of:
Prayer in the Night
orchestrator:
James Shearman
lyricist:
Swaraj Babenia
composer:
James Robert Shearman
is based on:
Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande (Largo)
George Frideric Handel3:15
9Be My Love
choir vocals:
The Jeff Alexander Chorus (in 1950)
tenor vocals:
Mario Lanza (in 1950)
vocals:
Mario Lanza (in 1950)
orchestra:
RCA Victor Orchestra and Ray Sinatra’s Orchestra (in 1950)
conductor:
Ray Sinatra (in 1950)
recording of:
Be My Love (in 1950)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
EMI Music Publishing
part of:
The 23rd Academy Award for Best Original Song (number: 2)
Nicholas Brodzsky3:30
10Flight of the Bumble-Bee
cello:
Julian Lloyd Webber
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
composer:
Николай Андреевич Римский‐Корсаков (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Nicolai Rimsky-Korsakov1:12
11Una Mattina
recording engineer:
Ludovico Einaudi and Michael Seberich
producer:
Ludovico Einaudi
mixer:
Michael Seberich
piano:
Ludovico Einaudi and Alessandro Simonetto
produced at:
Piccolo Teatro Milan in Milano, Milano, Lombardia, Italy (in 2004-06)
recording of:
Una mattina
composer:
Ludovico Einaudi
Ludovico Einaudi3:22
12Ave Maria
soprano vocals:
Angela Gheorghiu
orchestra:
London Philharmonic Orchestra
conductor:
Ion Marin
arranger:
Giacomo Zani
recording of:
Ave Maria (by Pietro Mascagni, adapted from the Intermezzo of his Cavalleria Rusticana)
lyricist:
Pietro Mazzoni
composer:
Pietro Mascagni
is based on:
Cavalleria rusticana: Intermezzo
Pietro Mascagni3:19
13Harry Potter and the Prisoner of Azkaban
producer:
James Fitzpatrick
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Nic Raine
arranger:
Christopher Tin
cover recording of:
Harry Potter and the Prisoner of Azkaban Suite: Mischief Managed / A Window to the Past / Buckbeak's Flight
composer:
John Williams
John Williams6:59
14Crucifixus
performer:
The Sixteen
recording of:
Crucifixus a 8
composer:
Antonio Lotti
Antonio Lotti2:59
15Quando men vo
soprano vocals:
Anna Netrebko (in 2003-03)
orchestra:
Wiener Philharmoniker (in 2003-03)
conductor:
Gianandrea Noseda (in 2003-03)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (in 2003-03)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:38
16Ti Adoro
assistant recording engineer:
Gianluca "Naftalina" Camporesi
recording engineer, programming, producer and mixer:
Michele Centonze
mastering:
Michele Centonze and Philip Siney
assistant producer:
Stefano Nanni
executive producer:
Michele Centonze
double bass:
Kameron Brown (from 2001-09 until 2003-07)
guitar:
Michele Centonze (from 2001-09 until 2003-07)
membranophone:
Fabio Sartoni (from 2001-09 until 2003-07)
piano:
Stefano Nanni (from 2001-09 until 2003-07)
saxophone:
Piero Odorici (from 2001-09 until 2003-07)
trombone:
Roberto Rossi (from 2001-09 until 2003-07)
trumpet:
Marco Tamburini (from 2001-09 until 2003-07)
additional tenor vocals:
Veris Giannetti (from 2001-09 until 2003-07)
tenor vocals:
Veris Giannetti (from 2001-09 until 2003-07) and Luciano Pavarotti (from 2001-09 until 2003-07)
orchestra:
Bulgarian Symphony Orchestra (from 2001-09 until 2003-07)
conductor:
Stefano Nanni (from 2001-09 until 2003-07)
arranger:
Michele Centonze
orchestrator:
Stefano Nanni
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 2001-09 until 2003-07), Bulgarian Radio Studios (from 2001-09 until 2003-07) and Pig Sound Studio in Forlì, Forlì-Cesena, Emilia-Romagna, Italy (from 2001-09 until 2003-07)
recording of:
Ti adoro (from 2001-09 until 2003-07)
lyricist:
Robin Smith
composer:
Michele Centonze
Michele Centonze3:12
17In Paradisum
producer:
Kjetil Bjerkestrand
mixer:
Jan Erik Kongshaug
harp:
Sidsel Walstad
vocals:
Sissel
mixed at:
Rainbow Studio in Oslo, Norway
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version)
composer:
Gabriel Fauré (from 1886 until 1900)
publisher:
Éditions Durand
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré2:55
18La donna é mobile
tenor vocals:
Juan Diego Flórez (from 2003-03-24 until 2003-03-30)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (from 2003-03-24 until 2003-03-30)
conductor:
Carlo Rizzi (from 2003-03-24 until 2003-03-30)
recorded at:
Auditorium di Milano in Milano, Milano, Lombardia, Italy (from 2003-03-24 until 2003-03-30)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (from 2003-03-24 until 2003-03-30)
composer:
Giuseppe Verdi (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:23
19The Passion of the Christ
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
James Fitzpatrick
cover recording of:
Resurrection (The Passion of the Christ)
composer:
John Debney
John Debney4:49
20The Entertainer
clarinet:
Emma Johnson
recording of:
The Entertainer
composer:
Scott Joplin (in 1902)
publisher:
Chappell, EMI Music Publishing and Multimood Music
part of:
Classic 100: Piano (number: 25)
Scott Joplin2:28
21O Come, O Come Emmanuel
vocals:
Aled Jones
recording of:
O Come, O Come Emmanuel (unknown version)
composer:
[traditional]
[traditional]3:25
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