Messiah

~ Release by Handel; Gaechinger Cantorey, Hans-Christoph Rademann (see all versions of this release, 1 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistLength
1Messiah, HWV 56, Pt. 2 (1742 Version): No. 27, All They That See Him Laugh Him to Scorn
tenor vocals:
Benedikt Kristjánsson
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:42
2Messiah, HWV 56, Pt. 2 (1742 Version): No. 28, He Trusted in God That He Would Deliver Him
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:13
3Messiah, HWV 56, Pt. 2 (1742 Version): No. 29, Thy Rebuke Hath Broken His Heart
tenor vocals:
Benedikt Kristjánsson
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:39
4Messiah, HWV 56, Pt. 2 (1742 Version): No. 30, Behold and See if There Be Any Sorrow
tenor vocals:
Benedikt Kristjánsson
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:30
5Messiah, HWV 56, Pt. 2 (1742 Version): No. 31, He Was Cut Off
tenor vocals:
Benedikt Kristjánsson
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:17
6Messiah, HWV 56, Pt. 2 (1742 Version): No. 32, But Thou Didst Not Leave His Soul in Hell
tenor vocals:
Benedikt Kristjánsson
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:22
7Messiah, HWV 56, Pt. 2 (1742 Version): No. 33, Lift-Up Your Heads, O Ye Gates
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:57
8Messiah, HWV 56, Pt. 2 (1742 Version): No. 34, Unto Which of the Angels
tenor vocals:
Benedikt Kristjánsson
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:17
9Messiah, HWV 56, Pt. 2 (1742 Version): No. 35, Let All the Angels of God Worship Him
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him”
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:25
10Messiah, HWV 56, Pt. 2 (1742 Version): No. 36, Thou Art Gone-Up on High
bass vocals:
Tobias Berndt
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:16
11Messiah, HWV 56, Pt. 2 (1742 Version): No. 37, The Lord Gave the Word
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:11
12Messiah, HWV 56, Pt. 2 (1742 Version): No. 38, How Beautiful Are the Feet
alto vocals:
Tobias Knaus and Benno Schachtner
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
composer:
George Frideric Handel (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:36
13Messiah, HWV 56, Pt. 2 (1742 Version): No. 40, Why Do the Nations So Furiously Rage Together
bass vocals:
Tobias Berndt
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:27
14Messiah, HWV 56, Pt. 2 (1742 Version): No. 41, Let Us Break Their Bonds Asunder
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder”
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:39
15Messiah, HWV 56, Pt. 2 (1742 Version): No. 42, He That Dwelleth in Heaven
tenor vocals:
Benedikt Kristjánsson
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:13
16Messiah, HWV 56, Pt. 2 (1742 Version): No. 43, Thou Shalt Break Him
tenor vocals:
Benedikt Kristjánsson
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:14
17Messiah, HWV 56, Pt. 2 (1742 Version): No. 44, Hallelujah
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:42
18Messiah, HWV 56, Pt. 3 (1742 Version): No. 45, I Know That My Reedemer Liveth
soprano vocals:
Dorothee Mields
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:28
19Messiah, HWV 56, Pt. 3 (1742 Version): No. 46, Since by Man Came Death
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:01
20Messiah, HWV 56, Pt. 3 (1742 Version): No. 47, Behold, I Tell You a Mystery
bass vocals:
Tobias Berndt
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:37
21Messiah, HWV 56, Pt. 3 (1742 Version): No. 48, The Trumpet Shall Sound
bass vocals:
Tobias Berndt
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:54
22Messiah, HWV 56, Pt. 3 (1742 Version): No. 49, Then Shall Be Brought to Pass
alto vocals:
Benno Schachtner
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:16
23Messiah, HWV 56, Pt. 3 (1742 Version): No. 50, O Death, Where Is Thy Sting
alto vocals:
Benno Schachtner
tenor vocals:
Benedikt Kristjánsson
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:11
24Messiah, HWV 56, Pt. 3 (1742 Version): No. 51, But Thanks Be to God
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…”
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:38
25Messiah, HWV 56, Pt. 3 (1742 Version): No. 52, If God Be for Us, Who Can Be Against Us
alto vocals:
Benno Schachtner
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Alto) (version transposed for Alto)
composer:
George Frideric Handel
version of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:24
26Messiah, HWV 56, Pt. 3 (1742 Version): No. 53, Worthy Is the Lamb
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 53a. Chorus “Worthy is the Lamb”
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
George Frideric Handel3:13
27Messiah, HWV 56, Pt. 3 (1742 Version): No. 54, Amen
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann
recorded at:
Margarethenkirche in Gotha, Thüringen, Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 53b. Chorus “Amen”
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
George Frideric Handel3:45

Credits

Release

mixer, editor and mastering:Florian B. Schmidt
producer:Florian B. Schmidt (task: recording producer)
Paul Smaczny
recording engineer:Aki Matusch
streaming page:https://music.apple.com/us/album/1502126503 [info]