Brigitte Edition "Erlebnis Klassik", Vol. 8: Weihnachtszauber

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Copyright: © 2010 Universal Music Classics & Jazz, a division of Universal Music GmbH
℗ 2010 Universal Music Classics & Jazz, a division of Universal Music GmbH

Tracklist

1▼Digital Media
#TitleArtistLength
1Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 1 Chorus: "Jauchzet, frohlocket"
trumpet:
Trumpet Ensemble Ludwig Guttler (in 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1987-01)
orchestra:
Staatskapelle Dresden (in 1987-01)
conductor:
Peter Schreier (in 1987-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1987-01)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:08
2Macht hoch die Tür (Arr. by Karl Marx)
choir vocals:
Regensburger Domspatzen
conductor:
Hans Schrems
arranger:
Karl Marx
phonographic copyright (℗) by:
Polydor International GmbH (in 1967)
recording of:
Macht hoch die Tür
lyricist:
Georg Weissel
composer:
[traditional]
[anonymous]3:42
3Es ist ein' Ros' entsprungen
bassoon:
Helmut Böcker
double bass:
Wolfgang Stert
oboe:
Dietmar Keller and Hans‐Georg Renner
tenor vocals:
Fritz Wunderlich
arranger:
Fritz Neumeyer
recording of:
Es ist ein Ros entsprungen (original anonymous version)
composer:
[anonymous]
publisher:
Dreiklang/Dreimasken
[anonymous]3:18
4Ave Maria, "Ellens Gesang III", D. 839
recording engineer:
John Dunkerley and James Lock (in 1976-01)
producer:
Ray Minshull
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
composer:
Franz Schubert
arrangement of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous]
composer:
Franz Schubert
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo and Sir Walter Scott
composer:
Franz Schubert (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert4:46
5O du fröhliche, o du selige
producer:
Karl-Heinz Schneider
cello:
Walter Reichhardt (from 1961-05 until 1961-06)
double bass:
Franz Ortner (from 1961-05 until 1961-06)
organ:
Hedwig Bilgram (from 1961-05 until 1961-06)
viola:
Georg Schmid (from 1961-05 until 1961-06)
violin:
Otto Büchner (from 1961-05 until 1961-06) and Kurt-Christian Stier (from 1961-05 until 1961-06)
choir vocals:
Münchner Chorbuben (from 1961-05 until 1961-06)
soprano vocals:
Maria Stader (from 1961-05 until 1961-06)
chorus master:
Fritz Rothschuh (from 1961-05 until 1961-06)
balance engineer:
Walter Alfred Wettler
recorded at:
Musikhochschule in München, Bayern, Germany (from 1961-05 until 1961-06)
recording of:
O du fröhliche (German Christmas carol set to the melody of "O sanctissima")
lyricist:
Johannes Daniel Falk and Heinrich Holzschuher
composer:
[traditional]
version of:
O Sanctissima (Sicilian Mariners Hymn, Sicilian Mariners Hymn)
[anonymous]2:42
6Süsser die Glocken nie klingen
choir vocals:
Vienna Boys CHoir
conductor:
Uwe Christian Harrer
recording of:
Süßer die Glocken nie klingen
lyricist:
Friedrich Wilhelm Kritzinger
composer:
[traditional]
[anonymous]2:48
7Still, weil's Kindlein schlafen will
orchestra:
Brass Ensemble of the Berlin Philharmonic Orchestra
phonographic copyright (℗) by:
Polydor International GmbH (in 1977)
[traditional]0:47
8Stille Nacht, heilige Nacht
producer:
Christopher Alder
editor:
Karl-August Naegler
choir vocals:
Dresdner Kreuzchor (from 1996-01 until 1996-03)
conductor:
Matthias Jung (from 1996-01 until 1996-03)
arranger:
Donald Fraser
balance engineer:
Klaus Hiemann (from 1996-01 until 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1996)
recorded at:
Lukaskirche in Dresden, Sachsen, Germany (from 1996-01 until 1996-03)
recording of:
Stille Nacht, heilige Nacht (from 1996-01 until 1996-03)
lyricist:
Josef Mohr (in 1816)
composer:
Franz Xaver Gruber (in 1818)
part of:
Oh, What a Lovely War! (stage musical)
Franz Xaver Gruber3:31
9Messiah, HWV 56: Pt. 1: 13. Pifa (Pastoral Symphony)
sound engineer:
Hans‐Peter Schweigmann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Ulrich Vette
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (in 1988-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1988)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1988-01)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:11
10Christmas Oratorio, BWV 248: Part One "For The First Day Of Christmas": No. 8 Aria (Baß): "Großer Herr, o starker König"
bass vocals:
Robert Holl
orchestra:
Staatskapelle Dresden
conductor:
Peter Schreier
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1987-01)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:43
11Sonata prima for Trumpet and Continuo: 5. (Adagio)
engineer:
Heinz Wildhagen
executive producer:
Rudolf Werner
editor:
Manfred Bartel and Reinhild Schmidt
organ:
Hedwig Bilgram (in 1976-09)
trumpet:
Maurice André (in 1976-09)
recorded at:
Residenz in München, Bayern, Germany (in 1976-09)
recording of:
Sonata prima for Trumpet and Continuo: V. (Adagio) (in 1976-09)
composer:
Giovanni Buonaventura Viviani (in 1678)
part of:
Sonata prima for Trumpet and Continuo
Giovanni Buonaventura Viviani1:06
12Sonata prima for Trumpet and Continuo: 4. (Allegro)
engineer:
Heinz Wildhagen
executive producer:
Rudolf Werner
editor:
Manfred Bartel and Reinhild Schmidt
organ:
Hedwig Bilgram (in 1976-09)
trumpet:
Maurice André (in 1976-09)
recorded at:
Residenz in München, Bayern, Germany (in 1976-09)
recording of:
Sonata prima for Trumpet and Continuo: IV. (Allegro) (in 1976-09)
composer:
Giovanni Buonaventura Viviani (in 1678)
part of:
Sonata prima for Trumpet and Continuo
Giovanni Buonaventura Viviani1:38
13Herz und Mund und Tat und Leben, Cantata BWV 147 (Arr. Chris Hazell): Jesu bleibet meine Freude
soprano vocals:
Renée Fleming
orchestra:
Royal Philharmonic Orchestra
conductor:
Andreas Delfs
arranger:
Chris Hazell
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach2:44
14Was soll das bedeuten
recording of:
Was soll das bedeuten
lyricist and composer:
[traditional]
[traditional]1:56
15Maria durch ein Dornwald ging
producer:
Christopher Alder
editor:
Karl-August Naegler
choir vocals:
Dresdner Kreuzchor (from 1996-01 until 1996-03)
conductor:
Matthias Jung (from 1996-01 until 1996-03)
balance engineer:
Klaus Hiemann (from 1996-01 until 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1996)
recorded at:
Lukaskirche in Dresden, Sachsen, Germany (from 1996-01 until 1996-03)
recording of:
Drei Weihnachtliche Liedsätze: Nr. 1. Maria durch ein Dornwald ging (from 1996-01 until 1996-03)
composer:
Heinrich Kaminski
part of:
Drei Weihnachtliche Liedsätze
recording of:
Maria durch ein Dornwald ging
lyricist and composer:
[traditional]
Heinrich Kaminski2:04
16O Jesulein süss
cello:
Ole Karlsson (in 1998-11)
viola:
Torbjörn Helander (in 1998-11)
violin:
Ulf Forsberg (in 1998-11) and Ulrika Jansson (in 1998-11)
mezzo-soprano vocals:
Anne Sofie von Otter (in 1998-11)
arranger:
Annette Isserlis
recorded at:
Atlantis Studio in Stockholm, Stockholms län, Sweden (in 1998-11)
recording of:
Geistliches Lied, BWV 493 "O Jesulein süß" (catch-all for arrangements) (in 1998-11)
composer:
Johann Sebastian Bach
arrangement of:
Geistliches Lied, BWV 493 "O Jesulein süß"
[anonymous]4:06
17Kommet, ihr Hirten
orchestra:
Berlin Philharmonic Brass Ensemble
phonographic copyright (℗) by:
Polydor International GmbH (in 1977)
recording of:
Kommet, ihr Hirten (German version of Bohemian Christmas carol)
lyricist and composer:
[traditional]
translator:
Carl Riedel
translated version of:
Nesem vám noviny (traditional Czech poem/song)
[traditional]1:03
18O Tannenbaum (Arr. by Wolfgang Hochstein)
conductor:
Nikolai Korniev
arranger:
Wolfgang Hochstein
recording of:
O Tannenbaum (O Fir Tree, original German version)
lyricist:
Ernst Anschütz (in 1824)
composer:
[traditional] (from 1500 until 1600)
version of:
Es lebe hoch der Zimmermannsgeselle
[anonymous]1:52
19Ihr Kinderlein kommet
choir vocals:
Vienna Boys CHoir
conductor:
Uwe Christian Harrer
recording of:
Ihr Kinderlein, kommet (O, Come, Little Children)
lyricist:
Christoph von Schmid (in 1798)
composer:
[traditional] and Johann Abraham Peter Schulz (in 1790)
[anonymous]1:36
20Ich steh an deiner Krippen hier
bass vocals:
Hermann Prey
[traditional]2:31
21Christmas Oratorio, BWV 248: Part One "For the first Day of Christmas": No. 5 Choral: "Wie soll ich dich empfangen"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-05 until 1965-06) and Detlev Kühl (from 1965-05 until 1965-06)
cello:
Kurt Engert (from 1965-05 until 1965-06) and Oswald Uhl (from 1965-05 until 1965-06)
double bass:
Herbert Duft (from 1965-05 until 1965-06) and Ludwig Kiblböck (from 1965-05 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-05 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-05 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-05 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-05 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-05 until 1965-06)
organ:
Hedwig Bilgram (from 1965-05 until 1965-06)
transverse flute:
Paul Meisen (from 1965-05 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-05 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-05 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-05 until 1965-06)
violin:
Otto Büchner (from 1965-05 until 1965-06)
choir vocals:
Münchener Bach‐Chor (from 1965-05 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
22Joseph, lieber Joseph mein / Resonet in laudibus
orchestra:
Blechbläser-Ensemble der Berliner Philharmoniker
phonographic copyright (℗) by:
Polydor International GmbH (in 1977)
recording of:
Joseph, lieber Joseph mein (original version; use also for unknown settings)
lyricist:
[unknown]
composer:
[traditional] and Johann Walter
recording of:
Resonet in laudibus (Jacob Handl, adapted by Philip Ledger)
composer:
Jacob Handl
recording of:
Resonet in laudibus
composer:
Johannes Eccard
Johannes Eccard1:52
23Vom Himmel hoch, da komm ich her (arranged by Adam Gumpelzhaimer)
choir vocals:
Regensburger Domspatzen
conductor:
Georg Ratzinger
phonographic copyright (℗) by:
Polydor International GmbH (in 1980)
recording of:
Vom Himmel hoch, da komm ich her
lyricist:
Martin Luther
composer:
Adam Gumpelzhaimer
[traditional]2:04
24In dulci jubilo
recorded in:
München, Bayern, Germany (in 1966-06)
baritone vocals:
Hermann Prey (in 1966-06)
tenor vocals:
Fritz Wunderlich (in 1966-06)
arranger:
Fritz Neumeyer
recording of:
In dulci jubilo (arr. Michael Praetorius. Musae Sioniae VI, no. 32) (in 1966-06)
composer:
Michael Praetorius (in 1607)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
recording of:
Choralsatz, BWV 368 "In dulci jubilo"
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 215) and Bach-Werke-Verzeichnis (number: BWV 368)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
Michael Praetorius2:36
25Tochter Zion, freue dich
recording of:
Tochter Zion, freue dich
lyricist and arranger:
Friedrich Heinrich Ranke
composer:
George Frideric Handel
translated version of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
George Frideric Handel2:04
26Adeste Fideles (O Come, All Ye Faithful)
producer:
Andrew Cornall and Paul Myers (task: session recording producer)
mixer:
Philip Siney (from 1998-09-19 until 1998-09-25)
choir vocals:
Romanian National Choir "Madrigal-Marin Constantin" (from 1998-09-19 until 1998-09-25)
soprano vocals:
Angela Gheorghiu (from 1998-09-19 until 1998-09-25)
orchestra:
London Philharmonic Orchestra (from 1998-09-19 until 1998-09-25)
conductor:
Ion Marin (from 1998-09-19 until 1998-09-25)
arranger:
Douglas Gamley and Chris Hazell
balance engineer:
James Lock (from 1998-09-19 until 1998-09-25)
phonographic copyright (℗) by:
Decca Music Group Limited (in 2001)
recorded at:
All Hallows’ Church in Hampstead, Camden, London, England, United Kingdom (from 1998-09-19 until 1998-09-25)
recording of:
Adeste fideles (original latin version)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
John Francis Wade3:33