Alone

~ Release by Bill Evans (see all versions of this release, 9 available)

Annotation

Label: Verve Records - Catalog #: 589 319-2 (Deluxe remastered edition)

Recorded September and October 1968 in N.Y.C.

Tracklist

1▼CD
#TitleLength
1Here's That Rainy Day
recording engineer:
Ray Hall (from 1968-09 until 1968-10)
producer:
Helen Keane
piano:
Bill Evans (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
instrumental cover recording of:
Here’s That Rainy Day (from 1968-09 until 1968-10)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Bourne Co., Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc., Music Sales Corporation and Warner Chappell Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
5:24
2A Time for Love
recording engineer:
Ray Hall (from 1968-09 until 1968-10)
producer:
Helen Keane
piano:
Bill Evans (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
instrumental cover recording of:
A Time for Love (from 1968-09 until 1968-10)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel
publisher:
Warner/Chappell North America (ended), M. Witmark & Sons and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
5:08
3Midnight Mood
recording engineer:
Ray Hall (from 1968-09 until 1968-10)
producer:
Helen Keane
keyboard:
Joe Zawinul (from 1968-09 until 1968-10)
piano:
Bill Evans (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
cover recording of:
Midnight Mood (from 1968-09 until 1968-10)
composer:
Ben Raleigh and Joe Zawinul
publisher:
Helios Music and Helios Music Corp.
5:23
4On a Clear Day (You Can See Forever)
recording engineer:
Ray Hall (from 1968-09-23 until 1968-10-21)
producer:
Helen Keane
piano:
Bill Evans (from 1968-09-23 until 1968-10-21)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09-23 until 1968-10-21)
instrumental cover recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (from 1968-09-23 until 1968-10-21)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc., Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
4:51
5Never Let Me Go
recording engineer:
Ray Hall (from 1968-09 until 1968-10)
producer:
Helen Keane
piano:
Bill Evans (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
instrumental cover recording of:
Never Let Me Go (from 1968-09 until 1968-10)
lyricist:
Ray Evans
composer:
Jay Livingston
publisher:
Famous Music Corporation
14:41
6The Two Lonely People (a.k.a. The Man and the Woman)
recording engineer:
Ray Hall (from 1968-09 until 1968-10)
producer:
Helen Keane
piano:
Bill Evans (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
recording of:
The Two Lonely People (from 1968-09 until 1968-10)
lyricist:
Carol Hall
composer:
Bill Evans
publisher:
Ludlow Music, Inc.
6:40
7Here's That Rainy Day (alternative take)
recording engineer:
Ray Hall (from 1968-09 until 1968-10)
producer:
Helen Keane
piano:
Bill Evans (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
instrumental cover recording of:
Here’s That Rainy Day (from 1968-09 until 1968-10)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Bourne Co., Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc., Music Sales Corporation and Warner Chappell Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
5:21
8A Time for Love (alternative take)
recording engineer:
Ray Hall (from 1968-09 until 1968-10)
producer:
Helen Keane
piano:
Bill Evans (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
instrumental cover recording of:
A Time for Love (from 1968-09 until 1968-10)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel
publisher:
Warner/Chappell North America (ended), M. Witmark & Sons and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
4:49
9Midnight Mood (alternative take)
recording engineer:
Ray Hall (from 1968-09 until 1968-10)
producer:
Helen Keane
keyboard:
Joe Zawinul (from 1968-09 until 1968-10)
piano:
Bill Evans (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
cover recording of:
Midnight Mood (from 1968-09 until 1968-10)
composer:
Ben Raleigh and Joe Zawinul
publisher:
Helios Music and Helios Music Corp.
4:25
10On a Clear Day (You Can See Forever) (alternative take)
recording engineer:
Ray Hall (from 1968-09 until 1968-10)
producer:
Helen Keane
piano:
Bill Evans (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
instrumental cover recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (from 1968-09 until 1968-10)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc., Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
4:20
11Never Let Me Go (alternative take)
recording engineer:
Ray Hall (from 1968-09 until 1968-10)
producer:
Helen Keane
piano:
Bill Evans (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
instrumental cover recording of:
Never Let Me Go (from 1968-09 until 1968-10)
lyricist:
Ray Evans
composer:
Jay Livingston
publisher:
Famous Music Corporation
10:41
12Medley: All the Things You Are / Midnight Mood
recording engineer:
Ray Hall (from 1968-09 until 1968-10)
producer:
Helen Keane
piano:
Bill Evans (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
medley including a cover recording of:
All the Things You Are (from “Very Warm for May”) (from 1968-09 until 1968-10)
lyricist:
Oscar Hammerstein II (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc.
part of:
Broadway Rhythm (film)
medley including a cover recording of:
Midnight Mood (from 1968-09 until 1968-10)
composer:
Ben Raleigh and Joe Zawinul
publisher:
Helios Music and Helios Music Corp.
4:05

Credits

Release

printed in:United States
illustration:Nancy Reiner
distributed by:Universal Music & Video Distribution, Corp.
copyrighted (©) by and phonographic copyright (℗) by:The Verve Music Group (in 2002)
remaster of:Alone
Discogs:https://www.discogs.com/release/530821 [info]
ASIN:US: B00006C79A [info]