| # | Title | Artist | Length |
|---|
| 1 | You’re So Vain- recording engineer:
- Robin Geoffrey Cable (from 1972-09 until 1972-10)
- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- bass:
- Klaus Voorman (from 1972-09 until 1972-10)
- drums (drum set):
- Jim Gordon (from 1972-09 until 1972-10)
- guitar:
- Jimmy Ryan (from 1972-09 until 1972-10)
- percussion:
- Richard Perry (from 1972-09 until 1972-10)
- piano and lead vocals:
- Carly Simon (from 1972-09 until 1972-10)
- additional background vocals:
- Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
- background vocals:
- Mick Jagger (from 1972-09 until 1972-10)
- strings arranger:
- Carly Simon
- orchestrator:
- Paul Buckmaster
- phonographic copyright (℗) by:
- Elektra Records (in 1972), Elektra/Asylum Records (in 1972), Elektra Entertainment (in 1978), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2015)
- recorded at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom (from 1972-09 until 1972-10)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
- recording of:
- You’re So Vain (from 1972-09 until 1972-10)
- lyricist and composer:
- Carly Simon
- publisher:
- C’est Music, Quackenbush Music, Ltd., Universal Music Corporation and Universal Music Publishing Group
| Carly Simon | 4:15 |
| 2 | It’s a Heartache- producer:
- Dave Mackay, David Mackay, Ronnie Scott and Steve Wolfe
- acoustic guitar and background vocals:
- Steve Wolfe
- bass:
- Kevin Dunne
- drums (drum set) and percussion:
- Micky Gibbins
- vocals:
- Bonnie Tyler
- phonographic copyright (℗) by:
- Castle Copyrights Ltd. (in 1977), RCA Ltd. (in 1977), Sanctuary Copyrights Ltd. (in 1977), Soundbarrier Ltd. (in 1977, in 1978) and Sony Music Entertainment (Germany) GmbH (in 1995)
- produced for:
- Soundbarrier Ltd.
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 24)
- recording of:
- It’s a Heartache
- writer:
- Ronnie Scott and Steve Wolfe
- publisher:
- BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Mighty Music (in 1977) and RAK Publishing (in 1977)
| Bonnie Tyler | 3:23 |
| 3 | Because the Night | Patti Smith Group | 3:06 |
| 4 | You Make Loving Fun | Fleetwood Mac | 3:30 |
| 5 | Fire | The Pointer Sisters | 3:25 |
| 6 | Midnight Train to Georgia (single version) | Gladys Knight & the Pips | 3:48 |
| 7 | Until You Come Back to Me (That’s What I’m Gonna Do)- engineer:
- Lew Hahn
- producer:
- Aretha Franklin, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1973-09-07)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1973-09-07)
- electric piano:
- Donny Hathaway (on 1973-09-07)
- guitar:
- Hugh McCracken (on 1973-09-07)
- organ:
- Richard Tee (on 1973-09-07)
- piano and lead vocals:
- Aretha Franklin (on 1973-09-07)
- solo flute:
- Joe Farrell (on 1973-09-07)
- synthesizer:
- Ken Bichel (on 1973-09-07)
- background vocals:
- Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (on 1973-09-07)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1973) and Atlantic Recording Corporation (in 1974)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
- writer:
- Morris Broadnax, Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music, Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| Aretha Franklin | 3:25 |
| 8 | Midnight at the Oasis | Maria Muldaur | 3:45 |
| 9 | Both Sides Now | Judy Collins | 3:14 |
| 10 | Ruby Tuesday | Melanie | 4:35 |
| 11 | Love and Affection | Joan Armatrading | 4:29 |
| 12 | The Man With the Child in His Eyes- engineer:
- Jon Kelly
- executive producer:
- David Gilmour
- producer:
- Andrew Powell
- piano, background vocals and lead vocals:
- Kate Bush (in 1975-06)
- arranger:
- Andrew Powell
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1977, in 1978), EMI Records USA (in 1977, in 1978), EMI‐USA Records (in 1977, in 1978) and EMI France (in 1995)
- recorded at:
- AIR London Studios in London, England, United Kingdom (from 1977-07 until 1977-08)
- recording of:
- The Man With the Child in His Eyes (in 1975-06)
- publisher:
- Kate Bush (from 1978 to present)
- lyricist and composer:
- Kate Bush
- arranger:
- Stefan Lievestro
- premiered at:
- Saturday Night Live: Season 4, Episode 8
- publisher:
- Beechwood Music Corp., Castle, Ed. Itaipu, EMI Music Publishing, EMI Music Publishing Ltd. (, from 1978 to present) and Kate Bush Music Ltd.
| Kate Bush | 2:40 |
| 13 | At Seventeen | Janis Ian | 3:56 |
| 14 | I Will Always Love You | Dolly Parton | 3:05 |
| 15 | You Needed Me | Anne Murray | 3:39 |
| 16 | Torn Between Two Lovers | Mary MacGregor | 3:40 |
| 17 | I’m Still Waiting | Diana Ross | 3:40 |
| 18 | We’re All Alone | Rita Coolidge | 3:37 |
| 19 | Pearl’s a Singer | Elkie Brooks | 3:37 |
| 20 | Me and Bobby McGee (single version)- engineer:
- Phil Macy
- producer:
- Paul Rothchild
- acoustic guitar and lead vocals:
- Janis Joplin (on 1970-09-25)
- bass guitar:
- Brad Campbell (on 1970-09-25)
- drums (drum set):
- Clark Pierson (on 1970-09-25)
- guest bongos and guest congas:
- Bobbye Hall
- guest bongos and congas:
- Bobbye Hall (on 1970-09-25)
- guest tambourine:
- Sandra Crouch (on 1970-09-25)
- guitar:
- John Till (on 1970-09-25)
- organ:
- Ken Pearson (on 1970-09-25)
- piano:
- Richard Bell (on 1970-09-25)
- background vocals:
- Phil Badella (on 1970-09-25), Richard Bell (on 1970-09-25), Brad Campbell (on 1970-09-25), John Cooke (on 1970-09-25), Janis Joplin (on 1970-09-25), Vince Mitchell (on 1970-09-25), Ken Pearson (on 1970-09-25), Clark Pierson (on 1970-09-25) and John Till (on 1970-09-25)
- performer:
- Full Tilt Boogie (on 1970-09-25)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-25)
- part of:
- New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time (number: 148)
- cover recording of:
- Me and Bobby McGee (on 1970-09-25)
- lyricist and composer:
- Fred Foster and Kris Kristofferson
- publisher:
- Combine Music Corp., Copyright Control and Keith Prowse Music Publishing Co. Ltd.
| Janis Joplin | 4:29 |
| 21 | Misty Blue | Dorothy Moore | 3:39 |
| 22 | Stand by Your Man | Tammy Wynette | 2:39 |
