Complete Mozart Edition, Vol. 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 18 available)

Tracklist

1▶CD: Litaniae K109 & 243; Vesperae K321
2▶CD: Litaniae K125 & 195; Dixit et Magnificat K193
3▶CD: Vesperae K339; Kyrie K341; Ave verum corpus K618; Exsultate Jubilate K165
4▶CD: Kyries K33, 90 & 91; Short Sacred Works
5▶CD: Kyries K322 & 323; Short Sacred Works
6▶CD: Die Schuldigkeit des ersten Gebots K35 (1–5)
7▶CD: Die Schuldigkeit des ersten Gebots K35 (6–8); Passionslied K146; Grabmusick K42
8▼CD: La Betulia liberata K118 (Parte I)
#TitleLength
1Oratorio in F major, K. 74c/118 “La Betulia liberata”: I. Parte prima: Overtura
producer:
Gottfried Kraus and Rudolf Werner
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Overtura (in 1978-02)
composer:
Wolfgang Amadeus Mozart
part of:
La Betulia liberata, K. 74c/118
3:56
2Oratorio in F major, K. 74c/118 “La Betulia liberata”: II. Parte prima: Recitativo “Popoli di Betulia” (Ozia)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Popoli di Betulia" (Ozia) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
0:58
3Oratorio in F major, K. 74c/118 “La Betulia liberata”: III. Parte prima: No. 1 Aria “D’ogni colpa la colpa maggiore” (Ozia)
producer:
Gottfried Kraus and Rudolf Werner
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 1. Aria "D’ogni colpa la colpa maggiore" (Ozia) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
6:54
4Oratorio in F major, K. 74c/118 “La Betulia liberata”: IV. Parte prima: Recitativo “E in che sperar?” (Cabri, Amital)
producer:
Gottfried Kraus and Rudolf Werner
cello [cello, continuo]:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "E in che sperar?" (Cabri, Amital) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
1:41
5Oratorio in F major, K. 74c/118 “La Betulia liberata”: V. Parte prima: No. 2 Aria “Ma qual virtù non cede” (Cabri)
producer:
Gottfried Kraus and Rudolf Werner
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 2. Aria "Ma qual virtù non cede" (Cabri) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
3:34
6Oratorio in F major, K. 74c/118 “La Betulia liberata”: VI. Parte prima: Recitativo “Già le memorie antiche” (Ozia, Cabri, Amital)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Già le memorie antiche" (Ozia, Cabri, Amital) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
3:17
7Oratorio in F major, K. 74c/118 “La Betulia liberata”: VII. Parte prima: No. 3 Aria “Non hai cor” (Amital)
producer:
Gottfried Kraus and Rudolf Werner
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 3. Aria "Non hai cor" (Amital) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
4:58
8Oratorio in F major, K. 74c/118 “La Betulia liberata”: VIII. Parte prima: Recitativo “E qual pace sperate” (Ozia, Amital, Coro)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
choir vocals:
Salzburger Kammerchor (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "E qual pace sperate" (Ozia, Amital, Coro) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
2:29
9Oratorio in F major, K. 74c/118 “La Betulia liberata”: IX. Parte prima: No. 4 Aria con il Coro “Pietà, se irato sei” (Ozia, Coro)
producer:
Gottfried Kraus and Rudolf Werner
choir vocals:
Salzburger Kammerchor (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 4. Aria con il Coro "Pietà, se irato sei" (Ozia, Coro) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
3:57
10Oratorio in F major, K. 74c/118 “La Betulia liberata”: X. Parte prima: Recitativo “Chi è costei che qual sorgente aurora” (Cabri, Amital, Ozia, Giuditta)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Chi è costei che qual sorgente aurora" (Cabri, Amital, Ozia, Giuditta) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
3:54
11Oratorio in F major, K. 74c/118 “La Betulia liberata”: XI. Parte prima: No. 5 Aria “Del pari infeconda” (Giuditta)
producer:
Gottfried Kraus and Rudolf Werner
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 5. Aria "Del pari infeconda" (Giuditta) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
5:59
12Oratorio in F major, K. 74c/118 “La Betulia liberata”: XII. Parte prima: Recitativo “Oh saggia, oh santa” (Ozia, Cabri, Giuditta)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Oh saggia, oh santa" (Ozia, Cabri, Giuditta) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
2:22
13Oratorio in F major, K. 74c/118 “La Betulia liberata”: XIII. Parte prima: No. 6 Aria con il Coro “Pietà, se irato sei” (Ozia, Coro)
producer:
Gottfried Kraus and Rudolf Werner
choir vocals:
Salzburger Kammerchor (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 6. Aria con il Coro "Pietà, se irato sei" (Ozia, Coro) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
3:57
14Oratorio in F major, K. 74c/118 “La Betulia liberata”: XIV. Parte prima: Recitativo “Signor, Carmi a te viene” (Cabri, Amital, Carmi, Ozia, Achior)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
bass vocals [Achior]:
Walter Berry (in 1978-02)
soprano vocals [Amital]:
Ileana Cotrubaș (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
soprano vocals [Carmi]:
Margarita Zimmermann (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Signor, Carmi a te viene" (Cabri, Amital, Carmi, Ozia, Achior) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
2:56
15Oratorio in F major, K. 74c/118 “La Betulia liberata”: XV. Parte prima: No. 7 Aria “Terribile d’aspetto” (Achior)
producer:
Gottfried Kraus and Rudolf Werner
bass vocals [Achior]:
Walter Berry (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 7. Aria "Terribile d’aspetto" (Achior) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
3:57
16Oratorio in F major, K. 74c/118 “La Betulia liberata”: XVI. Parte prima: Recitativo “Ti consola, Achior” (Ozia, Cabri, Achior, Giuditta)
producer:
Gottfried Kraus and Rudolf Werner
cello:
Cornelius Hermann (in 1978-02)
harpsichord:
Jean‐Pierre Faber (in 1978-02)
bass vocals [Achior]:
Walter Berry (in 1978-02)
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
soprano vocals [Cabri]:
Gabriele Fuchs (in 1978-02)
tenor vocals [Ozia]:
Peter Schreier (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Ti consola, Achior" (Ozia, Cabri, Achior, Giuditta) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
2:51
17Oratorio in F major, K. 74c/118 “La Betulia liberata”: XVII. Parte prima: No. 8 Aria “Parto inerme, e non pavento” (Giuditta)
producer:
Gottfried Kraus and Rudolf Werner
contralto vocals [Giuditta]:
Hanna Schwarz (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 8. Aria "Parto inerme, e non pavento" (Giuditta) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
6:56
18Oratorio in F major, K. 74c/118 “La Betulia liberata”: XVIII. Parte prima: No. 9 Coro “Oh prodigio! Oh stupor!” (Coro)
producer:
Gottfried Kraus and Rudolf Werner
choir vocals:
Salzburger Kammerchor (in 1978-02)
orchestra:
Mozarteum Orchester Salzburg (in 1978-02)
conductor:
Leopold Hager (in 1978-02)
balance engineer:
Josef Sladko (in 1978-02)
recorded at:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Austria (in 1978-02)
recording of:
La Betulia liberata, K. 74c/118: Parte I. No. 9. Coro "Oh prodigio! Oh stupor!" (Coro) (in 1978-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
La Betulia liberata, K. 74c/118: Parte I
2:26
9▶CD: La Betulia liberata K118 (Parte II)
10▶CD: Davide penitente K469
11▶CD: Masonic Music
12▶CD: Apollo et Hyacinthus K38 (1–4)
13▶CD: Apollo et Hyacinthus K38 (5–9)