20th Century Masterpieces: 100 Years of Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Cardboard sleeves in cardboard box.

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▼CD
#TitleArtistLength
1Carmina burana: Fortuna Imperatrix Mundi. I. O Fortuna
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:49
2Carmina burana: Fortuna Imperatrix Mundi. II. Fortune plango vulnera
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:51
3Carmina burana: I. Primo Vere. III. Veris leta facies
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: I. Primo Vere
Carl Orff3:53
4Carmina burana: I. Primo Vere. IV. Omnia sol temperat
producer:
Peter Andry
baritone vocals:
Raymond Wolansky (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: I. Primo Vere
Carl Orff1:44
5Carmina burana: I. Primo Vere. V. Ecce gratum
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:54
6Carmina burana: Uf Dem Anger. VI. Tanz
producer:
Peter Andry
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:59
7Carmina burana: Uf Dem Anger. VII. Floret silva
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:31
8Carmina burana: Uf Dem Anger. VIII. Chramer, gip die varwe mir
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:36
9Carmina burana: Uf Dem Anger. IX. Riei - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff5:12
10Carmina burana: Uf Dem Anger. X. Were diu werit alle min
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:55
11Carmina burana: II. In Taberna. XI. Estuans interius
producer:
Peter Andry
baritone vocals:
Raymond Wolansky (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: II. In Taberna
Carl Orff2:24
12Carmina burana: II. In Taberna. XII. Olim lacus colueram
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
tenor vocals:
Gerhard Unger (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: II. In Taberna
Carl Orff3:24
13Carmina burana: II. In Taberna. XIII. Ego sum abbas
producer:
Peter Andry
baritone vocals:
Raymond Wolansky (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: II. In Taberna
Carl Orff1:16
14Carmina burana: II. In Taberna. XIV. In taberna quando sumus
producer:
Peter Andry
baritone vocals:
Raymond Wolansky (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: II. In Taberna
Carl Orff3:22
15Carmina burana: III. Cour d'Amours. XV. Amor volat undique
producer:
Peter Andry
choir vocals:
Wandsworth School Boys’ Choir (from 1965-06-12 until 1965-06-16)
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Russell Burgess (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:16
16Carmina burana: III. Cour d'Amours. XVI. Dies, nox et omnia
producer:
Peter Andry
baritone vocals:
John Noble (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:07
17Carmina burana: III. Cour d'Amours. XVII. Stetit puella
producer:
Peter Andry
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:02
18Carmina burana: III. Cour d'Amours. XVIII. Circa mea pectora
producer:
Peter Andry
baritone vocals:
Raymond Wolansky (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:12
19Carmina burana: III. Cour d'Amours. XIX. Si puer cum puellula
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:58
20Carmina burana: III. Cour d'Amours. XX. Veni, veni, venias
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:55
21Carmina burana: III. Cour d'Amours. XXI. In trutina
producer:
Peter Andry
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:08
22Carmina burana: III. Cour d'Amours. XXII. Tempus est iocundum
producer:
Peter Andry
baritone vocals:
Raymond Wolansky (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16) and Wandsworth School Boys’ Choir (from 1965-06-12 until 1965-06-16)
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Russell Burgess (from 1965-06-12 until 1965-06-16) and Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:25
23Carmina burana: III. Cour d'Amours. XXIII. Ducissime
producer:
Peter Andry
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:33
24Carmina burana: Blanziflor et Helena. XXIV. Ave formosissima
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff1:43
25Carmina burana: Fortuna Imperatrix Mundi. XXV. O fortuna
producer:
Peter Andry
choir vocals:
New Philharmonia Chorus (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:49
26Adagio for Strings Op. 11
producer:
David Groves
orchestra:
London Symphony Orchestra (from 1994-05-20 until 1994-05-24)
conductor:
Michael Tilson Thomas (from 1994-05-20 until 1994-05-24)
balance engineer:
Michael Sheady
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1994-05-20 until 1994-05-24)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (in 1938)
composer:
Samuel Barber (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (on 1938-11-05)
premiered at:
[radio broadcast]
publisher:
Chappell and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:42
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