The Complete Verve-Clef Charlie Ventura & Flip Phillips Studio Sessions

~ Release by Charlie Ventura & Flip Phillips (see all versions of this release, 1 available)

Annotation

6 CD box set

Tracklist

1▼CD
#TitleLength
1Avalon
double bass:
Ace Tesone (on 1951-03-07)
drums (drum set):
Chick Keeney (on 1951-03-07)
piano:
Jimmy Wisner (on 1951-03-07)
tenor saxophone:
Charlie Ventura (on 1951-03-07)
trumpet:
Conte Candoli (on 1951-03-07)
instrumental recording of:
Avalon (on 1951-03-07)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose
publisher:
Chappell & Co., Inc., Stephen Ballentine Music, Warner Bros. Music and Jerome H. Remick & Co. (on 1920-09-04)
2:52
2I'm Confessin'
3:06
3Bugle Call Rag
double bass:
Ace Tesone (on 1951-03-07)
drums (drum set):
Chick Keeney (on 1951-03-07)
piano:
Jimmy Wisner (on 1951-03-07)
tenor saxophone:
Charlie Ventura (on 1951-03-07)
trumpet:
Conte Candoli (on 1951-03-07)
recording of:
Bugle Call Rag (on 1951-03-07)
composer:
Billy Meyers, Jack Pettis and Elmer Schoebel
2:49
4Rose Room
double bass:
Ace Tesone (on 1951-03-07)
drums (drum set):
Chick Keeney (on 1951-03-07)
piano:
Jimmy Wisner (on 1951-03-07)
tenor saxophone:
Charlie Ventura (on 1951-03-07)
trumpet:
Conte Candoli (on 1951-03-07)
instrumental recording of:
Rose Room (on 1951-03-07)
lyricist:
Harry Williams (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing, Miller Music, Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
2:49
5That Old Feeling
double bass:
Ace Tesone (on 1951-03-07)
drums (drum set):
Chick Keeney (on 1951-03-07)
piano:
Jimmy Wisner (on 1951-03-07)
tenor saxophone:
Charlie Ventura (on 1951-03-07)
trumpet:
Conte Candoli (on 1951-03-07)
instrumental recording of:
That Old Feeling (on 1951-03-07)
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2)
3:03
6After You've Gone
double bass:
Ace Tesone (on 1951-03-07)
drums (drum set):
Chick Keeney (on 1951-03-07)
piano:
Jimmy Wisner (on 1951-03-07)
tenor saxophone:
Charlie Ventura (on 1951-03-07)
trumpet:
Conte Candoli (on 1951-03-07)
instrumental recording of:
After You’ve Gone (on 1951-03-07)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:47
7There's No You
double bass:
Chubby Jackson (on 1951-08-06)
drums (drum set):
Chick Keeney (on 1951-08-06)
piano:
Ralph Burns (on 1951-08-06)
tenor saxophone:
Charlie Ventura (on 1951-08-06)
recording of:
There’s No You (on 1951-08-06)
lyricist:
Thomas Montgomery Adair
writer:
G. Durgom
composer:
Hal Hopper
publisher:
Barton Music Corp.
3:11
8Perdido
double bass:
Chubby Jackson (on 1951-08-06)
drums (drum set):
Chick Keeney (on 1951-08-06)
piano:
Ralph Burns (on 1951-08-06)
tenor saxophone:
Charlie Ventura (on 1951-08-06)
vocals:
Chubby Jackson (on 1951-08-06)
recording of:
Perdido (with lyrics) (on 1951-08-06)
lyricist:
Ervin Drake (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris
publisher:
Tempo Music, Inc.
version of:
Perdido (original instrumental version)
3:11
9Can't Get You Out of My Mind
2:50
10Lover
double bass:
Chubby Jackson (on 1951-08-06)
drums (drum set):
Chick Keeney (on 1951-08-06)
piano:
Ralph Burns (on 1951-08-06)
tenor saxophone:
Charlie Ventura (on 1951-08-06)
2:28
11Yesterdays
double bass:
Chubby Jackson (on 1951-08-06)
drums (drum set):
Chick Keeney (on 1951-08-06)
piano:
Ralph Burns (on 1951-08-06)
tenor saxophone:
Charlie Ventura (on 1951-08-06)
recording of:
Yesterdays (on 1951-08-06)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
3:29
12After You've Gone
2:58
13Love Is Just Around the Corner
double bass:
Chubby Jackson (on 1951-08-08)
drums (drum set):
Mel Tormé (on 1951-08-08)
piano:
Marty Napoleon (on 1951-08-08)
tenor saxophone:
Charlie Ventura (on 1951-08-08)
vocals:
Buddy Rich (on 1951-08-08)
recording of:
Love Is Just Around the Corner (on 1951-08-08)
lyricist:
Leo Robin
composer:
Lewis E. Gensler
publisher:
Famous Music Corporation (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
3:05
14Ol' Man River
double bass:
Chubby Jackson (on 1951-08-08)
drums (drum set):
Buddy Rich (on 1951-08-08)
piano:
Marty Napoleon (on 1951-08-08)
tenor saxophone:
Charlie Ventura (on 1951-08-08)
instrumental recording of:
Ol’ Man River (Show Boat) (on 1951-08-08)
lyricist:
Oscar Hammerstein II (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
2:42
15O.H. Blues
double bass:
Chubby Jackson (on 1951-08-08)
drums (drum set):
Buddy Rich (on 1951-08-08)
piano:
Marty Napoleon (on 1951-08-08)
tenor saxophone:
Charlie Ventura (on 1951-08-08)
3:04
16Jersey Bounce
double bass:
Ace Tesone (on 1952-12-22)
drums (drum set):
Chick Keeney (on 1952-12-22)
piano:
Gene Kutch (on 1952-12-22)
tenor saxophone:
Charlie Ventura (on 1952-12-22)
instrumental recording of:
Jersey Bounce (on 1952-12-22)
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson and Bobby Plater
3:14
17Deep Purple
double bass:
Ace Tesone (on 1952-02-22, on 1952-12-22)
drums (drum set):
Chick Keeney (on 1952-12-22)
piano:
Gene Kutch (on 1952-12-22)
tenor saxophone:
Charlie Ventura (on 1952-12-22)
instrumental recording of:
Deep Purple (on 1952-12-22)
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose
publisher:
Robbins Music
2:49
18Girl of My Dreams
double bass:
Ace Tesone (on 1952-12-22)
drums (drum set):
Chick Keeney (on 1952-12-22)
piano:
Gene Kutch (on 1952-12-22)
tenor saxophone:
Charlie Ventura (on 1952-12-22)
instrumental recording of:
Girl of My Dreams (on 1952-12-22)
lyricist and composer:
Charles Clapp (in 1927)
2:48
19Blue Prelude
double bass:
Ace Tesone (on 1952-12-22)
drums (drum set):
Chick Keeney (on 1952-12-22)
piano:
Gene Kutch (on 1952-12-22)
tenor saxophone:
Charlie Ventura (on 1952-12-22)
instrumental recording of:
Blue Prelude (on 1952-12-22)
lyricist:
Gordon Jenkins
composer:
Joe Bishop
2:51
20C Jam Blues
double bass:
Ace Tesone (on 1952-12-22)
drums (drum set):
Chick Keeney (on 1952-12-22)
piano:
Gene Kutch (on 1952-12-22)
tenor saxophone:
Charlie Ventura (on 1952-12-22)
recording of:
“C” Jam Blues (on 1952-12-22)
composer:
Barney Bigard and Duke Ellington (in 1942)
2:59
21Ain't Misbehavin'
double bass:
Ace Tesone (on 1952-12-22)
drums (drum set):
Chick Keeney (on 1952-12-22)
piano:
Gene Kutch (on 1952-12-22)
tenor saxophone:
Charlie Ventura (on 1952-12-22)
instrumental recording of:
Ain’t Misbehavin’ (on 1952-12-22)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd., EMI Music, Redwood Music and Redwood Music Ltd.
3:13
22Limehouse Blues
double bass:
Ace Tesone (on 1952-12-22)
drums (drum set):
Chick Keeney (on 1952-12-22)
piano:
Gene Kutch (on 1952-12-22)
tenor saxophone:
Charlie Ventura (on 1952-12-22)
instrumental recording of:
Limehouse Blues (on 1952-12-22)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP)
2:28
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