The Complete Elvis Presley Masters

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

1▶CD: 1954–1956
2▶CD: 1956
3▶CD: 1957
4▶CD: 1957–1958
5▶CD: 1960
6▶CD: 1960–1961
7▶CD: 1961
8▶CD: 1961–1962
9▼CD: 1962–1963
#TitleLength
1Happy Ending
clarinet and saxophone:
Clifford Scott (on 1962-08-30)
drums (drum set):
D.J. Fontana (on 1962-08-30) and Frank Carlson (on 1962-08-30)
guitar:
Scotty Moore (on 1962-08-30), Billy Strange (on 1962-08-30) and Tiny Timbrell (on 1962-08-30)
organ:
Dudley Brooks (on 1962-08-30)
piano:
Don Robertson (on 1962-08-30)
vocals:
The Jordanaires (on 1962-08-30)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1962-08-30)
cover recording of:
Happy Ending (on 1962-08-30)
writer:
Sid Wayne and Ben Weisman
2:08
2Relax
clarinet and saxophone:
Clifford Scott (on 1962-08-30)
drums (drum set):
D.J. Fontana (on 1962-08-30) and Frank Carlson (on 1962-08-30)
guitar:
Scotty Moore (on 1962-08-30), Billy Strange (on 1962-08-30) and Tiny Timbrell (on 1962-08-30)
organ:
Dudley Brooks (on 1962-08-30)
piano:
Don Robertson (on 1962-08-30)
vocals:
The Jordanaires (on 1962-08-30)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1962-08-30)
cover recording of:
Relax (on 1962-08-30)
writer:
Roy C. Bennett and Sid Tepper
publisher:
Williamson Music Company
2:22
3I’m Falling in Love Tonight
bass:
Ray Siegel (on 1962-09-22)
clarinet and saxophone:
Clifford Scott (on 1962-09-22)
drums (drum set):
D.J. Fontana (on 1962-09-22) and Frank Carlson (on 1962-09-22)
guitar:
Scotty Moore (on 1962-09-22), Billy Strange (on 1962-09-22) and Tiny Timbrell (on 1962-09-22)
organ:
Dudley Brooks (on 1962-09-22)
piano:
Don Robertson (on 1962-09-22)
vocals:
The Mello Men (on 1962-09-22)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1962-09-22)
cover recording of:
I’m Falling in Love Tonight (on 1962-09-22)
lyricist and composer:
Don Robertson
1:39
4They Remind Me Too Much of You
bass:
Ray Siegel (on 1962-09-22)
clarinet and saxophone:
Clifford Scott (on 1962-09-22)
drums (drum set):
D.J. Fontana (on 1962-09-22) and Frank Carlson (on 1962-09-22)
guitar:
Scotty Moore (on 1962-09-22), Billy Strange (on 1962-09-22) and Tiny Timbrell (on 1962-09-22)
organ:
Dudley Brooks (on 1962-09-22)
piano:
Don Robertson (on 1962-09-22)
vocals:
The Mello Men (on 1962-09-22)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1962-09-22)
cover recording of:
They Remind Me Too Much of You (on 1962-09-22)
lyricist and composer:
Don Robertson
publisher:
Don Robertson Music Corp.
2:30
5Cotton Candy Land
bass:
Ray Siegel (on 1962-09-22)
clarinet and saxophone:
Clifford Scott (on 1962-09-22)
drums (drum set):
D.J. Fontana (on 1962-09-22) and Frank Carlson (on 1962-09-22)
guitar:
Scotty Moore (on 1962-09-22), Billy Strange (on 1962-09-22) and Tiny Timbrell (on 1962-09-22)
organ:
Dudley Brooks (on 1962-09-22)
piano:
Don Robertson (on 1962-09-22)
vocals:
The Mello Men (on 1962-09-22)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1962-09-22)
cover recording of:
Cotton Candy Land (on 1962-09-22)
writer:
Ruth Batchelor and Bob Roberts
publisher:
ABG Elvis Songs and Elvis Presley Music
1:33
6A World of Our Own
bass:
Ray Siegel (on 1962-09-22)
clarinet and saxophone:
Clifford Scott (on 1962-09-22)
drums (drum set):
D.J. Fontana (on 1962-09-22) and Frank Carlson (on 1962-09-22)
guitar:
Scotty Moore (on 1962-09-22), Billy Strange (on 1962-09-22) and Tiny Timbrell (on 1962-09-22)
organ:
Dudley Brooks (on 1962-09-22)
piano:
Don Robertson (on 1962-09-22)
vocals:
The Mello Men (on 1962-09-22)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1962-09-22)
recording of:
World of Our Own (on 1962-09-22)
writer:
Bernie Baum, Bill Giant and Florence Kaye
2:14
7How Would You Like to Be
bass:
Ray Siegel (on 1962-09-22)
clarinet and saxophone:
Clifford Scott (on 1962-09-22)
drums (drum set):
D.J. Fontana (on 1962-09-22) and Frank Carlson (on 1962-09-22)
guitar:
Scotty Moore (on 1962-09-22), Billy Strange (on 1962-09-22) and Tiny Timbrell (on 1962-09-22)
organ:
Dudley Brooks (on 1962-09-22)
piano:
Don Robertson (on 1962-09-22)
vocals:
The Mello Men (on 1962-09-22)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1962-09-22)
cover recording of:
How Would You Like to Be (on 1962-09-22)
writer:
Mark Barkan and Ben Raleigh
3:26
8One Broken Heart for Sale
bass:
Ray Siegel (on 1962-09-22)
clarinet and saxophone:
Clifford Scott (on 1962-09-22)
drums (drum set):
D.J. Fontana (on 1962-09-22) and Frank Carlson (on 1962-09-22)
guitar:
Scotty Moore (on 1962-09-22), Billy Strange (on 1962-09-22) and Tiny Timbrell (on 1962-09-22)
organ:
Dudley Brooks (on 1962-09-22)
piano:
Don Robertson (on 1962-09-22)
vocals:
The Mello Men (on 1962-09-22)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1962-09-22)
cover recording of:
One Broken Heart for Sale (on 1962-09-22)
writer:
Otis Blackwell and Winfield Scott
publisher:
Carlin Music Corporation and R&H Music
1:34
9Beyond the Bend
bass:
Ray Siegel (on 1962-09-22)
clarinet and saxophone:
Clifford Scott (on 1962-09-22)
drums (drum set):
D.J. Fontana (on 1962-09-22) and Frank Carlson (on 1962-09-22)
guitar:
Scotty Moore (on 1962-09-22), Billy Strange (on 1962-09-22) and Tiny Timbrell (on 1962-09-22)
organ:
Dudley Brooks (on 1962-09-22)
piano:
Don Robertson (on 1962-09-22)
vocals:
The Mello Men (on 1962-09-22)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1962-09-22)
cover recording of:
Beyond the Bend
writer:
Dolores Fuller, Ben Weisman and Fred Wise
1:50
10Take Me to the Fair
bass:
Ray Siegel (on 1962-09-22)
clarinet and saxophone:
Clifford Scott (on 1962-09-22)
drums (drum set):
D.J. Fontana (on 1962-09-22) and Frank Carlson (on 1962-09-22)
guitar:
Scotty Moore (on 1962-09-22), Billy Strange (on 1962-09-22) and Tiny Timbrell (on 1962-09-22)
organ:
Dudley Brooks (on 1962-09-22)
piano:
Don Robertson (on 1962-09-22)
vocals:
The Mello Men (on 1962-09-22)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1962-09-22)
recording of:
Take Me to the Fair (on 1962-09-22)
writer:
Roy C. Bennett and Sid Tepper
1:34
11Bossa Nova Baby
bass:
Ray Siegel (from 1962-01-22 until 1962-01-23)
drums (drum set):
Hal Blaine (from 1962-01-22 until 1962-01-23) and D.J. Fontana (from 1962-01-22 until 1962-01-23)
guitar:
Barney Kessel (from 1962-01-22 until 1962-01-23), Scotty Moore (from 1962-01-22 until 1962-01-23) and Tiny Timbrell (from 1962-01-22 until 1962-01-23)
mandolin:
Tiny Timbrell (from 1962-01-22 until 1962-01-23)
percussion:
Emil Radocchia (from 1962-01-22 until 1962-01-23)
piano:
Dudley Brooks (from 1962-01-22 until 1962-01-23)
trumpet:
Anthony Terran (from 1962-01-22 until 1962-01-23) and Rudolph Loera (from 1963-01-22 until 1963-01-23)
vocals:
The Jordanaires (from 1963-01-22 until 1963-01-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1963-01-22 until 1963-01-23)
cover recording of:
Bossa Nova, Baby (from 1963-01-22 until 1963-01-23)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Cherry Lane Music, Jerry Leiber Music, Mike Stoller Music, Sony/ATV Songs LLC and Sony/ATV Tunes LLC
2:02
12I Think I’m Gonna Like It Here
bass:
Ray Siegel (from 1962-01-22 until 1962-01-23)
drums (drum set):
Hal Blaine (from 1962-01-22 until 1962-01-23) and D.J. Fontana (from 1962-01-22 until 1962-01-23)
guitar:
Barney Kessel (from 1962-01-22 until 1962-01-23), Scotty Moore (from 1962-01-22 until 1962-01-23) and Tiny Timbrell (from 1962-01-22 until 1962-01-23)
mandolin:
Tiny Timbrell (from 1962-01-22 until 1962-01-23)
percussion:
Emil Radocchia (from 1962-01-22 until 1962-01-23)
piano:
Dudley Brooks (from 1962-01-22 until 1962-01-23)
trumpet:
Anthony Terran (from 1962-01-22 until 1962-01-23) and Rudolph Loera (from 1963-01-22 until 1963-01-23)
vocals:
The Jordanaires (from 1963-01-22 until 1963-01-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1963-01-22 until 1963-01-23)
cover recording of:
I Think I'm Gonna Like It Here (from 1963-01-22 until 1963-01-23)
writer:
Hal Blair and Don Robertson
2:51
13Mexico
bass:
Ray Siegel (from 1962-01-22 until 1962-01-23)
drums (drum set):
Hal Blaine (from 1962-01-22 until 1962-01-23) and D.J. Fontana (from 1962-01-22 until 1962-01-23)
guitar:
Barney Kessel (from 1962-01-22 until 1962-01-23), Scotty Moore (from 1962-01-22 until 1962-01-23) and Tiny Timbrell (from 1962-01-22 until 1962-01-23)
mandolin:
Tiny Timbrell (from 1962-01-22 until 1962-01-23)
percussion:
Emil Radocchia (from 1962-01-22 until 1962-01-23)
piano:
Dudley Brooks (from 1962-01-22 until 1962-01-23)
trumpet:
Anthony Terran (from 1962-01-22 until 1962-01-23) and Rudolph Loera (from 1963-01-22 until 1963-01-23)
vocals:
The Jordanaires (from 1963-01-22 until 1963-01-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1963-01-22 until 1963-01-23)
recording of:
Mexico (from 1963-01-22 until 1963-01-23)
writer:
Roy C. Bennett and Sid Tepper
publisher:
Chrysalis Music, Gladys Music Inc. and Williamson Music Company
1:58
14The Bullfighter Was a Lady
bass:
Ray Siegel (from 1962-01-22 until 1962-01-23)
drums (drum set):
Hal Blaine (from 1962-01-22 until 1962-01-23) and D.J. Fontana (from 1962-01-22 until 1962-01-23)
guitar:
Barney Kessel (from 1962-01-22 until 1962-01-23), Scotty Moore (from 1962-01-22 until 1962-01-23) and Tiny Timbrell (from 1962-01-22 until 1962-01-23)
mandolin:
Tiny Timbrell (from 1962-01-22 until 1962-01-23)
percussion:
Emil Radocchia (from 1962-01-22 until 1962-01-23)
piano:
Dudley Brooks (from 1962-01-22 until 1962-01-23)
trumpet:
Anthony Terran (from 1962-01-22 until 1962-01-23) and Rudolph Loera (from 1963-01-22 until 1963-01-23)
vocals:
The Jordanaires (from 1963-01-22 until 1963-01-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1963-01-22 until 1963-01-23)
cover recording of:
The Bullfighter Was a Lady (from 1963-01-22 until 1963-01-23)
writer:
Roy C. Bennett and Sid Tepper
2:02
15Marguerita
bass:
Ray Siegel (from 1962-01-22 until 1962-01-23)
drums (drum set):
Hal Blaine (from 1962-01-22 until 1962-01-23) and D.J. Fontana (from 1962-01-22 until 1962-01-23)
guitar:
Barney Kessel (from 1962-01-22 until 1962-01-23), Scotty Moore (from 1962-01-22 until 1962-01-23) and Tiny Timbrell (from 1962-01-22 until 1962-01-23)
mandolin:
Tiny Timbrell (from 1962-01-22 until 1962-01-23)
percussion:
Emil Radocchia (from 1962-01-22 until 1962-01-23)
piano:
Dudley Brooks (from 1962-01-22 until 1962-01-23)
trumpet:
Anthony Terran (from 1962-01-22 until 1962-01-23) and Rudolph Loera (from 1963-01-22 until 1963-01-23)
vocals:
The Jordanaires (from 1963-01-22 until 1963-01-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1963-01-22 until 1963-01-23)
recording of:
Marguerita (from 1963-01-22 until 1963-01-23)
lyricist and composer:
Don Robertson
2:39
16Vino, dinero y amor
bass:
Ray Siegel (from 1962-01-22 until 1962-01-23)
drums (drum set):
Hal Blaine (from 1962-01-22 until 1962-01-23) and D.J. Fontana (from 1962-01-22 until 1962-01-23)
guitar:
Barney Kessel (from 1962-01-22 until 1962-01-23), Scotty Moore (from 1962-01-22 until 1962-01-23) and Tiny Timbrell (from 1962-01-22 until 1962-01-23)
mandolin:
Tiny Timbrell (from 1962-01-22 until 1962-01-23)
percussion:
Emil Radocchia (from 1962-01-22 until 1962-01-23)
piano:
Dudley Brooks (from 1962-01-22 until 1962-01-23)
trumpet:
Anthony Terran (from 1962-01-22 until 1962-01-23) and Rudolph Loera (from 1963-01-22 until 1963-01-23)
vocals:
The Jordanaires (from 1963-01-22 until 1963-01-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1963-01-22 until 1963-01-23)
cover recording of:
Vino, dinero y amor (from 1963-01-22 until 1963-01-23)
writer:
Roy C. Bennett and Sid Tepper
1:53
17(There’s) No Room to Rhumba in a Sports Car
bass:
Ray Siegel (from 1962-01-22 until 1962-01-23)
drums (drum set):
Hal Blaine (from 1962-01-22 until 1962-01-23) and D.J. Fontana (from 1962-01-22 until 1962-01-23)
guitar:
Barney Kessel (from 1962-01-22 until 1962-01-23), Scotty Moore (from 1962-01-22 until 1962-01-23) and Tiny Timbrell (from 1962-01-22 until 1962-01-23)
mandolin:
Tiny Timbrell (from 1962-01-22 until 1962-01-23)
percussion:
Emil Radocchia (from 1962-01-22 until 1962-01-23)
piano:
Dudley Brooks (from 1962-01-22 until 1962-01-23)
trumpet:
Anthony Terran (from 1962-01-22 until 1962-01-23) and Rudolph Loera (from 1963-01-22 until 1963-01-23)
vocals:
The Jordanaires (from 1963-01-22 until 1963-01-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1963-01-22 until 1963-01-23)
recording of:
(There’s) No Room to Rhumba in a Sports Car (from 1963-01-22 until 1963-01-23)
writer:
Dick Manning and Fred Wise
1:52
18Fun in Acapulco
bass:
Ray Siegel (from 1962-01-22 until 1962-01-23)
drums (drum set):
Hal Blaine (from 1962-01-22 until 1962-01-23) and D.J. Fontana (from 1962-01-22 until 1962-01-23)
guitar:
Barney Kessel (from 1962-01-22 until 1962-01-23), Scotty Moore (from 1962-01-22 until 1962-01-23) and Tiny Timbrell (from 1962-01-22 until 1962-01-23)
mandolin:
Tiny Timbrell (from 1962-01-22 until 1962-01-23)
percussion:
Emil Radocchia (from 1962-01-22 until 1962-01-23)
piano:
Dudley Brooks (from 1962-01-22 until 1962-01-23)
trumpet:
Anthony Terran (from 1962-01-22 until 1962-01-23) and Rudolph Loera (from 1963-01-22 until 1963-01-23)
vocals:
The Jordanaires (from 1963-01-22 until 1963-01-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1963-01-22 until 1963-01-23)
cover recording of:
Fun in Acapulco (from 1963-01-22 until 1963-01-23)
writer:
Sid Wayne and Ben Weisman
2:30
19El toro
bass:
Ray Siegel (from 1962-01-22 until 1962-01-23)
drums (drum set):
Hal Blaine (from 1962-01-22 until 1962-01-23) and D.J. Fontana (from 1962-01-22 until 1962-01-23)
guitar:
Barney Kessel (from 1962-01-22 until 1962-01-23), Scotty Moore (from 1962-01-22 until 1962-01-23) and Tiny Timbrell (from 1962-01-22 until 1962-01-23)
mandolin:
Tiny Timbrell (from 1962-01-22 until 1962-01-23)
percussion:
Emil Radocchia (from 1962-01-22 until 1962-01-23)
piano:
Dudley Brooks (from 1962-01-22 until 1962-01-23)
trumpet:
Anthony Terran (from 1962-01-22 until 1962-01-23) and Rudolph Loera (from 1963-01-22 until 1963-01-23)
vocals:
The Jordanaires (from 1963-01-22 until 1963-01-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1963-01-22 until 1963-01-23)
cover recording of:
El toro (from 1963-01-22 until 1963-01-23)
writer:
Bernie Baum, Bill Giant and Florence Kaye
2:41
20You Can’t Say No in Acapulco
bass:
Ray Siegel (from 1962-01-22 until 1962-01-23)
drums (drum set):
Hal Blaine (from 1962-01-22 until 1962-01-23) and D.J. Fontana (from 1962-01-22 until 1962-01-23)
guitar:
Barney Kessel (from 1962-01-22 until 1962-01-23), Scotty Moore (from 1962-01-22 until 1962-01-23) and Tiny Timbrell (from 1962-01-22 until 1962-01-23)
mandolin:
Tiny Timbrell (from 1962-01-22 until 1962-01-23)
percussion:
Emil Radocchia (from 1962-01-22 until 1962-01-23)
piano:
Dudley Brooks (from 1962-01-22 until 1962-01-23)
trumpet:
Anthony Terran (from 1962-01-22 until 1962-01-23) and Rudolph Loera (from 1963-01-22 until 1963-01-23)
vocals:
The Jordanaires (from 1963-01-22 until 1963-01-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1963-01-22 until 1963-01-23)
recording of:
You Can’t Say No in Acapulco (from 1963-01-22 until 1963-01-23)
writer:
Sid Feller, Dee Fuller and Lee Morris
1:56
21Guadalajara
bass:
Ray Siegel (from 1962-01-22 until 1962-01-23)
drums (drum set):
Hal Blaine (from 1962-01-22 until 1962-01-23) and D.J. Fontana (from 1962-01-22 until 1962-01-23)
guitar:
Barney Kessel (from 1962-01-22 until 1962-01-23), Scotty Moore (from 1962-01-22 until 1962-01-23) and Tiny Timbrell (from 1962-01-22 until 1962-01-23)
mandolin:
Tiny Timbrell (from 1962-01-22 until 1962-01-23)
percussion:
Emil Radocchia (from 1962-01-22 until 1962-01-23)
piano:
Dudley Brooks (from 1962-01-22 until 1962-01-23)
trumpet:
Anthony Terran (from 1962-01-22 until 1962-01-23) and Rudolph Loera (from 1963-01-22 until 1963-01-23)
vocals:
The Jordanaires (from 1963-01-22 until 1963-01-23) and Elvis Presley (on 1963-02-27)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1963-01-22 until 1963-01-23)
cover recording of:
Guadalajara (from 1963-01-22 until 1963-02-27)
lyricist and composer:
Pepe Guízar
2:43
22Echoes of Love
bass:
Bob Moore (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (from 1963-05-26 until 1963-05-27) and Scotty Moore (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
vocals:
The Jordanaires (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
cover recording of:
Echoes of Love (from 1963-05-26 until 1963-05-27)
writer:
Patty McMains and Bob Roberts
publisher:
Chrysalis Songs and Elvis Presley Music
2:39
23Please Don’t Drag That String Around
bass:
Bob Moore (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (from 1963-05-26 until 1963-05-27) and Scotty Moore (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
vocals:
The Jordanaires (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
recording of:
Please Don’t Drag That String Around (from 1963-05-26 until 1963-05-27)
writer:
Otis Blackwell and Winfield Scott
1:53
24(You’re the) Devil in Disguise
bass:
Bob Moore (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (from 1963-05-26 until 1963-05-27) and Scotty Moore (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
lead vocals:
Elvis Presley (on 1963-05-26)
vocals:
The Jordanaires (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
phonographic copyright (℗) by:
BMG Entertainment (in 1963), BMG Music (in 1963) and Sony BMG Music Entertainment (in 2002)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
cover recording of:
(You’re the) Devil in Disguise (from 1963-05-26 until 1963-05-27)
writer:
Bernie Baum, Bill Giant and Florence Kaye
publisher:
Carlin Music Corporation and R&H Music
2:20
25Never Ending
bass:
Bob Moore (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (from 1963-05-26 until 1963-05-27) and Scotty Moore (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
vocals:
The Jordanaires (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
cover recording of:
Never Ending (from 1963-05-26 until 1963-05-27)
writer:
Buddy Kaye and Philip Springer
publisher:
Gladys Music Elvis Presley Enterprises LLC
1:57
26What Now, What Next, Where To
bass:
Bob Moore (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (from 1963-05-26 until 1963-05-27) and Scotty Moore (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
vocals:
The Jordanaires (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
recording of:
What Now, What Next, Where To (from 1963-05-26 until 1963-05-27)
writer:
Hal Blair and Don Robertson
publisher:
Gladys Music Elvis Presley Enterprises LLC
1:56
27Witchcraft
bass:
Bob Moore (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (from 1963-05-26 until 1963-05-27) and Scotty Moore (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
vocals:
The Jordanaires (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
phonographic copyright (℗) by:
BMG Music (in 1963)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
cover recording of:
Witchcraft (from 1963-05-26 until 1963-05-27)
writer:
Dave Bartholomew and Pearl King
cover recording of:
Witchcraft
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp.
2:23
28Finders Keepers, Losers Weepers
bass:
Bob Moore (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (from 1963-05-26 until 1963-05-27) and Scotty Moore (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
vocals:
The Jordanaires (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
cover recording of:
Finders Keepers, Losers Weepers (from 1963-05-26 until 1963-05-27)
writer:
Dory Jones and Ollie Jones
publisher:
Elvis Presley Music
1:50
29Love Me Tonight
bass:
Bob Moore (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (from 1963-05-26 until 1963-05-27) and Scotty Moore (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
vocals:
The Jordanaires (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
cover recording of:
Love Me Tonight (from 1963-05-26 until 1963-05-27)
lyricist and composer:
Don Robertson
2:00
30(It’s a) Long Lonely Highway
bass:
Bob Moore (on 1963-05-27)
drums (drum set):
D.J. Fontana (on 1963-05-27) and Buddy Harman (on 1963-05-27)
guitar:
Harold Bradley (on 1963-05-27), Jerry Kennedy (on 1963-05-27), Grady Martin (on 1963-05-27) and Scotty Moore (on 1963-05-27)
piano:
Floyd Cramer (on 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (on 1963-05-27)
vocals:
The Jordanaires (on 1963-05-27) and Millie Kirkham (on 1963-05-27)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (on 1963-05-27)
recording of:
(It’s a) Long Lonely Highway (on 1963-05-27)
writer:
Doc Pomus and Mort Shuman
publisher:
Elvis Presley Music Inc.
2:20
31Western Union
bass:
Bob Moore (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (from 1963-05-26 until 1963-05-27) and Scotty Moore (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
vocals:
The Jordanaires (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
recording of:
Western Union (from 1963-05-26 until 1963-05-27)
writer:
Roy C. Bennett and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC
2:11
32Slowly but Surely
bass:
Bob Moore (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (from 1963-05-26 until 1963-05-27) and Scotty Moore (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
vocals:
The Jordanaires (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
recording of:
Slowly But Surely (from 1963-05-26 until 1963-05-27)
writer:
Sid Wayne and Ben Weisman
2:12
33Blue River
bass:
Bob Moore (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (from 1963-05-26 until 1963-05-27) and Scotty Moore (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
vocals:
The Jordanaires (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
recording of:
Blue River (from 1963-05-26 until 1963-05-27)
writer:
Paul Evans and Fred Tobias
2:10
10▶CD: 1963–1964
11▶CD: 1964–1965
12▶CD: 1965–1966
13▶CD: 1966
14▶CD: 1966–1967
15▶CD: 1967–1968
16▶CD: 1968
17▶CD: 1969
18▶CD: 1969
19▶CD: 1970
20▶CD: 1970
21▶CD: 1970–1971
22▶CD: 1971–1972
23▶CD: 1972
24▶CD: 1973
25▶CD: 1973
26▶CD: 1973–1975
27▶CD: 1975–1977
28▶CD: Outtakes and Alternates I
29▶CD: Outtakes and Alternates II
30▶CD: Outtakes and Alternates III