The Ultimate Soul Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistLength
1Sweet Soul Music
engineer:
Jimmy Johnson
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
part of:
Billboard: The 500 Best Pop Songs (number: 351)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke and Otis Redding
publisher:
ABKCO Music and Rondor
is based on:
Yeah Man
Arthur Conley2:22
2Soul Man
recorded in:
Memphis, Tennessee, United States (on 1967-08-10)
producer:
Isaac Hayes, David Porter and Jim Stewart
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (in 1967) and David Prater (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd., WEA International Inc. (in 1966) and Atlantic Recording Corporation (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (in 1967)
publisher:
EMI Music Publishing, Rondor Music (London) Ltd., Rondor Music Ltd., Walden Music, Inc., Warner Chappell Music Ltd., Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
Sam & Dave2:41
3In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (in 1965)
recorded at:
Stax Studios in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc., East Publishing Inc. and Irving Music, Inc.
Wilson Pickett2:39
4It's a Man's Man's Man's World
recorded in:
New York, New York, United States (on 1966-02-16)
engineer:
Ron Lenhoff
producer:
James Brown
baritone saxophone:
Haywood Henry (on 1966-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1966-02-16)
guitar:
Billy Butler (on 1966-02-16)
trumpet:
Dud Bascomb (on 1966-02-16), Waymon Reed (on 1966-02-16) and Lammar Wright (on 1966-02-16)
lead vocals:
James Brown (on 1966-02-16)
recorded at:
Talent Masters Studios in New York, New York, United States (on 1966-02-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 123)
recording of:
It’s a Man’s Man’s Man’s World (on 1966-02-16)
writer:
James Brown and Betty Jean Newsome
James Brown2:51
5(Your Love Keeps Lifting Me) Higher & HigherJackie Wilson2:58
6Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin2:27
7Knock on WoodEddie Floyd3:06
8Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (on 1964-05-21)
strings [nine strings]:
[unknown] (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (on 1964-05-21)
tenor vocals:
Charlie Thomas (on 1964-05-21)
conductor:
Gary Sherman (on 1964-05-21)
arranger:
Gary Sherman and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1988) and WEA International Inc. (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 6), Billboard: The 500 Best Pop Songs (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick and Kenny Young
publisher:
Alley Music Corp., Intersong, TM Music Ltd. and Trio Music Company
The Drifters2:43
9Everybody Needs Somebody to LoveSolomon Burke2:47
10Baby I'm Yours
producer:
Bert Berns and Ollie McLaughlin
baritone saxophone:
Haywood Henry (on 1965-01-08)
double bass [bass]:
Jimmy Lewis (on 1965-01-08)
drums (drum set) [drums]:
Gary Chester (on 1965-01-08)
guitar:
Bill Suyker (on 1965-01-08)
piano:
Paul Griffin (on 1965-01-08)
strings:
[unknown] (on 1965-01-08)
tenor saxophone:
Charlie Brown (on 1965-01-08)
trombone:
Jimmy Cleveland (on 1965-01-08) and Tony Studd (on 1965-01-08)
trumpet:
Dud Bascomb (on 1965-01-08) and Clark Terry (on 1965-01-08)
background vocals:
vocal group (on 1965-01-08)
vocals:
Barbara Lewis (on 1965-01-08)
conductor:
Teacho Wiltshire (on 1965-01-08)
arranger:
Teacho Wiltshire
remaster of:
Baby, I’m Yours by Barbara Lewis
samples from:
Hello Stranger: The Best of Barbara Lewis by Barbara Lewis
recording of:
Baby, I’m Yours (on 1965-01-08)
lyricist and composer:
Van McCoy
publisher:
EMI Blackwood Music Inc. and Van McCoy Music
Barbara Lewis2:35
11When a Man Loves a Woman
producer:
Marlin Greene and Quin Ivy
double bass:
Albert Lowe Jr. (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd., WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright
publisher:
Mijac Music, Warner Chappell, Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell North America, Warner/Chappell, Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
Percy Sledge2:54
12A Tribute to a KingWilliam Bell2:55
13(Sittin' On) The Dock of the BayOtis Redding2:45
14What's Goin' On
producer:
Marvin Gaye
mixer:
Lawrence Miles (on 1971-05-06)
instruments:
Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
percussion [box drum], piano and lead vocals:
Marvin Gaye (on 1971-05-06)
background vocals:
Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
conductor:
David Van dePitte (on 1971-05-06)
phonographic copyright (℗) by:
Motown Records (in 1971)
recorded at:
Hitsville in Detroit, Michigan, United States (on 1971-05-06)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (number: 4), Rolling Stone: 500 Greatest Songs of All Time (number: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 6), Billboard: The 500 Best Pop Songs (number: 102) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’s Going On (on 1971-05-06)
lyricist and composer:
Renaldo Benson, Al Cleveland and Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
recording of:
What’s Going On (Japanese version)
writer:
Renaldo Benson, Al Cleveland and Marvin Gaye
translator:
杉山清貴
translated version of:
What’s Going On
Marvin Gaye3:50
15I'm Still in Love With YouAl Green3:15
16Stand by MeBen E. King3:02
17Rescue Me
producer:
Billy Davis, Raynard Miner and Carl Smith
lead vocals:
Fontella Bass
arranger:
Phil Wright
phonographic copyright (℗) by:
MCA Records, Inc. (in 1965) and UMG Recordings, Inc. (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 31)
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass2:56
18Seesaw
recorded in:
Memphis, Tennessee, United States (on 1965-06-30)
producer:
Steve Cropper and Jim Stewart
baritone saxophone:
Floyd Newman (on 1965-06-30)
bass guitar [bass]:
Duck Dunn (on 1965-06-30)
drums (drum set) [drums]:
Al Jackson (on 1965-06-30)
guitar:
Steve Cropper (on 1965-06-30)
keyboard:
Booker T. Jones (on 1965-06-30)
tenor saxophone:
Andrew Love (on 1965-06-30)
trumpet:
Wayne Jackson (on 1965-06-30)
vocals:
Don Covay (on 1965-06-30)
recording of:
See Saw (on 1965-06-30)
writer:
Don Covay and Steve Cropper
publisher:
Cotillion Music Inc., Irving Music, Rondor Music (London) Ltd. and Warner Chappell Music Ltd.
Don Covay & the Goodtimers3:02
19Clean Up Woman
engineer:
Willie Clarke
producer:
Willie Clarke and Clarence Reid
horn arranger and strings arranger:
Mike Lewis
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
writer:
Willie Clarke and Clarence Reid
publisher:
EMI Longitude Music
Betty Wright2:49
20Green OnionsBooker T. & the MG’s2:55
21I'm Your PuppetJames & Bobby Purify3:02
22B-A-B-YCarla Thomas2:57
23I'm Gonna Make You Love MeDiana Ross & The Supremes and The Temptations3:09
24Stay With MeLorraine Ellison3:30
2CD