Film 100: Classic Music From Your Favourite Movies

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Mostly covers. Check small print on the rear cover for the very few "original film soundtrack version" marked with a †

Original Versions:
CD2-9, CD4-1, CD5-1, CD5-10, CD5-13

Everything else are alternate versions.

Tracks CD1-5,7,10-12,15 are Silva Records Ltd (City of Prague Philharmonic / Nic Raine)

More details will be in the booklet.

Tracklist

1▶CD: The Great Blockbusters
2▶CD: The Classic Movies
3▶CD: Favorite Movies
4▶CD: The Piano at the Cinema
5▼CD: Opera at the Cinema
#TitleArtistLength
1Norma: Casta diva (The Bridges of Madison County)
producer:
Walter Jellinek and Walter Legge
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (from 1960-09-05 until 1960-09-12)
chorus master:
Norberto Mola (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch
phonographic copyright (℗) by:
EMI Records Ltd. (in 1961)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:36
2Rigoletto: La donna è mobile (Captain Corelli's Mandolin)
tenor vocals [Duca]:
Alfredo Kraus
orchestra:
Philharmonia Orchestra
conductor:
Julius Rudel
phonographic copyright (℗) by:
EMI Records Ltd. (in 1979)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:18
3Così fan tutte: Soave sia il vento (Closer)
bass-baritone vocals [Don Alfonso]:
José van Dam
mezzo-soprano vocals [Dorabella]:
Agnes Baltsa
soprano vocals [Fiordiligi]:
Margaret Marshall
orchestra:
Vienna Philharmonic Orchestra
conductor:
Riccardo Muti
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:22
4Il travatore: D'amor sull'Ali Rosee (Basquiat)
soprano vocals:
Leontyne Price
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:44
5Non piu andrai (Trading Places)
baritone vocals and baritone vocals [Figaro]:
Claudio Desderi
orchestra:
London Philharmonic Orchestra
conductor:
Bernard Haitink
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:42
6Tosca: Vissi d'arte (Copycat)
soprano vocals [Tosca]:
Angela Gheorghiu (, in 2000-08)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 2000-08)
conductor:
Antonio Pappano (in 2000-08)
phonographic copyright (℗) by:
Euripide Productions (from 2001 to present)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 2000-08)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 2000-08)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:29
7Così fan tutte: Un'aura amorosa (My Left Foot)
producer:
John Fraser
tenor vocals [Ferrando]:
John Aler (in 1986-02)
orchestra:
London Philharmonic Orchestra (in 1986-02)
conductor:
Bernard Haitink (in 1986-02)
balance engineer:
Stuart Eltham (in 1986-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1986-02)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1986-02)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:46
8Der Hölle Rache (Miss Congeniality)
soprano vocals [Königin der Nacht]:
Edita Gruberová (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:51
9Le Nozza di Figaro: Conzonetta sull'aria (The Shawshank Redemption)
soprano vocals:
Felicity Lott and Gianna Rolandi
orchestra:
London Philharmonic Orchestra
conductor:
Bernard Haitink
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:07
10La manna morta (Philadelphia)
producer:
Walter Legge
soprano vocals:
Maria Callas (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-17 until 1954-09-18)
composer:
Umberto Giordano
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS
part of:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-20 until 1954-09-21)
composer:
Umberto Giordano
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS
part of:
Andrea Chénier: Atto III
Umberto Giordano4:55
11La ci dorem la mano (Babette's Feast)
producer:
Walter Legge
baritone vocals [Don Giovanni]:
Eberhard Wächter (from 1959-10-07 until 1959-11-24)
soprano vocals [Zerlina]:
Graziella Sciutti (from 1959-10-07 until 1959-11-24)
orchestra:
Philharmonia Orchestra (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:18
12E lucevan le stelle (Heavenly Creatures)
tenor vocals [Mario Cavaradossi]:
Carlo Bergonzi (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
vocals:
Carlo Bergonzi
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
conductor:
Georges Prêtre (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1964-12-03 until 1964-12-04)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1964-12-07 until 1964-12-12)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1964-12-14)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1965-01-19)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:04
13Carmen: L'amour est un oiseau rebelle (Habanera)
producer:
Michel Glotz
editor:
Jennifer Howells
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (from 1964-07-06 until 1964-07-20)
soprano vocals:
Maria Callas
vocals:
Maria Callas
orchestra:
Orchestre du Théâtre National de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:23
14La bohème (Moonstruck)
tenor vocals [Rodolfo]:
Alfredo Kraus (in 1979-08)
orchestra:
National Philharmonic Orchestra (in 1979-08)
conductor:
James Levine (in 1979-08)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1979-08)
composer:
Giacomo Puccini (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:02
15Song to the Moon (Rusalka) (Driving Miss Daisy)
soprano vocals:
Lesley Garrett and Lucia Popp
soprano vocals [Rusalka]:
Lucia Popp
orchestra:
Munich Radio Symphony Orchestra and Philharmonia Orchestra
conductor:
Andrew Greenwood and Stefan Soltész
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
composer:
Antonín Dvořák (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák5:55
16La Wally : Ebben? Ne anddro lontana (Diva)
soprano vocals:
Ghena Dimitrova (in 1984)
orchestra:
Münchner Rundfunkorchester (in 1984)
conductor:
Lamberto Gardelli (in 1984)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1984)
composer:
Alfredo Catalani
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani3:29
17Les Contes d'Hoffmann: Barcarolle belle nuit (Barcarolle)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (in 1988-06)
conductor:
Sylvain Cambreling (in 1988-06)
chorus master:
Günter Wagner (in 1988-06)
balance engineer:
Michael Gray
recorded at:
Palais des Beaux-Arts in Brussels, Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1988-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:23
18Turandot: Nessun dorma (Witches of Eastwick)
choir vocals:
Chœur de l'Opéra national du Rhin
tenor vocals [Calaf]:
José Carreras
orchestra:
Orchestre philharmonique de Strasbourg
conductor:
Alain Lombard
phonographic copyright (℗) by:
EMI Records Ltd. (in 1978)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini4:12
6▶CD: Baroque Goes to the Cinema