Works of Igor Stravinsky

~ Release by Igor Stravinsky (see all versions of this release, 1 available)

Annotation

Canticum Sacrum ad Honorem Sancti Marci Nominis:
Recorded in Hollywood, California: June 1957
Richard Robinson: Tenor
Howard Chitjian: Baritone
Los Angeles Festival Symphony Orchestra and Chorus

Introitus:
Recorded in New York City: February 9, 1966
Gregg Smith Singers
Columbia Chamber Ensemble

A Sermon, A Narrative and A Prayer:
Recorded in Toronto, Canada: April 29: 1962
Shirley Verrett: Mezzo-Soprano
Loren Driscoll: Tenor
John Horton: Speaker

Anthem:
Recorded in Toronto, Canada: April 29: 1962
Festival Singers of Toronto
Chorus Master: Elmer Iseler

Threni (id est lamentationes Jeremiae Prophetae):
Recorded in New York City: January 5-6, 1959
Bethany Beardslee: Soprano
Beatrice Krebs: Contralto
William Lewis: Tenor
James Wainner: Tenor
Mac Morgan: Baritone
Robert Oliver: Bass
The Schola Cantorum, Director: Hugh Ross


Preludium for Jazz Ensemble
recorded in New York City: April 27, 1965
credited performers: Columbia Jazz Ensemble

Concertino for 12 Instruments
recorded in Hollywood, California: October 26, 1965
credited performers: Columbia Chamber Ensemble

Octet for Wind Instruments
recorded in New York City: January 5, 1961
credited performers: Columbia Chamber Ensemble

Ragtime for 11 Instruments
recorded in New York City: January 26, 1962
credited performers: Columbia Chamber Ensemble, cimbalom: Toni Koves

Tango
recorded in New York City: April 27, 1965
credited performers: Columbia Jazz Ensemble

Septet
recorded in Hollywood, California: October 27, 1965
credited performers: Columbia Chamber Ensemble

Pastorale
recorded in Hollywood, California: October 26, 1965
credited performers: Columbia Chamber Ensemble, violin: Israel Baker

Ebony Concerto
recorded in Hollywood, California: April 27, 1965
credited performers: Columbia Jazz Ensemble

Symphonies of Wind Instruments
recorded in 1951 (mono)
credited performers: Symphonieorchester des Nordwestdeutschen Rundfunks


Oedipus Rex:
Recorded in Washington D.C, 20. January 1961

Oedipus: George Shirley, Tenor
Jocasta: Shirley Verrett, Mezzo-Soprano
Creon: Donald Gramm, Bass
Tiresias: Chester Watson, Bass
Messenger: John Reardon, Bass
Shepherd: Loren Driscoll, Tenor
Narrator: John Westbrook

Chorus and Orchestra of the Opera Society of Washington D.C.

The Flood:
Recorded in Hollywood, California: March 28-31 1962

Narrator: Laurence Harvey
Noah: Sebastien Cabot
Noah's Wife: Elsa Lanchester
God: John Reardon, Robert Oliver (Bass)
Lucifer: Richard Robinson, Tenor
Caller: Paul Tripp

Chorus Director: Gregg Smith


Duo Concertant recorded in mono, October 11-13, 1945
Serenade in A recorded in mono in Paris, France: July 5-13, 1934
Concerto for 2 Solo Pianos recorded in mono in Paris, France: February 16, 1938
Second piano played by Soulima Strawinsky
Piano-Rag Music recorded in mono in Paris, France: July 5-13, 1934
Sonata for 2 Pianos recorded in New York City, November 30, 1961
pianos played by Arthur Gold and Robert Fizdale
Sonata for Piano recorded in New York City, December 28-30, 1960


Recorded in Hollywood, California
Petrushka: February 12-16, 1960
Pulcinella (for Chamber Orchestra): August 25, 1965
The Firebird (Revised Version, 1945): January 18, 1967


Firebird recorded in Hollywood, California: 23-25 January 1961
Scherzo à la Russe and Fireworks recorded in New York: December 17, 1963
Scherzo fantastique recorded in Toronto, Canada: December 1, 1962


disc 1


Faun and Sheperdess recorded in Toronto, Canada: May 8, 1964
Mary Simmons: Mezzo-Soprano
Two Poems of Paul Verlaine recorded in Hollywood, California
The white moon shines in the woods on September 26, 1966
Sleep on December 11, 1964
Donald Gramm: Baritone
Two Poems of Konstantin Bal'mont recorded in Hollywood, California: January 24, 1967
Nezabudochka-Tsvetochek
Three Japanese Lyrics recorded in Hollywood, California: June 10, 1968
Evelyn Lear: Soprano
Robert Craft: Conductor
Three Little Songs & Pribaoutki (Pleasant Songs) recorded in New York City: December 11, 1964
Cathy Berberian: Mezzo-Soprano
Cat's Cradle Songs recorded in New York City: December 1, 1964
Cathy Berberian: Mezzo-Soprano
Four Russian Peasant Songs recorded in Hollywood, California: August 2, 1965
Gregg Smith Singers
Gregg Smith: director
Four Songs recorded in Hollywood, California: November 30, 1965
Adrienne Albert: Mezzo-Soprano
Louise di Tullio: Flute
Dorothy Remsen: Harp
Laurindo Almeida: Guitar
Three Songs from William Shakespeare recorded in New York City: December 14, 1964
Cathy Berberian: Mezzo-Soprano
Columbia Chamber Ensemble
In Memoriam Dylan Thomas recorded in Hollywood, California: November 27, 1965
Alexander Young: Tenor
Columbia Chamber Ensemble
Elegy for J.F.K recorded in New York City: December 14, 1964
Cathy Berberian: Mezzo-Soprano
Paul E. Howland: Clarinet
Charles Russo: Clarinet
The Owl and the Pussy-cat recorded ??: August 18, 1967
Adrienne Albert: Soprano
Robert Craft: Piano
Tilim-Bom / Klabum-klabam recorded in Hollywood, California: January 23, 1967 and June 10, 1968
Evelyn Lear: Soprano
Robert Craft: Conductor


Concerto for Piano and Wind Instruments recorded in New York City: May 13, 1964
Movements for Piano and Orchestra recorded in Hollywood, California: February 12, 1961
Capriccio for Piano and Orchestra recorded in New York City: January 3, 1966
Robert Craft conducting under the supervision of Igor Stravinsky
Concerto in D major for Violin and Orchestra recorded in Hollywood, California: June 29-30, 1960


Greeting Prelude recorded in New York City: December 17, 1963
Suite No. 1 for Small Orchestra recorded in Toronto, Canada: March 29, 1963
Suite No. 2 for Small Orchestra recorded in Toronto, Canada: March 30, 1963
Concerto in E-flat for Chamber Orchestra recorded in Hollywood, California: March 29, 1964
Four Norwegian Moods for Orchestra recorded in Toronto, Canada: March 29, 1963
Circus Polka recorded in Toronto, Canada: March 29, 1963
Concerto in D for String Orchestra recorded in New York City: December 17, 1963
Eight Instrumental Miniatures for Fifteen Players recorded in Toronto, Canada: April 29, 1962
Four Etudes for Orchestra recorded in Toronto, Canada: November 29 - December 1, 1962

Suites Nos. 1, 2 and Eight Instrumental Miniatures are credited Members of the CBC Symphony Orchestra


The Wedding: Recorded in Hollywood, California: December 21: 1959
Soprano: Mildred Allen
Mezzo-Soprano: Regina Sarfaty
Tenor: Loren Driscoll
Bass: Robert Oliver
Piano: Samuel Barber
Piano: Aaron Copland
Piano: Lukas Foss
Piano: Roger Sessions
The American Concert Choir, Director: Margaret Hillis
Columbia Percussion Ensemble

Renard the Fox: Recorded in New York: January 26, 1962
Tenor I: George Shirley
Tenor II: Loren Driscoll
Baritone: William Murphy
Bass: Donald Gramm
Cimbalom: Toni Koves
Columbia Chamber Ensemble

The Soldier's Tale: Recorded in Hollywood, California: February 10-13: 1961
Solo Violin: Israel Baker
Trumpet: Charles Brady
Bass: Richard Kelly
Clarinet: Roy d'Antonio
Bassoon: Don Christlieb
Trombone: Robert Marsteller
Percussion: William Kraft
Columbia Chamber Ensemble


Pulcinella: ballet with song in one act (Music after Pergolesi)
recorded in Hollywood, California: August 23, 1965

Orpheus: ballet in three scenes
recorded in Chicago: July 20, 1964


Chorale Variations:
Recorded in Toronto, Canada: March 30, 1963
Festival Singers of Toronto
Chorus Master: Elmer Iseler

Zvezdoliki:
Recorded in Toronto, Canada: November 29, 1962
Festival Singers of Toronto
Chorus Master: Elmer Iseler

Ave Maria:
Recorded in Toronto, Canada: May 8, 1964
Festival Singers of Toronto
Chorus Master: Elmer Iseler

Credo:
Recorded in Hollywood, California: August 20, 1965
Gregg Smith Singers
Director: Gregg Smith

Pater Noster:
Recorded in Toronto, Canada: May 8, 1964
Festival Singers of Toronto
Chorus Master: Elmer Iseler

Cantata:
Recorded in Hollywood, California: November 27, 1965
Adrienne Albert: Mezzo-Soprano
Alexander Young, Tenor
Gregg Smith Singers
Columbia Chamber Ensemble

Mass:
Recorded in Hollywood, California: June 5, 1960
Gregg Smith Singers
Columbia Symphony Winds & Brass

Babel:
Recorded in Toronto, Canada: November 29, 1962
Narrator: John Calicos
Festival Singers of Toronto
Chorus Master: Elmer Iseler


Recorded in London: June 1964

Truelove: Don Garrard, Bass
Anne (his daughter): Judith Raskin, Soprano
Tom Rakewell: Alexander Young, Tenor
Nick Shadow: John Reardon, Baritone
Mother Goose: John Manning, Mezzo-Soprano
Baba the Turk: Regina Sarfaty, Mezzo-Soprano
Sellem (Auctioneer): Kevin Miller, Tenor
Keeper: Peter Tracey, Bass

Harpsichord: Colin Tilney
The Sadler's Wells Opera Chorus, director: John Barker

disc 2


Petrushka recorded in Hollywood, California: February 12-17 1960
The Rite of Spring recorded in New York City: January 5-6 1960


Symphony in Three Movements recorded in Hollywood, California: February 1, 1961
Symphony in C major recorded in Toronto, Canada, December 2-3, 1962

Symphony of Psalms (Revised Version, 1948)
recorded in Toronto, Canada, March 30, 1963
Choir Vocals by Festival Singers of Toronto, directed by Elmer Iseler


Symphony in E-flat, Op. 1 recorded in Hollywood, California: May 2, 1966

Tracks recorded with Columbia Symphony Orchestra in New York City:
No. 5: December 1964
No. 6: December 1963
No. 7 (with Cathy Berberian): December 1964
No. 8: August 1965
No. 9 (with Philippe Entremont): May 1964

Recorded with the CBC Symphony Orchestra in Toronto Canada:
No. 10: December 1962

Track No. 11 spoken by John Mcclure


Perséphone:
Recorded in Hollywood, California: May 4-7 1966

Perséphone (The Goddess): Vera Zorina
Eumolpus (The Priest): Michele Molese, Tenor

Ithaca College Concert Choir
The Texas Boys Choir of Fort Worth
Gregg Smith Singers

Ode
Recorded in Cleveland: March 13, 1964

Monumentum pro Gesualdo di Venosa ad CD Annum:
Recorded in Hollywood, California: June 9 1960


Apollo recorded in New York: June 29, 1964
Agon recorded in Hollywood, CA: June 18 1957
Card Game recorded in Cleveland: March 13 1964


The Nightingale recorded in Washington D.C: December 29-31, 1960
Fisherman: Loren Driscoll, Tenor
Nightingale: Reri Grist, Soprano
Cook: Marina Picassi, Soprano
Chamberlaine: Kenneth Smith, Bass
Bonze: Herbert Beatie, Bass
Emperor of China: Donald Gramm, Baritone
Death: Elaine Bonazzi, Alto
Japanese Envoys: Stanley Kolk and William Murphy, Tenors
Chorus and Orchestra of the Opera Society of Washington D.C.
Chorus Master: John Moriarty

Mavra recorded in Toronto, Canada: May 7, 1964
Parasha: Susan Belinck, Soprano
Mother: Mary Simmons, Mezzo-Soprano
Neighbour: Patricia Rideout, Contralto
Hussar (Cook): Stanley Kolk, Tenor
CBC Symphony Orchestra


Scènes de ballett recorded in Toronto, Canada: March 28, 1963
Bluebird - Pas de deux recorded in New York City: December 17, 1964
The Fairy's Kiss recorded in Hollywood, California: August 19-20, 1965


Song of the Nightingale:
Recorded in Hollywood, California: January 23, 1967

Danses Concertantes:
Recorded in Hollywood, California: January 20, 1967
Columbia Chamber Orchestra

Epitathium:
Recorded in New York City: December 14, 1964
Arthur Gleghorn: Flute
Kalman Bloch: Clarinet
Dorothy Remsen: Harp

Double Canon:
Recorded in Hollywood, California: January 25, 1961

Abraham and Isaac:
Recorded in Hollywood, California: January 24, 1967 and July 11, 1969
Richard Frisch: Baritone

Variations:
Recorded in New York City: October 11, 1960

Requiem Canticles:
Recorded in New York City: October 11, 1966
Linda Anderson: Soprano
Elaine Bonazzi: Alto
Charles Bressler: Tenor
Donald Gramm: Bass
The Ithaca College Concert Choir
Gregg Smith: Chorus Master


Petrushka recorded in Hollywood, California: February 12-17 1960
The Rite of Spring recorded in New York City: January 5-6 1960

Tracklist

1CD: Ballets, Volume 1
2CD: Ballets, Volume 2
3CD: Ballets, Volume 3
4CD: Ballets, Volume 4
5CD: Ballets, Volume 5
6CD: Ballets, Volume 6
7CD: Ballets, Volume 7: Suites
8CD: Symphony in E‐flat Major / Rehearsals and Talks
9CD: Symphonies
10CD: Concertos
11CD: Miniature Masterpieces
12CD: Chamber Music & Historical Recordings, Volume 1
13CD: Chamber Music & Historical Recordings, Volume 2
14CD: Operas
15CD: 35 Songs
16CD: The Rake’s Progress (1/2
17CD: The Rake’s Progress (2/2
#TitleLength
1The Rake's Progress: Act II, Scene III. "As I Was Saying"
harpsichord:
Colin Tilney (from 1964-06-16 until 1964-06-23)
baritone vocals [Nick Shadow]:
John Reardon (from 1964-06-16 until 1964-06-23)
contralto vocals [Baba the Turk]:
Regina Sarfaty (from 1964-06-16 until 1964-06-23)
tenor vocals [Tom Rakewell]:
Alexander Young (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act II, Scene III. "As I Was Saying" (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act II
5:33
2The Rake's Progress: Act II, Scene III. "You! O Nick, I've Had the Strangest Dream"
harpsichord:
Colin Tilney (from 1964-06-16 until 1964-06-23)
baritone vocals [Nick Shadow]:
John Reardon (from 1964-06-16 until 1964-06-23)
tenor vocals [Tom Rakewell]:
Alexander Young (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act II, Scene III. "You! O Nick, I've Had the Strangest Dream" (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act II
5:20
3The Rake's Progress: Act III, Scene I. "What Curious Phenomena..."
choir vocals:
Sadler’s Wells Opera Chorus (from 1964-06-16 until 1964-06-23)
soprano vocals [Anne, Trulove's daughter]:
Judith Raskin (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
chorus master:
John Barker (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act III, Scene I. "What Curious Phenomena..." (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
2:52
4The Rake's Progress: Act III, Scene I. "Aha!"
choir vocals:
Sadler’s Wells Opera Chorus (from 1964-06-16 until 1964-06-23)
contralto vocals [Baba the Turk]:
Regina Sarfaty (from 1964-06-16 until 1964-06-23)
tenor vocals [Sellem, auctioneer]:
Kevin Miller (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
chorus master:
John Barker (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act III, Scene I. "Aha!" (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
5:33
5The Rake's Progress: Act III, Scene I. "Sold! Annoyed! I've Caught You! Thieving!"
harpsichord:
Colin Tilney (from 1964-06-16 until 1964-06-23)
baritone vocals [Nick Shadow]:
John Reardon (from 1964-06-16 until 1964-06-23)
choir vocals:
Sadler’s Wells Opera Chorus (from 1964-06-16 until 1964-06-23)
contralto vocals [Baba the Turk]:
Regina Sarfaty (from 1964-06-16 until 1964-06-23)
soprano vocals [Anne, Trulove's daughter]:
Judith Raskin (from 1964-06-16 until 1964-06-23)
tenor vocals [Sellem, auctioneer]:
Kevin Miller (from 1964-06-16 until 1964-06-23)
tenor vocals [Tom Rakewell]:
Alexander Young (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
chorus master:
John Barker (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act III, Scene I. "Sold! Annoyed! I've Caught You! Thieving!" (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
6:28
6The Rake's Progress: Act III, Scene I. "I Go to Him"
baritone vocals [Nick Shadow]:
John Reardon (from 1964-06-16 until 1964-06-23)
choir vocals:
Sadler’s Wells Opera Chorus (from 1964-06-16 until 1964-06-23)
contralto vocals [Baba the Turk]:
Regina Sarfaty (from 1964-06-16 until 1964-06-23)
soprano vocals [Anne, Trulove's daughter]:
Judith Raskin (from 1964-06-16 until 1964-06-23)
tenor vocals [Sellem, auctioneer]:
Kevin Miller (from 1964-06-16 until 1964-06-23)
tenor vocals [Tom Rakewell]:
Alexander Young (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
chorus master:
John Barker (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act III, Scene I. "I Go to Him" (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
1:58
7The Rake's Progress: Act III, Scene II. Prelude
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act III, Scene II. Prelude (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
2:22
8The Rake's Progress: Act III, Scene II. "How Dark and Dreadful Is This Place"
baritone vocals [Nick Shadow]:
John Reardon (from 1964-06-16 until 1964-06-23)
tenor vocals [Tom Rakewell]:
Alexander Young (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act III, Scene II. "How Dark and Dreadful Is This Place" (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
4:42
9The Rake's Progress: Act III, Scene II. "Very Well, Then, My Dear"
harpsichord:
Colin Tilney (from 1964-06-16 until 1964-06-23)
baritone vocals [Nick Shadow]:
John Reardon (from 1964-06-16 until 1964-06-23)
soprano vocals [Anne, Trulove's daughter]:
Judith Raskin (from 1964-06-16 until 1964-06-23)
tenor vocals [Tom Rakewell]:
Alexander Young (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act III, Scene II. "Very Well, Then, My Dear" (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
8:30
10The Rake's Progress: Act III, Scene II. "I Burn! I Freeze!"
baritone vocals [Nick Shadow]:
John Reardon (from 1964-06-16 until 1964-06-23)
tenor vocals [Tom Rakewell]:
Alexander Young (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake’s Progress: Act III, Scene II. “I Burn! I Freeze!” (Shadow) (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
3:38
11The Rake's Progress: Act III, Scene III. "Prepare Yourselves, Heroic Shades"
choir vocals:
Sadler’s Wells Opera Chorus (from 1964-06-16 until 1964-06-23)
tenor vocals [Tom Rakewell]:
Alexander Young (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
chorus master:
John Barker (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act III, Scene III. "Prepare Yourselves, Heroic Shades" (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
3:46
12The Rake's Progress: Act III, Scene III. "There He Is. Have No Fear"
harpsichord:
Colin Tilney (from 1964-06-16 until 1964-06-23)
bass vocals [Keeper of the madhouse]:
Peter Tracey (from 1964-06-16 until 1964-06-23)
soprano vocals [Anne, Trulove's daughter]:
Judith Raskin (from 1964-06-16 until 1964-06-23)
tenor vocals [Tom Rakewell]:
Alexander Young (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act III, Scene III. "There He Is. Have No Fear" (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
6:19
13The Rake's Progress: Act III, Scene III. "Gently, Little Boat"
harpsichord:
Colin Tilney (from 1964-06-16 until 1964-06-23)
bass vocals [Trulove]:
Don Garrard (from 1964-06-16 until 1964-06-23)
soprano vocals [Anne, Trulove's daughter]:
Judith Raskin (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act III, Scene III. "Gently, Little Boat" (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
5:50
14The Rake's Progress: Act III, Scene III. "Where Art Thou, Venus?"
choir vocals:
Sadler’s Wells Opera Chorus (from 1964-06-16 until 1964-06-23)
tenor vocals [Tom Rakewell]:
Alexander Young (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
chorus master:
John Barker (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act III, Scene III. "Where Art Thou, Venus?" (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
5:00
15The Rake's Progress: Act III, Scene III. Epilogue "Good People, Just a Moment"
baritone vocals [Nick Shadow]:
John Reardon (from 1964-06-16 until 1964-06-23)
bass vocals [Trulove]:
Don Garrard (from 1964-06-16 until 1964-06-23)
contralto vocals [Baba the Turk]:
Regina Sarfaty (from 1964-06-16 until 1964-06-23)
soprano vocals [Anne, Trulove's daughter]:
Judith Raskin (from 1964-06-16 until 1964-06-23)
tenor vocals [Tom Rakewell]:
Alexander Young (from 1964-06-16 until 1964-06-23)
orchestra:
Royal Philharmonic Orchestra (from 1964-06-16 until 1964-06-23)
conductor:
Igor Stravinsky (from 1964-06-16 until 1964-06-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1964-06-16 until 1964-06-23)
recording of:
The Rake's Progress: Act III, Scene III. Epilogue "Good People, Just a Moment" (from 1964-06-16 until 1964-06-23)
composer:
Игорь Фёдорович Стравинский
part of:
The Rake’s Progress: Act III
2:34
18CD: Oratorio – Melodrama, Volume 1
19CD: Oratorio – Melodrama, Volume 2
20CD: Sacred Works, Volume 1
21CD: Sacred Works, Volume 2
22CD: Robert Craft Conducts Under the Supervision of Igor Stravinsky

Credits

Release

ASIN:US: B000PTYUQG [info]