Baroque Arias

~ Release by Yoshikazu Mera (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1Cantata "Widerstehe doch der Sünde": Aria. Widerstehe doch der Sünde
sound engineer:
Jens Braun (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (in 1996-04)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" (in 1996-04)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach6:06
2Cantata "Widerstehe doch der Sünde": Rezitativ. Die Art verruchter Sünde
sound engineer:
Jens Braun (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (in 1996-04)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": II. Recitativo (Alto) "Die Art verruchter Sünden" (in 1996-04)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach1:24
3Cantata "Widerstehe doch der Sünde": Aria. Wer Sündetut
sound engineer:
Jens Braun (in 1996-04)
producer:
Robert von Bahr
countertenor vocals:
Yoshikazu Mera (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (in 1996-04)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel (in 1996-04)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach3:06
4Cantata "Bereitet die Wege": Rezitativ. Ich will, mein Gott
countertenor vocals:
Yoshikazu Mera (in 1997)
orchestra:
Bach Collegium Japan (in 1997)
conductor:
Masaaki Suzuki (in 1997)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1997)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": IV. Recitativo (Alt) "Ich will, mein Gott, dir frei heraus bekennen" (in 1997)
composer:
Johann Sebastian Bach (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach2:03
5Kantate "Bereitet die Wege": Aria. Christi Glieder, ach bedenket
violin:
Natsumi Wakamatsu (in 1997)
countertenor vocals:
Yoshikazu Mera (in 1997)
orchestra:
Bach Collegium Japan (in 1997)
conductor:
Masaaki Suzuki (in 1997)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1997)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": V. Aria (Alt) "Christi Glieder, ach bedenket" (in 1997)
composer:
Johann Sebastian Bach (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach3:51
6Messiah: Air. But who may abide
countertenor vocals:
Yoshikazu Mera (in 1996-12)
orchestra:
Bach Collegium Japan (in 1996-12)
conductor:
Masaaki Suzuki (in 1996-12)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1996-12)
composer:
George Frideric Handel
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:26
7Messiah: Air. He was despised
countertenor vocals:
Yoshikazu Mera (in 1996-12)
orchestra:
Bach Collegium Japan (in 1996-12)
conductor:
Masaaki Suzuki (in 1996-12)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1996-12)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel11:11
8Messiah: Air. Thou art gone up on high
countertenor vocals:
Yoshikazu Mera (in 1996-12)
orchestra:
Bach Collegium Japan (in 1996-12)
conductor:
Masaaki Suzuki (in 1996-12)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1996-12)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:59
9Messiah: Recitative. Behold, a virgin
countertenor vocals:
Yoshikazu Mera (in 1996-12)
orchestra:
Bach Collegium Japan (in 1996-12)
conductor:
Masaaki Suzuki (in 1996-12)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1996-12)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:30
10Messiah: Air and Chorus. O Thoun that tellest
countertenor vocals:
Yoshikazu Mera (in 1996-12)
orchestra:
Bach Collegium Japan (in 1996-12)
conductor:
Masaaki Suzuki (in 1996-12)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) (in 1996-12)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel5:41
11Kantate "Komm, du süße Todesstunde": Aria (mit Choral). Komm, du süße Todesstunde
countertenor vocals:
Yoshikazu Mera (from 1997-06 until 1997-07)
orchestra:
Bach Collegium Japan (from 1997-06 until 1997-07)
conductor:
Masaaki Suzuki (from 1997-06 until 1997-07)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (from 1997-06 until 1997-07)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1997-06 until 1997-07)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach5:29
12Kantate "Ach, ich sehe, itzt...": Rezitativ. Mein Jesu, laß mich nicht
countertenor vocals:
Yoshikazu Mera (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (in 1996-04)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (in 1996-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach1:43
13Kantate "Ach, ich sehe, itzt...": Aria. In meinem Gott
countertenor vocals:
Yoshikazu Mera (in 1996-04)
tenor vocals:
Makoto Sakurada (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (in 1996-04)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (in 1996-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach3:53
14Kantate "Weinen, Klagen, Sorgen, Zagen": Rezitativ. Wir müssen durch viel Trübsal
countertenor vocals:
Yoshikazu Mera (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (in 1996-04)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 1996-04)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:48
15Kantate "Weinen, Klagen, Sorgen, Zagen": Aria. Kreuz und Krone
oboe:
Taka Kitazato (in 1996-04)
countertenor vocals:
Yoshikazu Mera (in 1996-04)
orchestra:
Bach Collegium Japan (in 1996-04)
conductor:
Masaaki Suzuki (in 1996-04)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (in 1996-04)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 1996-04)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:08
16Jesu dulcis memoria: Prima pars
instruments:
Concerto Palatino (in 1996-09)
countertenor vocals:
Yoshikazu Mera (in 1996-09)
orchestra:
Bach Collegium Japan (in 1996-09)
conductor:
Masaaki Suzuki (in 1996-09)
recorded at:
Oud-Katholieke Kerk in Den Haag, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1996-09)
recording of:
Jesu dulcis memoria: Prima pars (in 1996-09)
composer:
Johann Rudolf Ahle
part of:
Jesu dulcis memoria
Johann Rudolf Ahle3:14
17Jesu dulcis memoria: Secunda pars
instruments:
Concerto Palatino (in 1996-09)
countertenor vocals:
Yoshikazu Mera (in 1996-09)
orchestra:
Bach Collegium Japan (in 1996-09)
conductor:
Masaaki Suzuki (in 1996-09)
recorded at:
Oud-Katholieke Kerk in Den Haag, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1996-09)
recording of:
Jesu dulcis memoria: Secunda pars (in 1996-09)
composer:
Johann Rudolf Ahle
part of:
Jesu dulcis memoria
Johann Rudolf Ahle2:58
18Auf dem Gebirge hat man ein Geschrei gehöret
alto vocals:
Yuko Anazawa (from 1997-02 until 1997-03)
countertenor vocals:
Yoshikazu Mera (from 1997-02 until 1997-03)
orchestra:
Bach Collegium Japan (from 1997-02 until 1997-03)
conductor:
Masaaki Suzuki (from 1997-02 until 1997-03)
recorded at:
Kobe Shoin Women's University in Kobe, Hyogo, Japan (from 1997-02 until 1997-03)
recording of:
Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 (from 1997-02 until 1997-03)
composer:
Heinrich Schütz
part of:
Schütz-Werke-Verzeichnis (number: SWV 396)
part of:
Geistliche Chor-Music, Op.11, SWV 369-397
Heinrich Schütz5:45

Credits

Release

ASIN:DE: B0000268XL [info]