Mahler

~ Release by Mahler; Abbado, Berliner Philharmoniker, Lucerne Festival Orchestra (see all versions of this release, 1 available)

Annotation

Box containing all Mahler Symphonies

Sub-optimal Credits

Project Management: David Butchart

Tracklist

1▶CD: Symphony no. 1
2▶CD: Symphony no. 2
3▶CD: Symphony no. 3 (Part I)
4▶CD: Symphony no. 3 (Part II)
5▶CD: Symphony no. 4
6▶CD: Symphony no. 5
7▶CD: Symphony no. 6
8▶CD: Symphony no. 7
9▶CD: Symphony no. 8 (Part I)
10▼CD: Symphony no. 8 (Part II)
#TitleArtistLength
1Symphony no. 8 “Symphony of a Thousand”: Part II, Final Scene from Goethe’s Faust: Poco Adagio
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:50
2Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Più mosso. (Allegro moderato)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:16
3Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Wieder langsam. Chor und Echo “Waldung, sie schwankt heran”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
choir vocals:
Prager Philharmonischer Chor (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:46
4Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Moderato. Pater ecstaticus “Ewiger Wonnebrand”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder and Pål Christian Moe
baritone vocals [Pater ecstaticus]:
Bryn Terfel (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1994-02) and Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:54
5Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Allegro — (Allegro appassionato). Pater profundus: “Wie Felsenabgrund mir zu Füßen”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:42
6Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel: “Gerettet ist das edle Glied Geisterwelt vom Bösen” / Chor seliger Knaben: “Hände verschlinget euch”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:03
7Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Molto leggiero. Chor der jüngeren Engel: “Jene Rosen aus den Händen”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (in 1994-02)
choir vocals:
Rundfunkchor Berlin (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (in 1994-02)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:53
8Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Schon etwas langsamer und immer noch mäßiger — Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: “Uns bleibt ein Erdenrest”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:04
9Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben, nebelnd um Felsenhöh’" / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (in 1994-02)
choir vocals:
Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (in 1994-02)
tenor vocals [Doctor Manianus]:
Peter Seifert (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02) and Gerhard Schmidt‐Gaden (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:19
10Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Sempre l’istesso tempo. Doctor Marianus: “Höchste Herrscherin der Welt!"
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
choir vocals:
Prager Philharmonischer Chor (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seifert (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:02
11Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Äußerst langsam. Adagissimo. “Dir, der Unberührbaren” / Chor der Büßerinnen und Una poenitentium: “Du schwebst zu Höhen der ewigen Reiche”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
choir vocals:
Prager Philharmonischer Chor (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
solo soprano vocals [Una Poenitentium]:
Cheryl Studer (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:53
12Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Fließend. Magna Peccatrix: “Bei der Liebe, die den Füßen” / Mulier Samaritana: “Bei dem Bronn, zu dem schon weiland” / Maria Aegyptiaca: “Bei dem hochgeweihten Orte”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:57
13Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Una poenitentium: “Neige, du Ohnegleiche”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
soprano vocals [Una poenitentium]:
Cheryl Studer (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:54
14Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Unmerklich frischer werden. Selige Knaben: “Er überwächst uns schon” / Una poenitentium: “Vom edlen Geisterchor umgeben”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
choir vocals:
Prager Philharmonischer Chor (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (in 1994-02)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:24
15Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Sehr langsam. Mater gloriosa: “Komm! hebe dich zu höhern Sphären!” / Hymnenartig (Ungefähr im selben Zeitmaß weiter). Doctor Marianus: “Blicket auf zum Retterblick, alle reuig Zarten”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
choir vocals:
Prager Philharmonischer Chor (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler7:16
16Symphony no. 8 “Symphony of a Thousand” Part II, Final Scene from Goethe’s Faust: Sehr langsam beginnend. Chorus mysticus: “Alles Vergängliche ist nur ein Gleichnis”
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:43
11▶CD: Symphony no. 9

Credits

Release

printed in:EU
art direction:Merle Kersten
design/illustration:Anja Hoppe
photography:Marco Caselli Nirmal
Cordula Groth
Evelyn Hofer
Priska Ketterer
liner notes:Eva Zöllner
miscellaneous support:David Butchart
copyrighted (©) by and phonographic copyright (℗) by:Deutsche Grammophon GmbH (in 2014)
ASIN:DE: B00JJ9DYMY [info]
discography entry:http://www.deutschegrammophon.com/de/cat/4793204 [info]