The Great Choral Masterpieces

~ Release by Johann Sebastian Bach; (see all versions of this release, 2 available)

Tracklist

1▶Digital Media

2▶Digital Media

3▶Digital Media

4▶Digital Media

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12▼Digital Media
#	Title	Artist	Length
1	Mass in B minor, BWV 232: Credo: XIII. Credo in unum Deum bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	1:47
2	Mass in B minor, BWV 232: Credo: XIV. Patrem omnipotentem bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	1:50
3	Mass in B minor, BWV 232: Credo: XV. Et in unum Dominum bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:38
4	Mass in B minor, BWV 232: Credo: XVI. Et incarnatus est bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:59
5	Mass in B minor, BWV 232: Credo: XVII. Crucifixus bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:52
6	Mass in B minor, BWV 232: Credo: XVIII. Et resurrexit bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:09
7	Mass in B minor, BWV 232: Credo: XIX. Et in Spiritum Sanctum bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:19
8	Mass in B minor, BWV 232: Credo: XX. Confiteor unum baptisma bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:36
9	Mass in B minor, BWV 232: Credo: XXI. Et expecto resurrectionem bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:55
10	Mass in B minor, BWV 232: Sanctus: XXII. Sanctus bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:45
11	Mass in B minor, BWV 232: Sanctus: XXIII. Osanna in excelsis bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:45
12	Mass in B minor, BWV 232: Sanctus: XXIV. Benedictus bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:06
13	Mass in B minor, BWV 232: Sanctus: XXV. Osanna in excelsis bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:45
14	Mass in B minor, BWV 232: Agnus Dei: XXVI. Agnus Dei bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:09
15	Mass in B minor, BWV 232: Agnus Dei: XXVII. Dona nobis pacem bass-baritone vocals: Anton Scharinger choir vocals: Rundfunkchor Leipzig mezzo-soprano vocals: Marjana Lipovšek and Ann Murray soprano vocals: Arleen Augér orchestra: Staatskapelle Dresden conductor: Peter Schreier recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1991-01) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Dona nobis pacem part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:53

Credits

Release

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