Il barbiere di Siviglia

~ Release by Rossini; Maria Callas, Luigi Alva, Tito Gobbi, Philharmonia Orchestra and Chorus, Alceo Galliera (see all versions of this release, 7 available)

Tracklist

1▶CD
2▼CD
#TitleArtistLength
1Il barbiere di Siviglia: Atto I. “Finora in questa camera”
producer:
Walter Legge
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:30
2Il barbiere di Siviglia: Atto I. “Ehi, di casa, buona gente“
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:32
3Il barbiere di Siviglia: Atto I. “Che cosa accade, signori miei?“
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:40
4Il barbiere di Siviglia: Atto I. “Fredda ed immobile“
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9d. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:03
5Il barbiere di Siviglia: Atto I. “Ma signor... ma un dottor”
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:40
6Il barbiere di Siviglia: Atto II. “Ma vedi il mio destino!“
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:46
7Il barbiere di Siviglia: Atto II. “Pace e gioia sia con voi“
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:28
8Il barbiere di Siviglia: Atto II. “Insomma, mio signore, chi e lei?“
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:20
9Il barbiere di Siviglia: Atto II. “Venita, signorina“
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. “Venite, signorina” (Bartolo, Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:43
10Il barbiere di Siviglia: Atto II. “Contro un cor che accende amore“
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:54
11Il barbiere di Siviglia: Atto II. “Bella voce! Bravissima!“
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:35
12Il barbiere di Siviglia: Atto II. “Quando mi sei vicina”
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:57
13Il barbiere di Siviglia: Atto II. “Bravo, signor barbiere, ma bravo!”
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:43
14Il barbiere di Siviglia: Atto II. “Don Basilio!...Cosa veggo!“
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini9:19
15Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!“
producer:
Walter Legge
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!” (Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:28
16Il barbiere di Siviglia: Atto II. “Il vecchiotto cerca moglie”
producer:
Walter Legge
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:21
17Il barbiere di Siviglia: Atto II. Temporale
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:50
18Il barbiere di Siviglia: Atto II. “Alfine eccoci qua”
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:02
19Il barbiere di Siviglia: Atto II. “Ah, qual colpo inaspettato!“
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:47
20Il barbiere di Siviglia: Atto II. “Ah, disgraziati noi!“
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:30
21Il barbiere di Siviglia: Atto II. “Insomma io ho tutti i torti”
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma io ho tutti i torti!” (Bartolo, Figaro, Basilio, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:45
22Il barbiere di Siviglia: Atto II. “Di si felice innesto”
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:04