Baroque & Early Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	'Child Grove' engineer: Brad Michel (from 1992-11-03 until 1992-11-05) producer: Robina G. Young (from 1992-11-03 until 1992-11-05) orchestra and performer: The King’s Noyse (from 1992-11-03 until 1992-11-05) recorded at: Campion Center in Weston, Massachusetts, United States (from 1992-11-03 until 1992-11-05) recording of: Child Grove (English folk dance) (from 1992-11-03 until 1992-11-05) publisher: Henry Playford (in 1701) composer: [traditional] part of: The Dancing Master	[anonymous]	1:54
2	Offertory 'Felix namque' engineer: Peter McGrath producer: Steve Barnett editor: Paul F. Witt vocals: Anonymous 4 (from 1991-10-09 until 1991-10-11) recorded at: Skywalker Sound in Nicasio, California, United States (from 1991-10-09 until 1991-10-11) recording of: Offertory: Felix namque composer: [anonymous]	[anonymous]	1:47
3	Rondellus 'Flos regalia' engineer: Peter McGrath producer: Steve Barnett editor: Paul F. Witt vocals: Anonymous 4 (from 1991-10-09 until 1991-10-11) recorded at: Skywalker Sound in Nicasio, California, United States (from 1991-10-09 until 1991-10-11) recording of: Flos regalis virginalis composer: [anonymous]	[anonymous]	3:10
4	"Three Parts upon a Ground" harpsichord: John Toll theorbo: Nigel North viola da gamba: Mary Springfels violin: John Holloway, Andrew Manze and Stanley Ritchie recording of: Fantasia, 3 parts on a Ground for three recorders, Z. 731 (arranged for three violins) arrangement of: Fantasia, 3 parts on a Ground for three recorders, Z. 731	Henry Purcell	5:11
5	'Oh! that I on wings could rise' from 'Theodora' soprano vocals: Lorraine Hunt orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan recording of: Theodora, HWV 68: Act II, Scene 2, no. 39. Air “O, that I on wings could rise” (Theodora) composer: George Frideric Handel librettist: Thomas Morell part of: Theodora, HWV 68: Act II	Georg Friedrich Händel	4:09
6	Sonata in A major for Oboe, Cello, Organ & Guitar (From 'Il pastor fido'), RV. 59: III. Pastorale, ad libitum engineer: Tony Faulkner producer: Robina G. Young editor: Paul F. Witt cello: Susan Sheppard (in 1992-05) guitar: Nigel North (in 1992-05) oboe: Paul Goodwin (in 1992-05) organ: John Toll (in 1992-05) recorded at: Boxgrove Priory in Chichester, West Sussex, England, United Kingdom (in 1992-05) recording of: Sonata in A major, op. 13 no. 4: III. Pastorale ad libitum (in 1992-05) composer: Nicolas Chédeville previously attributed to: Antonio Vivaldi part of: Sonata in A major, op. 13 no. 4 (ex RV 59)	Antonio Vivaldi	3:06
7	Lift up your heads instruments: Romanesca choir vocals: Choir of Clare College, Cambridge countertenor vocals: Drew Minter tenor vocals: Rogers Covey‐Crump conductor: Nicholas McGegan recording of: Lift Up Your Heads (Humfey Opus D.9 - Text from Psalm 23) composer: Pelham Humfrey	Pelham Humfrey	6:56
8	'Réjouissance' from Suite (Ouverture) in A minor for Recorder and Strings recorder: Marion Verbruggen (from 1992-11-02 until 1992-11-04) viola da gamba: Sarah Cunningham (from 1992-11-02 until 1992-11-04) orchestra: Orchestra of the Age of Enlightenment (from 1992-11-02 until 1992-11-04) conductor: Monica Huggett (from 1992-11-02 until 1992-11-04) recorded at: Blackheath Halls in London, England, United Kingdom (from 1992-11-02 until 1992-11-04) recording of: Ouverture-Suite, TWV 55:a2: V. Réjouissance (for recorder or flute and strings) (from 1992-11-02 until 1992-11-04) composer: Georg Philipp Telemann part of: Ouverture-Suite, TWV 55:a2	Georg Philipp Telemann	3:07
9	'Qual nave smarrita' from 'Radamisto' countertenor vocals: Ralf Popken orchestra: Freiburger Barockorchester conductor: Nicholas McGegan recording of: Radamisto, HWV 12: Atto III. "Qual nave smarrita" (Radamisto) composer: George Frideric Handel part of: Radamisto, HWV 12: Atto III	Georg Friedrich Händel	5:36
10	Aria quinta sopra 'La bergamasca' recording of: Sonate, arie et correnti, op. 3: Aria quinta sopra La Bergamasca composer: Marco Uccellini (in 1642) part of: Sonate, arie et correnti, op. 3	Marco Uccellini	3:56
11	'Thy hand, Belinda... When I am laid in earth' from 'Dido and Aeneas' mezzo-soprano vocals: Lorraine Hunt orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan recording of: Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) composer: Henry Purcell librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III recording of: Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell	4:05
12	Pavan of the Composition of mee Herbert of Cherbury and Castle Island lute: Paul O’Dette recording of: Lord Herbert of Cherbury's Lute Book: Pavan of the composition of Mee Herbert of Cherbury and Castle Island composer: Edward Herbert	Edward Herbert	4:55
13	'Celia has a thousand Charmes' from 'The Rival Sisters, or The Violence of Love' archlute: Paul O’Dette (from 1990-09-20 until 1990-09-22) instruments: Mary Springfels viola da gamba [viol]: Mary Springfels (from 1990-09-20 until 1990-09-22) countertenor vocals: Drew Minter (from 1990-09-20 until 1990-09-22) recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1990-09-20 until 1990-09-22) recording of: The Rival Sisters: Celia Has a Thousand Charms (from 1990-09-20 until 1990-09-22) composer: Henry Purcell part of: The Rival Sisters, Z. 609	Henry Purcell	2:11
14	'Musquetir Mars' (Musketeer's March) & Allemande from Sonata Representativa performer: Romanesca recording of: Sonata Representativa: IX. Allemande composer: Heinrich Ignaz Franz von Biber part of: Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 recording of: Sonata Representativa: VIII. Musqetir Mars (Musketeer's March) composer: Heinrich Ignaz Franz von Biber part of: Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146	Heinrich Ignaz Franz von Biber	4:14
15	St Matthew Passion (opening) bass vocals: Paul Hillier choir vocals: Theatre of Voices tenor vocals: Paul Elliott chorus master: Paul Hillier recording of: St. Matthew Passion: Passio Domini composer: Orlande de Lassus part of: St. Matthew Passion	Orlande de Lassus	4:56
16	Canarie / Cinquième Entrée / Minuet / Marche pour la cérémonie des Turcs from 'Le bourgeois gentilhomme' recording of: Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs composer: Jean‐Baptiste Lully part of: Le Bourgeois gentilhomme, LWV 43 recording of: Le Bourgeois gentilhomme : Ouverture composer: Jean‐Baptiste Lully (in 1670) premiered at: Château de Chambord in Chambord, Loir-et-Cher, Centre-Val de Loire, France (on 1670-10-14) part of: Chronologisch-thematisches Verzeichnis sämtlicher Werke von Jean-Baptiste Lully (number: LWV 43/1) part of: Le Bourgeois gentilhomme, LWV 43 recording of: Le Bourgeois gentilhomme: Menuet 1 & 2 (Menuet pour les hautbois des Poitevins) composer: Jean‐Baptiste Lully (in 1670) part of: Chronologisch-thematisches Verzeichnis sämtlicher Werke von Jean-Baptiste Lully (number: LWV 43/9) part of: Le Bourgeois gentilhomme : Ballet des Nations : Cinquième Entrée	Jean‐Baptiste Lully	5:26

Credits

Release

copyrighted (©) by:	BBC (in 1995)
phonographic copyright (℗) by:	harmonia mundi (in 1995)

Discogs:	https://www.discogs.com/release/7509126 [info]
ASIN:	US: B000GFZMAM [info]