| # | Title | Artist | Length |
|---|
| 1 | Bitch- drum machine [drum/loop] programming:
- Geza X
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer:
- Jim Ebert and Geza X
- producer:
- Geza X
- mixer:
- Jim Ebert
- acoustic guitar, electric guitar and background vocals:
- Meredith Brooks
- bass and fretless bass:
- Paul Bushnell
- drums (drum set):
- Josh Freese
- keyboard [keyboards]:
- David Ricketts
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1997)
- recorded at:
- City Lab Sound Design in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- Bitch
- writer:
- Meredith Brooks and Shelly Peiken
- publisher:
- Bug Music, Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
| Meredith Brooks | 4:14 |
| 2 | No Rain | Blind Melon | 3:37 |
| 3 | Knock Me Down | Red Hot Chili Peppers | 3:44 |
| 4 | Sailing on the Seven Seas | Orchestral Manoeuvres in the Dark | 3:47 |
| 5 | Burning Down the House- assistant engineer:
- John Convertino, Franklin Gibson and Jay Mark
- engineer:
- Butch Jones and Alex Sadkin (task: final overdubs)
- producer:
- Talking Heads
- mixer:
- Alex Sadkin
- bass guitar, guitar, keyboard and percussion:
- David Byrne
- bass synthesizer:
- Tina Weymouth
- drums (drum set) and synthesizer:
- Chris Frantz
- guest percussion:
- Steve Scales
- guest synthesizer:
- Wally Badarou
- guitar and keyboard:
- Jerry Harrison
- background vocals:
- Chris Frantz, Jerry Harrison and Tina Weymouth
- vocals:
- David Byrne
- phonographic copyright (℗) by:
- Sire Records Company (in 1983)
- recorded at:
- Blank Tapes in New York, New York, United States, Compass Point Studios in Nassau, Bahamas and Sigma Sound in New York, New York, United States
- mixed at:
- Compass Point Studios in Nassau, Bahamas and Sigma Sound in New York, New York, United States
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 29) and VH1: 100 Greatest Songs of the 80’s (number: 29)
- recording of:
- Burning Down the House
- lyricist:
- David Byrne
- composer:
- David Byrne, Chris Frantz, Jerry Harrison and Tina Weymouth
- publisher:
- Bleu Disque Music Co., Inc., Index Music, Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Talking Heads | 4:03 |
| 6 | Cradle of Love- additional bass programming:
- Arthur Barrow
- assistant engineer:
- Bryant Arnett, Ian Minns and Craig Porteils
- engineer and mixer:
- Tommy Vicari
- producer:
- Keith Forsey
- assistant mixer:
- Craig Porteils
- bass:
- Vito
- drums (drum set):
- Keith Forsey
- guitar:
- Mark Younger-Smith
- keyboard:
- Arthur Barrow
- lead vocals:
- Billy Idol
- arranger:
- Keith Forsey and Billy Idol
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1990)
- recorded at:
- Conway Studios in Hollywood, Los Angeles, California, United States and Oasis Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Conway Studios in Hollywood, Los Angeles, California, United States
- music videos:
- Cradle of Love (full‐length version) by Billy Idol
- recording of:
- Cradle of Love
- writer:
- Billy Idol and David Werner
- publisher:
- Boneidol Music, Chrysalis Music, Chrysalis Music Publishing Ltd., David Werner Music, Inc., EMI April Music Inc., EMI Music Publishing Ltd., EMI Songs Ltd. and TCF Music Publishing, Inc.
| Billy Idol | 4:43 |
| 7 | (Between a) Rock and a Hard Place | Cutting Crew | 4:18 |
| 8 | This Planet's on Fire (Burn in Hell) | Sammy Hagar | 4:35 |
| 9 | Nuclear Attack (live) | Gary Moore | 6:00 |
| 10 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher, Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas, Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla, Bill Gibson, Chris Hayes, Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla, Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control, Huey Lewis Music, Hulex Music, Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2)
- part of:
- Back to the Future: the Musical
| Huey Lewis & the News | 3:56 |
| 11 | Cover My Eyes (Pain & Heaven)- audio engineer and mixer:
- Rob Eaton
- producer:
- Christopher Neil
- bass:
- Pete Trewavas (in 1991)
- drums (drum set):
- Ian Mosley (in 1991)
- guitar:
- Steve Rothery (in 1991)
- keyboard:
- Mark Kelly (in 1991)
- background vocals:
- Chris (in 1991), Pete (in 1991) and Steve (in 1991)
- lead vocals:
- Steve Hogarth (in 1991)
- arranger:
- Marillion
- recorded at:
- Hook End Studios in Checkendon, Oxfordshire, England, United Kingdom (in 1991) and Westside Studios in London, England, United Kingdom (in 1991)
- recording of:
- Cover My Eyes (Pain and Heaven) (in 1991)
- lyricist:
- Steve Hogarth
- composer:
- Steve Hogarth, Mark Kelly, Ian Mosley, Steve Rothery and Pete Trewavas
- publisher:
- EMI Music Publishing Germany GmbH, EMI Music Publishing Ltd., Hit & Run Music (Publishing) Ltd, Imagem Music GmbH, Imagem Songs Ltd., Rondor Music (London) Ltd., The Charisma Music Publishing Co Ltd and EMI Records Ltd. (in 1991)
- is based on:
- Simon’s Car
| Marillion | 3:55 |
| 12 | Every Rose Has Its Thorn | Poison | 3:55 |
| 13 | 7 O'Clock | The Quireboys | 3:38 |
| 14 | Here I Go Again- producer:
- Kevin Elson, Keith Olsen and Mike Stone
- mixer:
- Keith Olsen
- drums (drum set) and percussion:
- Aynsley Dunbar
- electric bass guitar:
- Neil Murray
- electric guitar and background vocals:
- John Sykes
- guest keyboard and keyboard:
- Don Airey and Bill Cuomo
- solo electric guitar:
- Adrian Vandenberg
- lead vocals:
- David Coverdale
- phonographic copyright (℗) by:
- Geffen Records (in 1987) and Whitesnake Productions (Overseas) Ltd. (in 1987)
- mixed at:
- Goodnight LA Studios in Van Nuys, California, United States
- music videos:
- Here I Go Again ’87 by Whitesnake
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 17)
- recording of:
- Here I Go Again
- writer:
- David Coverdale and Bernie Marsden
- publisher:
- Warner Chappell Music Ltd. (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- 渡辺音楽出版, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Whitesnake | 4:35 |
| 15 | Headless Cross | Black Sabbath | 6:31 |
