Mass in B minor (live for NHK television)

~ Release by Johann Sebastian Bach; Münchener Bach‐Orchester, Münchener Bach‐Chor, Karl Richter (see all versions of this release, 1 available)

Annotation

Rich Rosenwald said:

This is probably a reissue of a deleted disc. This is a live recording in 1969 for Japanese Television. Please note that this is NOT a reissue of Archiv 427 155. This is live and the soloists are different.

http://www.jsbach.org/massb.html

Tracklist

1▶CD

2▼CD
#	Title	Artist	Length
1	Hohe Messe in h-Moll, BWV 232: IIIa. Coro "Credo in unum Deum" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:15
2	Hohe Messe in h-Moll, BWV 232: IIIb. Coro "Patrem omnipotentem" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:08
3	Hohe Messe in h-Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) "Et in unum Dominum" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) alto vocals: Marga Höffgen (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) soprano vocals: Ursula Buckel (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:54
4	Hohe Messe in h-Moll, BWV 232: IIId. Coro "Et incarnatus est" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:37
5	Hohe Messe in h-Moll, BWV 232: IIIe. Coro "Crucifixus" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:26
6	Hohe Messe in h-Moll, BWV 232: IIIf. Coro "Et resurrexit" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:25
7	Hohe Messe in h-Moll, BWV 232: IIIg. Aria (Basso) "Et in Spiritum Sanctum" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) bass vocals: Ernst Gerold Schramm (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:51
8	Hohe Messe in h-Moll, BWV 232: IIIh. Coro "Confiteor unum baptisma" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:52
9	Hohe Messe in h-Moll, BWV 232: IIIi. Coro "Et expecto" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:21
10	Hohe Messe in h-Moll, BWV 232: IVa. Coro "Sanctus" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	6:15
11	Hohe Messe in h-Moll, BWV 232: IVb. Coro "Hosanna" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:21
12	Hohe Messe in h-Moll, BWV 232: IVc. Aria (Tenore) "Benedictus" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) tenor vocals: Ernst Haefliger (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	6:06
13	Hohe Messe in h-Moll, BWV 232: IVd. Coro "Hosanna" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:08
14	Hohe Messe in h-Moll, BWV 232: IVe. Aria (Alto) "Agnus Dei" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) alto vocals: Marga Höffgen (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	6:01
15	Hohe Messe in h-Moll, BWV 232: IVf. Coro "Dona nobis pacem" bassoon: Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05) cello: Fritz Kiskalt (in 1969-05) double bass: Herbert Duft (in 1969-05) flute: Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05) horn [corno da caccia]: Hermann Baumann (in 1969-05) oboe: Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05) oboe d'amore: Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05) organ: Hedwig Bilgram (in 1969-05) timpani: Mathias Holm (in 1969-05) trumpet: Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05) violin: Kurt Guntner (in 1969-05) choir vocals: Münchener Bach‐Chor (in 1969-05) orchestra: Münchener Bach‐Orchester (in 1969-05) conductor: Karl Richter (in 1969-05) recorded at: Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1969-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Dona nobis pacem part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:50

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Release

ASIN:	DE: B000001313 [info]
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