Meister Singer

~ Release by Reinhard J. Brembeck (see all versions of this release, 1 available)

Annotation

ISBN: 978-3-86615-741-5

Tracklist

1▶CD: Lebenswelten
2▶CD: Möglichkeiten
3▼CD: Frauenbilder
#TitleArtistLength
1Die Zauberflöte, Akt I: "Dies Bildnis ist bezaubernd schön"
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker
balance engineer:
Günter Hermanns
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:37
2Psyché
soprano vocals:
Victoria de los Ángeles (in 1993)
orchestra:
Orquestra de Cambra Teatre Lliure (in 1993)
conductor:
Josep Pons (in 1993)
recording of:
Psyché (in 1993)
lyricist:
Georges Jean-Aubry
composer:
Manuel de Falla (in 1924)
Manuel de Falla5:54
3An Silvia
piano:
George Reeves (on 1956-11-25)
soprano vocals:
Elisabeth Schwarzkopf (on 1956-11-25)
live recording of:
An Sylvia, D. 891 (for voice and piano) (in 1956)
lyricist:
William Shakespeare
composer:
Franz Schubert (in 1826)
translator:
Eduard von Bauernfeld
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Franz Schubert2:44
4Rigoletto, Akt III: "La donna è mobile"
sound engineer:
Stanley Goodall and Kenneth Wilkinson
producer:
David Harvey and Michael Woolcock
tenor vocals [Duca]:
Luciano Pavarotti (on 1971-06-28)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (on 1971-06-28)
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:19
5Manon, Akt I: "Je suis encore tout étourdie"
soprano vocals:
Germaine Féraldy (from 1928-12 until 1929-03)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (from 1928-12 until 1929-03)
conductor:
Élie Cohen (from 1928-12 until 1929-03)
recording of:
Manon : Acte I. « Je suis encore tout étourdie » (Manon) (Air d'entrée de Manon) (from 1928-12 until 1929-03)
composer:
Jules Massenet
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
Jules Massenet3:21
6Lulu, Akt II: "Lied der Lulu"
soprano vocals:
Ilona Steingruber (in 1959)
orchestra:
Orchestra Sinfonica Nazionale della RAI (in 1959)
conductor:
Bruno Maderna (in 1959)
live recording of:
Lulu, Act II, Scene 1. "Lied der Lulu" (in 1959)
composer:
Alban Berg
part of:
Lulu: Akt II
Alban Berg2:17
7Médée, Akt III: "Quel prix de mon amour"
soprano vocals:
Lorraine Hunt (in 1994)
orchestra:
Les Arts Florissants (in 1994)
conductor:
William Christie (in 1994)
recording of:
Médée: Acte III, Scène III. "Quel prix de mon amour" (in 1994)
composer:
Marc‐Antoine Charpentier (in 1693)
part of:
Médée, H. 491
Marc‐Antoine Charpentier4:56
8Die 7 Todsünden, Prolog: "Meine Schwester und ich"
other vocals:
Lotte Lenya (in 1956)
conductor:
Wilhelm Brückner-Rüggeberg (in 1956)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 1. Prolog. Andante sostenuto (Anna) (in 1956)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (in 1933)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:46
9Griselda, Akt II: "Mi rivedi, o selva ombrosa"
soprano vocals:
Dorothea Röschmann (in 2003)
orchestra:
Akademie für Alte Musik Berlin (in 2003)
conductor:
René Jacobs (in 2003)
recording of:
Griselda, Act II, Scene 1. Aria "Mi rivedi, o selva ombrosa" (Griselda) (in 2003)
composer:
Alessandro Scarlatti (in 1721)
part of:
Griselda: Act II
Alessandro Scarlatti4:48
10Las mujeres y cuerdas
guitar:
José Miguel Moreno (from 1994 until 1995)
soprano vocals:
Marta Almajano (from 1994 until 1995)
recording of:
12 Seguidillas: No. 11. Las mujeres y cuerdas
composer:
Fernando Sor
part of:
12 Seguidillas (for voice and guitar/piano)
Fernando Sor1:00
11Eugen Onegin, Akt I: "Briefszene der Tatjana"
soprano vocals and soprano vocals [Tatiana]:
Галина Вишневская (in 1955)
orchestra:
Симфонический оркестр Большого театра (in 1955)
conductor:
Борис Хайкин (in 1955)
recording of:
Евгений Онегин, op. 24: Действие I, картина 2, no. 9. Сцена письма “Пускай погибну я, но прежде” (Eugene Onegin: Act I, Scene 2, no. 9. Letter scene "Let me die, but first...", Letter Scene “Puskay pogibnu ya, no prezhde”) (in 1955)
composer:
Пётр Ильич Чайковский
librettist:
Константин Шиловский and Пётр Ильич Чайковский
part of:
Евгений Онегин, op. 24: Действие первое (Eugene Onegin, op. 24: Act I)
Пётр Ильич Чайковский12:51
12Armide, Akt II: "Enfin il est en ma puissance"
soprano vocals:
Véronique Gens (in 2005)
orchestra:
Les Talens Lyriques (in 2005)
conductor:
Christophe Rousset (in 2005)
recording of:
Armide, Act II Scene 5. Monologue "Enfin il est en ma puissance" (Armide) (in 2005)
composer:
Jean‐Baptiste Lully
librettist:
Philippe Quinault
Jean‐Baptiste Lully4:17
13Carmina burana: "Stetit puella"
producer:
Peter Andry
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:01
14Stabat mater, 1. Satz: "Largo"
engineer:
Emmanuelle Bailliet
producer:
Julien Azaïs
countertenor vocals:
Andreas Scholl (in 1995-06)
orchestra:
Ensemble 415 (in 1995-06)
conductor:
Chiara Banchini (in 1995-06)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (in 1995-06)
composer:
Antonio Vivaldi
part of:
Stabat Mater, RV 621
Antonio Vivaldi2:53
15Trois chansons de Bilitis: "La flûte de Pan"
piano:
Guido Agosti (in 1950)
soprano vocals:
Suzanne Danco (in 1950)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 1. La Flûte de Pan «Pour le jour des Hyacinthies» (in 1950)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy2:22
16Trois chansons de Bilitis: "La chevelure"
piano:
Guido Agosti (in 1950)
soprano vocals:
Suzanne Danco (in 1950)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 2. La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» (in 1950)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy3:07
17Trois chansons de Bilitis: "Le tombeau des naïades"
piano:
Guido Agosti (in 1950)
soprano vocals:
Suzanne Danco (in 1950)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 3. Le Tombeau des naïades: «Le long du bois couvert de givre» (in 1950)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
Claude Debussy2:32
18Medea, Akt III: "E che? Io son Medea"
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III: Finale “E che? Io son Medea!” (Neris, Medea, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini11:09
4▶CD: Leidenschaft
5▶CD: Schurken
6▶CD: Außenseiter
7▶CD: Landschaften
8▶CD: Liebesnächte
9▶CD: Bekenntnisse
10▶CD: Visionen
11▶CD: Todesahnung
12▶CD: Grenzerfahrung
13▶CD: Gegenspieler
14▶CD: Paare
15▶CD: Reisen
16▶CD: Gewässer
17▶CD: Verwirrung
18▶CD: Abschied