80s Pop Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Countries excluded (iTunes + Deezer + Spotify)

(As of 2020-08-08).

  • Northern America: 🇧🇲 Bermuda (bm)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai)
  • Eastern Africa: 🇲🇬 Madagascar (mg)
  • Middle Africa: 🇨🇬 Congo (cg)
  • Western Asia: 🇧🇭 Bahrain (bh)
  • South-Eastern Asia: 🇲🇲 Myanmar (mm)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz) 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
  • Micronesia: 🇰🇮 Kiribati (ki)

Countries where available (iTunes + Deezer + Spotify)

(As of 2020-08-08).

  • Northern America: 🇺🇸 United States (us) 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx)
  • Central America: 🇧🇿 Belize (bz) 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇧🇧 Barbados (bb) 🇧🇸 Bahamas (bs) 🇩🇲 Dominica (dm) 🇩🇴 Dominican Republic (do) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇹🇹 Trinidad and Tobago (tt) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve) 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr) 🇫🇰 Falkland Islands (Malvinas) (fk) 🇬🇸 South Georgia and Sandwich Isl. (gs)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl) 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se) 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇰 Macedonia (mk) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇸🇮 Slovenia (si) 🇧🇦 Bosnia and Herzegovina (ba) 🇲🇪 Montenegro (me) 🇦🇱 Albania (al) 🇷🇸 Serbia (rs) 🇦🇩 Andorra (ad)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇲🇩 Moldova (md) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇹🇳 Tunisia (tn) 🇱🇾 Libyan Arab Jamahiriya (ly) 🇲🇦 Morocco (ma) 🇪🇭 Western Sahara (eh) 🇸🇩 Sudan (sd)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇧🇯 Benin (bj) 🇨🇻 Cape Verde (cv) 🇬🇭 Ghana (gh) 🇬🇲 Gambia (gm) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇳🇬 Nigeria (ng) 🇸🇱 Sierra Leone (sl) 🇸🇳 Senegal (sn) 🇨🇮 Cote D’Ivoire (ci) 🇬🇳 Guinea (gn) 🇹🇬 Togo (tg)
  • Eastern Africa: 🇰🇪 Kenya (ke) 🇲🇺 Mauritius (mu) 🇲🇼 Malawi (mw) 🇲🇿 Mozambique (mz) 🇸🇨 Seychelles (sc) 🇹🇿 Tanzania (tz) 🇺🇬 Uganda (ug) 🇿🇼 Zimbabwe (zw) 🇷🇼 Rwanda (rw) 🇿🇲 Zambia (zm) 🇧🇮 Burundi (bi) 🇩🇯 Djibouti (dj) 🇪🇷 Eritrea (er) 🇪🇹 Ethiopia (et) 🇮🇴 British Indian Ocean Territory (io) 🇰🇲 Comoros (km) 🇸🇴 Somalia (so)
  • Middle Africa: 🇦🇴 Angola (ao) 🇹🇩 Chad (td) 🇨🇩 Congo, Democratic Republic (cd) 🇨🇲 Cameroon (cm) 🇬🇦 Gabon (ga) 🇨🇫 Central African Republic (cf) 🇬🇶 Equatorial Guinea (gq) 🇸🇹 Sao Tome and Principe (st)
  • Southern Africa: 🇧🇼 Botswana (bw) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz) 🇿🇦 South Africa (za) 🇱🇸 Lesotho (ls)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇮🇱 Israel (il) 🇯🇴 Jordan (jo) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr) 🇾🇪 Yemen (ye) 🇬🇪 Georgia (ge) 🇮🇶 Iraq (iq) 🇵🇸 Palestinian Territory, Occupied (ps) 🇸🇾 Syrian Arab Republic (sy)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇧🇹 Bhutan (bt) 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk) 🇳🇵 Nepal (np) 🇲🇻 Maldives (mv) 🇦🇫 Afghanistan (af) 🇧🇩 Bangladesh (bd) 🇵🇰 Pakistan (pk)
  • Eastern Asia: 🇨🇳 China (cn) 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇰🇷 Korea (kr) 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇧🇳 Brunei Darussalam (bn) 🇮🇩 Indonesia (id) 🇰🇭 Cambodia (kh) 🇱🇦 Lao People’s Democratic Republic (la) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇹🇱 Timor-Leste (tl)
  • Polynesia: 🇹🇴 Tonga (to) 🇵🇳 Pitcairn (pn) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Micronesia, Federated States of (fm) 🇲🇭 Marshall Islands (mh) 🇲🇵 Northern Mariana Islands (mp) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
  • Antarctica: 🇧🇻 Bouvet Island (bv)

Tracklist

1▼Digital Media
#TitleArtistLength
1Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a-ha and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (in 1985), Warner Bros. Records Inc. (in 1985) and WEA International Inc. (in 1985, in 2004)
music videos:
Take On Me by a‐ha and Take On Me by a‐ha
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (number: 24), Billboard: The 500 Best Pop Songs (number: 26), BILLIONS CLUB and The Downloader’s Music Source Book (number: 284)
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy
publisher:
ATV Music Ltd. and EMI Music Publishing
version of:
Miss Eerie
a‐ha3:45
2Rio
engineer and producer:
Colin Thurston
saxophone:
Andrew Kevin Hamilton
phonographic copyright (℗) by:
Tritec Music Ltd. (from 1982 to present)
recording of:
Rio
writer:
Simon Le Bon, Nick Rhodes, Andy Taylor, John Taylor and Roger Taylor
Duran Duran5:37
3Drive
recording engineer:
Nigel Green
producer:
The Cars and Robert John “Mutt” Lange
mixer:
Mike Shipley
bass:
Benjamin Orr
drums (drum set):
David Robinson
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
phonographic copyright (℗) by:
Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
recorded at:
Battery Studios in London, England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
The Cars3:55
4Ain’t Nobody
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Chaka Khan4:05
5I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander, Jason Corsaro, Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen, Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones and Alex Sadkin
additional keyboard:
Tom Bailey
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984, in 2018) and Rhino Entertainment Company (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones
publisher:
Evansongs Ltd., Somerset Songs Publishing Inc., Warner Brothers Music Ltd., Warner Chappell Music, Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner5:05
6Frankie
producer:
Nile Rodgers
recording of:
Frankie
lyricist and composer:
Denise Rich
publisher:
Copyright Control
Sister Sledge4:17
7Casanova
recording of:
Casanova
lyricist and composer:
Reggie Calloway
publisher:
Calloco Music and Hip Trip Music
Levert4:22
8Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (in 1983)
drums (drum set):
Alan White (in 1983)
guitar:
Trevor Rabin (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
recorded at:
Sarm Studios in Aldgate, Tower Hamlets, London, England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson, Trevor Horn, Trevor Rabin and Chris Squire
publisher:
Affirmative Music, BMG Chrysalis Scandinavia AB, BMG Rights Management (UK) Ltd., Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC, Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc., Tremander Songs, Unforgettable Songs, Unforgettable Songs Ltd., Warner Bros. Music, Warner Bros. Music Ltd., Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp., Warner/Chappell and Warner/Chappell North America Limited
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
Yes4:27
9I Want Her
recording of:
I Want Her
writer:
Teddy Riley and Keith Sweat
Keith Sweat6:00
10Love Shack
assistant engineer:
Martin Kunitz
engineer:
Dave Cook
producer:
Don Was
mixer:
Tom Durack
guest bass guitar:
Sara Lee
guest drums (drum set):
Charley Drayton
guest horn:
Uptown Horns
guitar:
Keith Strickland
keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider and Cindy Wilson
phonographic copyright (℗) by:
Reprise Records (in 1989)
recorded at:
Dreamland Studios in Hurley, New York, United States
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
additionally produced at:
Bearsville Studios in Bearsville, New York, United States
music videos:
Love Shack by The B‐52’s
part of:
VH1: 100 Greatest Songs of the 80’s (number: 40), Billboard: The 500 Best Pop Songs (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 243)
recording of:
Love Shack
writer:
Kate Pierson, Fred Schneider, Keith Strickland and Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52’s5:21
11Always
engineer:
Rory Young
producer:
David Lewis and Wayne Lewis
conductor:
Gene Page
arranger:
Gene Page
recording of:
Always
writer:
David Lewis, Jonathan Lewis and Wayne Lewis
Atlantic Starr4:48
12Imagination
recording of:
Imagination
lyricist and composer:
Neville Keighley
Belouis Some3:35
13Just the Two of Us
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
synthesizer:
William Eaton (from 1980-06 until 1980-07)
vocals and performer:
Bill Withers (from 1980-06 until 1980-07)
conductor:
William Eaton (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton
phonographic copyright (℗) by:
Elektra Entertainment Company (in 1980) and Elektra/Asylum Records (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter and Bill Withers
publisher:
Antisia Music Inc. and Bleunig Music
Grover Washington, Jr.7:24
14Sweet Love
engineer:
Barney Perkins
producer:
Michael J. Powell
bass guitar:
Freddie Washington
guitar:
Greg Moore
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias and Louis A. Johnson
publisher:
EMI Music and Jobete Music
Anita Baker4:26
15When the Night Comes
recording of:
When the Night Comes
written in:
Los Angeles, California, United States (in 1987-04) and Vancouver, British Columbia, Canada (in 1987-04)
writer:
Diane Warren, Bryan Adams (in 1987-04) and Jim Vallance (in 1987-04)
Joe Cocker4:49
16In Private
producer:
Julian Mendelsohn and Pet Shop Boys
recording of:
In Private
writer:
Chris Lowe and Neil Tennant
Dusty Springfield4:22
17Mirror Mirror
recording of:
Mirror Mirror (Mon amour)
writer:
Trevor Horn and Bruce Woolley
Dollar3:31
18Don’t You Want My Love
Jomanda4:03
19In Your Eyes
George Benson3:21
20Useless (I Don’t Need You Now)
recording of:
Useless (I Don't Need You Now)
lyricist and composer:
Marshall Jefferson
Kym Mazelle5:32
21Still in Love
Troop5:01
22Really Want to Know You
Gary Wright4:20
23St. Elmo’s Fire (Man in Motion)
producer:
David Foster
brass [horns] arranger:
David Foster and Jerry Hey
phonographic copyright (℗) by:
Columbia Pictures Industries, Inc. (in 1985) and John Parr Music Ltd. (in 2016)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 28) and TV Cream: Real 100 Best Singles Ever (number: 85)
recording of:
St. Elmo’s Fire
writer:
David Foster and John Parr
publisher:
Copyright Control, Foster Frees Music, Gold Horizon Music Corp., SBK Songs and Warner Bros. Music
John Parr4:12
24Secret Rendezvous
recording engineer and mixer:
Jon Gass
additional engineer:
Bob Brown
assistant engineer:
Toni Greene, John Guggenheim and Fred Howard
executive producer:
Benny Medina and Leonard Richardson
producer:
L.A. & Babyface
bass synthesizer [bass synth]:
Kayo
drums (drum set) [drums] and percussion:
L.A.
keyboard [keyboards] and solo guitar:
Babyface
background vocals:
Babyface, Carmen Carter, O'Bryan Burnett II, Daryl Simmons and Karyn White
mixed for:
Ratstyle Productions
produced for:
La'Face, Inc.
recorded at:
Silverlake Sound in Hollywood, Los Angeles, California, United States and Studio Masters in Los Angeles, California, United States
mixed at:
Elumba Recording Studio in Hollywood, Los Angeles, California, United States
recording of:
Secret Rendezvous
writer:
Babyface, D. Simmons and L.A. Reid
publisher:
Chappell Music Ltd., Green Skirt Music, Hip Trip and Kear Music
Karyn White5:37
25Don’t Blame It on That Girl
recording of:
Don't Blame It on That Girl
writer:
Mark Fisher and Mark Reilly
Matt Bianco3:49
26Nite and Day
phonographic copyright (℗) by:
Warner Bros. Records Inc. (in 1988) and WEA International Inc. (in 1988)
recording of:
Nite and Day
writer:
Al B. Sure! and Kyle West
Al B. Sure!3:58
27I Shoulda Loved Ya
Narada Michael Walden6:37
28Headed for a Heartbreak
assistant engineer:
Noah Baron and Jimmy Hoyson
engineer and producer:
Beau Hill
audio engineer:
Bob Caputo and Bob Schwall
editor:
Stephen Benben
bass guitar and lead vocals:
Kip Winger
cello:
Maria Kitsopoulos
drums (drum set) and percussion:
Rod Morgenstein
guitar:
Reb Beach and Paul Taylor
keyboard:
Paul Taylor and Kip Winger
viola:
Rebecca Young
violin:
Hae-Young Ham and Sandra Park
additional vocals:
Beau Hill and Ira McLaughlin
background vocals:
Reb Beach, Rod Morgenstein and Paul Taylor
strings arranger:
Kip Winger
arranger:
Beau Hill and Winger
recorded at and mixed at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States
recording of:
Headed for a Heartbreak
lyricist and composer:
Kip Winger
publisher:
EMI-Virgin Songs, Small Hope Music and Varseau Music
Winger5:13
29Foolish Beat
recording engineer:
Bernard Bullock, Phil Castellano and Don Feinberg
programming:
Fred Zarr
assistant engineer:
Bill Esses
producer:
Debbie Gibson
assistant mixer:
Jim Goatley
mixer:
Phil Castellano and Debbie Gibson
acoustic guitar and electric guitar:
Ira Siegel
keyboard and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
saxophone:
Jeff Smith
background vocals:
Carrie Johnson and Tim Lawless
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Sorceror Studios in New York, New York, United States
recording of:
Foolish Beat
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation, Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
Debbie Gibson4:23
30We’re Not Gonna Take It (single version)
recording of:
We’re Not Gonna Take It
lyricist and composer:
Dee Snider
publisher:
Copyright Control and Universal Tunes
part of:
“The Filthy Fifteen” (number: 7)
Twisted Sister3:37
31Give Me Back My Heart
engineer:
Gary Langan
producer:
Trevor Horn
recording of:
Give Me Back My Heart
lyricist and composer:
Simon Darlow and Trevor Horn
publisher:
Island Music Ltd. (in 1982) and Perfect Songs (in 1982)
Dollar5:01
32The Rose
additional producer:
Bill Gazecki
producer:
Paul A. Rothchild
lead vocals:
Bette Midler (in 1979)
vocals:
Bette Midler (in 1979)
strings arranger:
David Campbell
arranger:
Paul A. Rothchild
phonographic copyright (℗) by:
WEA International Inc.
recording of:
The Rose (in 1979)
lyricist and composer:
Amanda McBroom
publisher:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music, Warner Chappell North America, Warner–Tamerlane Publishing Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Bette Midler3:35
33Loosey’s Rap
performer:
Roxanne Shanté
recording of:
Loosey’s Rap
writer:
Rick James
Rick James3:53
34Almaz
recording of:
Almaz
orchestrator:
Wil Malone
writer:
Randy Crawford
Randy Crawford4:31
35Black Velvet
producer:
David Tyson
mixer:
Kevin Doyle
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (in 1989) and WEA International Inc. (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (number: 6)
recording of:
Black Velvet
writer:
David Tyson and Christopher Ward
publisher:
BMG Rights Management, BMG Rights Management GmbH, David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd., Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4:47
36The Sun Always Shines on T.V.
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a-ha and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (in 1985)
part of:
TV Cream: Real 100 Best Singles Ever (number: 11) and The Downloader’s Music Source Book (number: 283)
recording of:
The Sun Always Shines on T.V.
lyricist and composer:
Paul Waaktaar-Savoy
publisher:
ATV Music Ltd. and Sony ATV Publishing
a‐ha5:02
37Rebels Are We (single version)
recording of:
Rebels Are We
composer:
Bernard Edwards and Nile Rodgers
Chic4:55
38Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon, Nick Rhodes, Andy Taylor, John Taylor and Roger Taylor
publisher:
EMI Music Publishing Ltd., EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3:33
39C30 C60 C90 Go
assistant producer:
Martin Levan
producer:
Malcolm McLaren
recording of:
C·30 C·60 C·90 Go
writer:
Matthew Ashman, Dave Barbarossa, Leigh Gorman and Malcolm McLaren
Bow Wow Wow3:03
40This Is My Night
recording of:
This Is My Night
writer:
David Frank and Mic Murphy
Chaka Khan4:41
41How Many Lovers
Anthony & the Camp4:02
42High Rollers
programming:
Afrika Islam (in 1988)
producer:
Afrika Islam (in 1988) and Ice‐T (in 1988)
mixer:
Mark Wolfson (in 1988)
lead vocals:
Ice‐T (in 1988)
recording of:
High Rollers (in 1988)
lyricist:
Ice‐T
composer:
Charles Andre Glenn and Ice‐T
Ice‐T4:37
43Turn Your Love Around
producer:
Jay Graydon
bass synthesizer:
David Paich
cymbal [Cymbals (payette)]:
Mike Baird
drums (drum set):
Jeff Porcaro
flute and saxophone:
Gary Herbig
guitar:
Jay Graydon
piano and Rhodes piano [Fender Rhodes]:
Jai Winding
synthesizer:
David Foster and Jay Graydon
trombone:
Bill Reichenbach, Jr.
trumpet:
Chuck Findley and Jerry Hey
background vocals:
Bill Champlin, Vennette Gloud and Carmen Twillie
vocals:
George Benson
horn arranger:
Jerry Hey
arranger:
Jay Graydon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (in 1981)
recording of:
Turn Your Love Around
writer:
Bill Champlin, Jay Graydon and Steve Lukather
publisher:
Garden Rake Music, Inc., Music Sales Corporation, Rehtakul Veets Music, Universal Music–MGB Songs, ミュージック・セールス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and 大洋音楽
George Benson3:50
44Somebody
recording of:
Somebody
writer:
Jimmy Cauty, John Chester, Martin Glover and June Montana
Brilliant4:13
45R.R. Express
recording of:
R.R. Express
lyricist and composer:
Norman Whitfield
Rose Royce12:01
46Giving You the Best That I Got
additional engineer:
Milton Chan
assistant engineer:
Les Cooper, Fred Law, Bruce Nazarian and Tim Purvis
engineer:
Barney Perkins
executive producer:
Anita Baker
producer:
Michael J. Powell
bass:
Nathan East (in 1988)
drums (drum set):
Omar Hakim (in 1988)
keyboard:
Vernon Fails (in 1988)
percussion:
Paulinho da Costa (in 1988)
piano:
Dean Gant (in 1988)
background vocals:
Alex Brown (in 1988), Carl Carwell (in 1988), Angel Edwards (in 1988) and Valerie Pinkston (in 1988)
lead vocals:
Anita Baker (in 1988)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1988), Elektra/Asylum Records (in 1988) and WEA International Inc. (in 1988)
recording of:
Giving You the Best That I Got (in 1988)
lyricist and composer:
Anita Baker, Randy Holland and Skip Scarborough
publisher:
Alexscar Music, All Baker's Music, BMG Music Publishing Ltd., Eyedot Music and Fresh Air Music Ltd.
Anita Baker4:21
4718 and Life
recording engineer, producer and mixer:
Michael Wagener
additional engineer:
Dave Kent
bass guitar:
Rachel Bolan
drums (drum set):
Rob Affuso
guitar:
Scotti Hill and Dave “The Snake” Sabo
background vocals:
Rachel Bolan, Scotti Hill and Dave “The Snake” Sabo
lead vocals:
Sebastian Bach
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1989)
recorded at:
Royal Recorders in Lake Geneva, Wisconsin, United States (in 1988)
part of:
VH1: 100 Greatest Hard Rock Songs (number: 60)
recording of:
18 and Life
writer:
Rachel Bolan and Dave “The Snake” Sabo
Skid Row3:50
48Shake Your Love
Debbie Gibson3:43