Tracklist

1CD: Boston Pops Highlights I
2CD: Boston Pops Highlights II
3CD: Early Scores
4CD: Mark Rydell
5CD: The Disaster Movie Trilogy
6CD: Clint Eastwood + Robert Altman
7CD: Western
8CD: Jaws / Jaws II
9CD: Steven Spielberg: E.T. The Extra-Terrestrial, Always
10CD: Steven Spielberg: Jurassic Park
11CD: Steven Spielberg: Schindler's List
12CD: Steven Spielberg: The Indiana Jones Series
13CD: The Oliver Stone American Triptych
14CD: Ron Howard
15CD: Sydney Pollack + Martin Ritt
16CD: John Badham + Brian De Palma
17CD: Single Film Collaborations
#TitleLength
1Family Plot: End Cast
producer:
Mike Matessino and Robert Townson
mixer:
Michael Matessino
editor:
Mike Matessino
orchestra:
Hollywood Studio Symphony (from 1976-01-12 until 1976-01-14)
conductor:
John Williams (from 1976-01-12 until 1976-01-14)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
recorded at:
Universal City Studios (from 1976-01-12 until 1976-01-14) and Universal Studios Scoring Stage in Los Angeles, California, United States (from 1976-01-12 until 1976-01-14)
recording of:
End Cast (Family Plot) (from 1976-01-12 until 1976-01-14)
orchestrator:
Herbert W. Spencer and Albert Woodbury
composer:
John Williams
part of:
Family Plot
4:15
2Family Plot: The Mystery Woman
producer:
Mike Matessino and Robert Townson
mixer:
Michael Matessino
editor:
Mike Matessino
orchestra:
Hollywood Studio Symphony (from 1976-01-12 until 1976-01-14)
conductor:
John Williams (from 1976-01-12 until 1976-01-14)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
recorded at:
Universal City Studios (from 1976-01-12 until 1976-01-14) and Universal Studios Scoring Stage in Los Angeles, California, United States (from 1976-01-12 until 1976-01-14)
recording of:
The Mystery Woman (Family Plot) (from 1976-01-12 until 1976-01-14)
orchestrator:
Herbert W. Spencer and Albert Woodbury
composer:
John Williams
part of:
Family Plot
3:29
3Family Plot: The White Mustang
producer:
Mike Matessino and Robert Townson
mixer:
Michael Matessino
editor:
Mike Matessino
orchestra:
Hollywood Studio Symphony (from 1976-01-12 until 1976-01-14)
conductor:
John Williams (from 1976-01-12 until 1976-01-14)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
recorded at:
Universal City Studios (from 1976-01-12 until 1976-01-14) and Universal Studios Scoring Stage in Los Angeles, California, United States (from 1976-01-12 until 1976-01-14)
recording of:
The White Mustang (Family Plot) (from 1976-01-12 until 1976-01-14)
orchestrator:
Herbert W. Spencer and Albert Woodbury
composer:
John Williams
part of:
Family Plot
1:21
4Family Plot: Maloney's Exit
producer:
Mike Matessino and Robert Townson
mixer:
Michael Matessino
editor:
Mike Matessino
orchestra:
Hollywood Studio Symphony (from 1976-01-12 until 1976-01-14)
conductor:
John Williams (from 1976-01-12 until 1976-01-14)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
recorded at:
Universal City Studios (from 1976-01-12 until 1976-01-14) and Universal Studios Scoring Stage in Los Angeles, California, United States (from 1976-01-12 until 1976-01-14)
recording of:
Maloney's Exit (Family Plot) (from 1976-01-12 until 1976-01-14)
orchestrator:
Herbert W. Spencer and Albert Woodbury
composer:
John Williams
part of:
Family Plot
2:05
5Family Plot: The Search Montage
producer:
Mike Matessino and Robert Townson
mixer:
Michael Matessino
editor:
Mike Matessino
orchestra:
Hollywood Studio Symphony (from 1976-01-12 until 1976-01-14)
conductor:
John Williams (from 1976-01-12 until 1976-01-14)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
recorded at:
Universal City Studios (from 1976-01-12 until 1976-01-14) and Universal Studios Scoring Stage in Los Angeles, California, United States (from 1976-01-12 until 1976-01-14)
recording of:
The Search Montage (Family Plot) (from 1976-01-12 until 1976-01-14)
orchestrator:
Herbert W. Spencer and Albert Woodbury
composer:
John Williams
part of:
Family Plot
3:43
6Black Sunday: Preparations
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
Preparations (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:44
7Black Sunday: The Explosion
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
The Explosion (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:37
8Black Sunday: The End
recording engineer:
John Norman
producer:
Lukas Kendall and Mike Matessino
mixer:
Mike Matessino
assistant editor:
Neil S. Bulk
conductor:
John Williams (from 1976-08-17 until 1976-09-01)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1976-08-17 until 1976-09-01)
engineered at:
Precision Audiosonics in Hollywood, Los Angeles, California, United States
recording of:
End Title (from 1976-08-17 until 1976-09-01)
orchestrator:
Herbert Spencer
composer:
John Williams
2:17
9Monsignor: Reunion in Italy
recording engineer:
Eric A. Tomlinson (from 1982-08-02 until 1982-10-01)
orchestra:
London Symphony Orchestra (from 1982-08-02 until 1982-10-01)
conductor:
John Williams (from 1982-08-02 until 1982-10-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1982-08-02 until 1982-10-01)
recording of:
Reunion in Italy (Monsignor) (from 1982-08-02 until 1982-10-01)
composer:
John Williams
part of:
Monsignor (film score)
1:35
10Monsignor: Forgotten Vows
recording engineer:
Eric A. Tomlinson (from 1982-08-02 until 1982-10-01)
orchestra:
London Symphony Orchestra (from 1982-08-02 until 1982-10-01)
conductor:
John Williams (from 1982-08-02 until 1982-10-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1982-08-02 until 1982-10-01)
recording of:
Forgotten Vows (Monsignor) (from 1982-08-02 until 1982-10-01)
composer:
John Williams
part of:
Monsignor (film score)
4:13
11Monsignor: The Meeting in Sicily
recording engineer:
Eric A. Tomlinson (from 1982-08-02 until 1982-10-01)
orchestra:
London Symphony Orchestra (from 1982-08-02 until 1982-10-01)
conductor:
John Williams (from 1982-08-02 until 1982-10-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1982-08-02 until 1982-10-01)
recording of:
The Meeting in Sicily (Monsignor) (from 1982-08-02 until 1982-10-01)
composer:
John Williams
part of:
Monsignor (film score)
3:55
12Monsignor: At the Forum
recording engineer:
Eric A. Tomlinson (from 1982-08-02 until 1982-10-01)
orchestra:
London Symphony Orchestra (from 1982-08-02 until 1982-10-01)
conductor:
John Williams (from 1982-08-02 until 1982-10-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1982-08-02 until 1982-10-01)
recording of:
At the Forum (Monsignor) (from 1982-08-02 until 1982-10-01)
composer:
John Williams
part of:
Monsignor (film score)
5:09
13Sleepers: The Football Game
recording engineer and mixer:
Shawn Murphy
assistant engineer:
Susan McLean
editor:
Ken Wannberg
conductor:
John Williams
phonographic copyright (℗) by:
Philips Classics Productions
recorded at:
Sony Pictures Studios Scoring Stage in Culver City, California, United States
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
The Football Game (Sleepers)
composer:
John Williams
part of:
Sleepers (1996 film score)
4:11
14Sleepers: Reunion and Finale
recording engineer and mixer:
Shawn Murphy
assistant engineer:
Susan McLean
editor:
Ken Wannberg
conductor:
John Williams
phonographic copyright (℗) by:
Philips Classics Productions
recorded at:
Sony Pictures Studios Scoring Stage in Culver City, California, United States
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Reunion and Finale (Sleepers)
composer:
John Williams
part of:
Sleepers (1996 film score)
5:32
15Seven Years in Tibet: Seven Years in Tibet
recording engineer:
Shawn Murphy (from 1997-07-25 until 1997-07-31)
mixer:
Shawn Murphy
cello:
Yo‐Yo Ma (from 1997-07-25 until 1997-07-31)
conductor:
John Williams (from 1997-07-25 until 1997-07-31)
recorded at:
Sony Pictures Studios Scoring Stage in Culver City, California, United States (from 1997-07-25 until 1997-07-31)
recording of:
Seven Years in Tibet (from 1997-07-25 until 1997-07-31)
composer:
John Williams
part of:
Seven Years in Tibet (1997 film score)
7:09
16Seven Years in Tibet: The Invasion
recording engineer:
Shawn Murphy (from 1997-07-25 until 1997-07-31)
mixer:
Shawn Murphy
conductor:
John Williams (from 1997-07-25 until 1997-07-31)
recorded at:
Sony Pictures Studios Scoring Stage in Culver City, California, United States (from 1997-07-25 until 1997-07-31)
recording of:
The Invasion (Seven Years in Tibet) (from 1997-07-25 until 1997-07-31)
composer:
John Williams
part of:
Seven Years in Tibet (1997 film score)
5:08
17Seven Years in Tibet: Regaining a Son
recording engineer:
Shawn Murphy (from 1997-07-25 until 1997-07-31)
mixer:
Shawn Murphy
conductor:
John Williams (from 1997-07-25 until 1997-07-31)
recorded at:
Sony Pictures Studios Scoring Stage in Culver City, California, United States (from 1997-07-25 until 1997-07-31)
recording of:
Regaining a Son (Seven Years in Tibet) (from 1997-07-25 until 1997-07-31)
composer:
John Williams
part of:
Seven Years in Tibet (1997 film score)
1:51
18Angela's Ashes: Theme From Angela's Ashes
recording engineer and mixer:
Simon Rhodes (in 1999)
producer:
John Williams
solo piano:
Randy Kerber (in 1999)
conductor:
John Williams (in 1999)
concertmaster:
Endre Granat (in 1999)
recorded at:
Sony Pictures Studios Scoring Stage in Culver City, California, United States (in 1999)
recording of:
Theme From Angela's Ashes (in 1999)
composer:
John Williams
part of:
Angela's Ashes (1999 film score)
6:18
19Angela's Ashes: Delivering Telegrams
recording engineer and mixer:
Simon Rhodes (in 1999)
producer:
John Williams
conductor:
John Williams (in 1999)
concertmaster:
Endre Granat (in 1999)
recorded at:
Sony Pictures Studios Scoring Stage in Culver City, California, United States (in 1999)
recording of:
Delivering Telegrams (Angela's Ashes) (in 1999)
composer:
John Williams
part of:
Angela's Ashes (1999 film score)
1:52
20Angela's Ashes: Back to America
recording engineer and mixer:
Simon Rhodes (in 1999)
producer:
John Williams
conductor:
John Williams (in 1999)
concertmaster:
Endre Granat (in 1999)
recorded at:
Sony Pictures Studios Scoring Stage in Culver City, California, United States (in 1999)
recording of:
Back to America (Angela's Ashes) (in 1999)
composer:
John Williams
part of:
Angela's Ashes (1999 film score)
2:38
21Angela's Ashes: Plenty of Fish and Chips in Heaven
recording engineer and mixer:
Simon Rhodes (in 1999)
producer:
John Williams
conductor:
John Williams (in 1999)
concertmaster:
Endre Granat (in 1999)
recorded at:
Sony Pictures Studios Scoring Stage in Culver City, California, United States (in 1999)
recording of:
Plenty of Fish and Chips in Heaven (Angela's Ashes) (in 1999)
composer:
John Williams
part of:
Angela's Ashes (1999 film score)
3:24
18CD: Anne-Sophie Mutter & John Williams: Across The Stars
19CD: Concert Works
20CD: Songs, Covers and New Readings