| # | Title | Artist | Length |
|---|
| 1 | IDGAF | Dua Lipa | 3:36 |
| 2 | What Do You Mean? | Justin Bieber | 3:25 |
| 3 | Don’t Feel Like Crying | Sigrid | 2:34 |
| 4 | Timber- programming and producer:
- Cirkut and Dr. Luke
- engineer:
- Al Burna, Rachael Findlen, Alana Da Fonseca, Clint Gibbs and Ryan Gladieux
- mixer:
- John Hanes
- instruments:
- Cirkut and Dr. Luke
- phonographic copyright (℗) by:
- RCA Records (from 2013 to present)
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 11) and Billboard Decade End Chart: Streaming Songs (number: 42)
- recording of:
- Timber
- writer:
- Armando C. Perez, Steve Arrington, Breyan Stanley Isaac, Charles Carter, Greg Errico, Łukasz Gottwald, Waung Hankerson, Henry Walter, Kesha Sebert, Keri Oskar, Lee Oskar, Roger Parker, Priscilla “Priscilla Renea” Hamilton, Jamie Sanderson and Pebe Sebert
- publisher:
- Abuela y Tía Songs, Artist 101 Publishing Group, Artist Publishing Group West, BMG Rights Management (US) LLC, Dynamite Cop Music, Far Out Music, Far Out Music, Inc., Ikke-Bad Music, Ikke-Bad Music, Inc., Kasz Money Publishing, Keep It Simple Stupid Publishing, Kesce Rose Music, Oneirology Publishing, Prescription Songs, Radio Active Material Publishing Co., Songs of Lastrada, Sony/ATV Songs LLC, Warner/Chappell, WB Music Corp. and Where da Kasz At
| Pitbull feat. Ke$ha | 3:25 |
| 5 | Lush Life | Zara Larsson | 3:21 |
| 6 | Pompeii | Bastille | 3:34 |
| 7 | Complicated- recording engineer and producer:
- The Matrix
- executive producer:
- Antonio M. Reid
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- guitar:
- Corky James
- additional vocals:
- The Matrix
- vocals:
- Avril Lavigne
- arranger:
- The Matrix
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 2002) and Arista Records, LLC (in 2002, in 2022)
- recorded at:
- Decoy Studios in Studio City, Los Angeles, California, United States
- mixed at:
- South Beach Studios in Miami Beach, Florida, United States
- music videos:
- Complicated (Video) by Avril Lavigne
- part of:
- Billboard Year-End Hot 100 2002 (number: 11) and BILLIONS CLUB
- recording of:
- Complicated
- writer:
- Avril Lavigne and The Matrix
- publisher:
- Avril Lavigne Publishing LLC, Ferry Hill Songs, Hollylodge Music, Mr. Spock Music, Tix Music, Universal Music Publishing Ltd., Warner–Tamerlane Publishing Corp. and WB Music Corp.
| Avril Lavigne | 4:05 |
| 8 | Only Love Can Hurt Like This | Paloma Faith | 3:53 |
| 9 | Wrecking Ball- programming and producer:
- Cirkut and Dr. Luke
- engineer:
- Mike Caffery, Clint Gibbs and Sven Heidinga
- mixer:
- Serban Ghenea
- cello:
- Suzie Katayama
- instruments:
- Cirkut and Dr. Luke
- strings:
- David Richard Campbell
- viola:
- Andrew Duckles and Darrin McCann
- violin:
- Charlie Bisberat, Kevin Connolly and Songa Lee
- lead vocals:
- Miley Cyrus
- phonographic copyright (℗) by:
- RCA Records (in 2013)
- music videos:
- Wrecking Ball (official video) by Miley Cyrus
- part of:
- Billboard Decade End Chart: Streaming Songs (number: 18), Billboard Year-End Hot 100 singles of 2013 (number: 18), Stereogum: The 200 Best Songs of the 2010s (number: 30), Billboard Year-End Hot 100 singles of 2014 (number: 44), Pitchfork: The 200 Best Songs of the 2010s (number: 152), Billboard: The 500 Best Pop Songs (number: 156) and BILLIONS CLUB
- recording of:
- Wrecking Ball
- writer:
- Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald, Stephan Moccio and Sacha Skarbek
- publisher:
- BMG Platinum Songs, BMG Rights Management (US) LLC, BMG Rights Management GmbH, Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc., Kasz Money Publishing, Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc., Sony/ATV Tunes LLC and Universal Music Publishing Canada II
| Miley Cyrus | 3:41 |
| 10 | Everyday Is a Winding Road- assistant recording engineer:
- Ron Black, S. “Husky” Höskulds, Cappy Japngie and John Paterno
- recording engineer:
- Tchad Blake, Blair Lamb, Bob Salcedo and Trina Shoemaker
- producer:
- Sheryl Crow
- mixer:
- Tchad Blake
- drums (drum set):
- Michael Urbano
- electric bass guitar [bass], Hammond organ [Hammond] and harmonium:
- Sheryl Crow
- guitar [guitars]:
- Steve Donnelly and Jeff Trott
- harmonium [dueling harmonium]:
- Mitchell Froom
- sampler [loop]:
- Brian MacLeod
- background vocals:
- Neil Finn
- vocals:
- Sheryl Crow
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1996)
- recording of:
- Everyday Is a Winding Road
- writer:
- Sheryl Crow, Brian MacLeod and Jeff Trott
- publisher:
- Reservoir One America, Old Crow Music (in 1996), Trottsky Music (in 1996), Warner–Tamerlane Publishing Corp. (in 1996) and Weenie Stand Music (in 1996)
| Sheryl Crow | 4:18 |
| 11 | 2‐4‐6‐8 Motorway | Tom Robinson Band | 3:17 |
| 12 | Road Rage (radio edit) | Catatonia | 4:00 |
| 13 | Take Me to Church | Hozier | 4:02 |
| 14 | Everybody’s Changing | Keane | 3:35 |
| 15 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London, England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek (in 1983)
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 3:55 |
| 16 | Say You Won’t Let Go | James Arthur | 3:30 |
| 17 | One of Us (radio edit) | Joan Osborne | 4:16 |
| 18 | Black Velvet | Alannah Myles | 4:43 |
| 19 | You’re Gorgeous | Babybird | 3:43 |
| 20 | Rule the World | Take That | 3:58 |
