80s Verantwoord Powered by Rob Stenders

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistLength
1Starting Over
John Lennon3:54
2Another Brick in the Wall, Part 2Pink Floyd3:51
3Why Can’t This Be LoveVan Halen3:31
4Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (in 1983)
drums (drum set):
Peter Gill (in 1983)
guest keyboard:
Andrew Richards (in 1983) and Anne Dudley (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (in 1983) and Paul Rutherford (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (in 1983) and Zang Tuum Tumb (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London, England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill, Holly Johnson and Mark O’Toole
publisher:
Perfect Songs Ltd. and SPZ Music, Inc.
Frankie Goes to Hollywood3:56
5Rio
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (in 1998)
recording of:
Rio
writer:
Simon Le Bon, Nick Rhodes, Andy Taylor, John Taylor and Roger Taylor
Duran Duran4:44
6Don’t Dream It’s OverCrowded House3:53
7Heaven Is a Place on Earth
recording engineer:
Steve McMillan
drums (drum set) [drum] programming:
Charles Judge and Rick Nowels
additional engineer:
Stacy Baird and Robert Feist
assistant engineer:
Matthew Freeman, Clark Germaine, Brian Scheuble and Joe Schiff
additional producer:
Robert Feist (other vocals [vocal]) and Ellen Shipley (other vocals [vocal])
producer:
Rick Nowels
mixer:
Shelly Yakus
acoustic guitar [acoustic guitars]:
Rick Nowels
additional guitar:
Tim Pierce
additional guitar [guitars]:
Michael Landau
additional keyboard [keyboards]:
Thomas Dolby
additional percussion:
Jimmy Bralower and Paulinho da Costa
bass:
John Pierce
drums (drum set) [drums]:
Kenny Aronoff and Curly Smith
electric guitar [electric guitars]:
Dan Huff, John McCurry and Rick Nowels
guitar [air guitar] and lead vocals:
Belinda Carlisle
keyboard [keyboards]:
Charles Judge and Rick Nowels
other instruments [fairlight]:
Rhett Lawrence
piano [acoustic piano]:
Charles Judge
vocals:
Beth Anderson, Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips and Ellen Shipley
arranger:
Rick Nowels
phonographic copyright (℗) by:
Artist Management Services Ltd. (in 1987), MCA Records, Inc. (in 1987) and Virgin Records Ltd (in 1987)
additionally recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Hollywood Sound in Los Angeles, California, United States and Music Grinder Studios in Hollywood, Los Angeles, California, United States
recorded at:
American Recording and Ocean Way Studio in Hollywood, Los Angeles, California, United States
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (number: 400)
recording of:
Heaven Is a Place on Earth
writer:
Rick Nowels and Ellen Shipley
publisher:
BMG Bumblebee, BMG Rights Management, Bug Music Ltd., EMI Music Publishing, EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) and Shipwreck Music (in 1987)
sub-publisher:
Fujipacific Music, Inc.
Belinda Carlisle4:04
8Young Girl
Sue Saad and the Next3:53
9Good ThingFine Young Cannibals3:11
10Don’t Leave Me This Way
producer:
Mike Thorne
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble, Cary Gilbert and Leon Huff
publisher:
Copyright Control and Warner–Tamerlane Publishing Corp.
The Communards4:31
11Blue Monday (radio edit)New Order3:49
12Can’t Stop Running
Space Monkey3:12
13Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd., EMI Records Ltd. (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London, England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Germany, RAK Studios in London, England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing, Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde3:25
14Don’t You (Forget About Me)
producer:
Keith Forsey
mixer:
Jez Coad
performer:
Simple Minds (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey and Steve Schiff
publisher:
Copyright Control, MCA Music Ltd. and Universal Music
Simple Minds4:19
15Babooshka
assistant engineer:
John Barratt (from 1979-09 until 1980-05)
engineer:
Jon Kelly (from 1979-09 until 1980-05)
producer:
Kate Bush and Jon Kelly
analog synthesizer [CS 80] and lead vocals:
Kate Bush (from 1979-09 until 1980-05)
balalaika:
Paddy Bush (from 1979-09 until 1980-05)
drums (drum set):
Stuart Elliott (from 1979-09 until 1980-05)
electric bass guitar:
John Giblin (from 1979-09 until 1980-05)
electric guitar:
Brian Bath (from 1979-09 until 1980-05) and Alan Murphy (from 1979-09 until 1980-05)
Rhodes piano [Fender Rhodes]:
Max Middleton (from 1979-09 until 1980-05)
background vocals:
Paddy Bush (from 1979-09 until 1980-05) and Gary Hurst (from 1979-09 until 1980-05)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1980), Novercia Ltd. (in 1980) and EMI America Records, Inc. (in 1982)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1979-09 until 1980-05) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom (from 1979-09 until 1980-05)
recording of:
Babooshka (from 1979-09 until 1980-05)
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. and Kate Bush Music Ltd.
Kate Bush3:28
16Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain
bass:
Martin Kemp (in 1982)
drums (drum set):
John Keeble (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
percussion and saxophone:
Steve Norman (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (in 1983)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3:51
17What’s Love Got to Do With ItTina Turner3:36
18Don’t Get Me WrongThe Pretenders3:44
19You Win AgainBee Gees3:51
20In the Air Tonight
assistant engineer:
Nick Launay and Karen Segal
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins and Hugh Padgham
bass guitar:
John Giblin (in 1980)
guitar:
Daryl Stuermer (in 1980)
Rhodes piano, drum machine, drums (drum set), synthesizer and vocoder and lead vocals:
Phil Collins (in 1980)
violin:
Sharokav (in 1980)
arranger:
Phil Collins
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1981) and WEA International Inc. (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 291)
recording of:
In the Air Tonight (in 1980)
lyricist and composer:
Phil Collins
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
part of:
Risky Business (film soundtrack)
Phil Collins5:26