Sweet Soul Music: 29 Scorching Classics From 1968

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1I Second That Emotion
guitar:
Marvin Tarplin (on 1967-09-21)
instruments:
The Funk Brothers (on 1967-09-21)
background vocals:
Warren “Pete” Moore (on 1967-09-21), Claudette Robinson (on 1967-09-21), Bobby Rogers (on 1967-09-21) and Ronald White (on 1967-09-21)
lead vocals:
Smokey Robinson (on 1967-09-21)
recorded at:
Hitsville in Detroit, Michigan, United States (on 1967-09-21)
recording of:
I Second That Emotion (on 1967-09-21)
writer:
Al Cleveland and Smokey Robinson
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and ソニー・ミュージックパブリッシング フジパシフィック事業部
Smokey Robinson & The Miracles2:45
2I’m in Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (from 1967-07-01 until 1967-07-03) and King Curtis (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
I’m in Love (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Bobby Womack
publisher:
ABKCO Music, Inc. and Pronto Music
Wilson Pickett2:30
3(1-2-3-4-5-6-7) Count the Days
recording of:
(1‐2‐3‐4‐5‐6‐7) Count the Days
writer:
Charlie Foxx, Brooks O’Dell and Yvonne Williams
Inez & Charlie Foxx2:36
4(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson
bass guitar:
Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. and Atlantic Recording Corporation (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music, Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros., Warner Bros. Music Ltd., Warner Chappell Music, Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
Otis Redding2:41
5We’re a Winner
recording of:
We’re a Winner (in 1967)
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp.
The Impressions2:22
6Dance to the Music
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 223)
recording of:
Dance to the Music
lyricist, writer and composer:
Sylvester Stewart
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp.
Sly & the Family Stone2:58
7The End of Our Road
producer:
Norman Whitfield
recorded at:
Motown Studios - Hitsville West in West Hollywood, California, United States (on 1967-12-14)
recording of:
The End of Our Road (on 1967-12-14)
writer:
Roger Penzabene, Barrett Strong and Norman Whitfield
publisher:
Jobete Music Co., Inc.
Gladys Knight & the Pips2:18
8Cowboys to Girls
producer:
Gamble-Huff
arranger:
Bobby Martin
recorded at:
Cameo-Parkway Studios in Philadelphia, Pennsylvania, United States (in 1967)
recording of:
Cowboys to Girls (in 1967)
writer:
Kenneth Gamble and Leon Huff
publisher:
Blockbuster Music, Inc., EMI Blackwood Music Inc., Mijac Double Diamond Music and Warner–Tamerlane Publishing Corp.
The Intruders2:38
9I Thank You
producer:
Isaac Hayes and David Porter
recording of:
I Thank You (on 1968-01-05)
writer:
Isaac Lee Hayes and David Porter
publisher:
Almo Music Corp., Cotillion Music Inc., Irving Music, Inc., Rondor, Walden Music, Inc., Warner Chappell, WB Music Corp. and Birdees Music (in 1968)
Sam & Dave2:54
10Tighten Up, Part 1
recording engineer:
Bert Frilot
producer:
Skipper Lee Frazier
lead vocals:
Archie Bell (in 1967-10)
vocals:
Billy Buttier (in 1967-10), Joe Cross (in 1967-10) and James Wise (in 1967-10)
performer:
The TSU Toronadoes (in 1967-10)
recorded at:
Jones Town Studio in Houston, Texas, United States (in 1967-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Tighten Up (in 1967-10)
lyricist:
Billy Butler
composer:
Archie Bell
Archie Bell & the Drells3:08
11Take Time to Know Her
producer:
Marlin Greene and Quin Ivy
recording of:
Take Time to Know Her (on 1968-02-01)
lyricist and composer:
Stephen Allen Davis
writer:
Stephen Allen Davis and Al Gallico
Percy Sledge2:53
12Ain’t Nothing Like the Real Thing
producer:
Nickolas Ashford and Valerie Simpson
instruments:
The Funk Brothers (on 1967-10-06)
background vocals:
Valerie Simpson (in 1967) and Nickolas Ashford (on 1967-10-06)
lead vocals:
Marvin Gaye (on 1967-10-06) and Tammi Terrell (on 1967-10-06)
phonographic copyright (℗) by:
UMG Recordings, Inc. (in 1968)
recorded at:
Hitsville in Detroit, Michigan, United States (on 1967-10-06)
recording of:
Ain’t Nothing Like the Real Thing (on 1967-10-06)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing Ltd., Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Jobete Music Co., Inc. (from 1967 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Marvin Gaye & Tammi Terrell2:14
13Lover’s Holiday
cover recording of:
Maybe We Can Slip Away
writer:
Bob McRee, Cliff Thomas and Ed Thomas
Peggy Scott & Jo Jo Benson2:46
14(Sweet Sweet Baby) Since You’ve Been Gone
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (from 1967-12-16 until 1967-12-17)
electric piano:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (from 1967-12-16 until 1967-12-17)
choir vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17), Erma Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
horn arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone (from 1967-12-16 until 1967-12-17)
writer:
Aretha Franklin and Ted White
publisher:
14th Hour Music, Cotillion Music Inc., EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and フジパシフィックミュージック SBK事業部
Aretha Franklin2:23
15Funky Street
producer:
Tom Dowd
recording of:
Funky Street
writer:
Arthur Conley and Earl Simms
Arthur Conley2:27
16Stay in My Corner (single edit)
edit of:
Stay in My Corner by The Dells
recording of:
Stay in My Corner (in 1967)
writer:
Wade Flemons, Bobby Miller and Barrett Strong
publisher:
Conrad Music
The Dells3:06
17I’ve Never Found a Girl (To Love Me Like You Do)
producer:
Steve Cropper
recording of:
I’ve Never Found a Girl (to Love Me Like You Do) (in 1968)
writer:
Eddie Floyd, Alvertis Isbell and Booker T. Jones
publisher:
East/Memphis Music, Irving Music, Inc., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Eddie Floyd2:41
18Grazing in the Grass
producer:
Stewart Levine
double bass:
Henry Franklin (on 1968-03-14)
drums (drum set):
Chuck Carter (on 1968-03-14)
percussion:
[unknown] (on 1968-03-14)
piano:
William Henderson (on 1968-03-14)
tenor saxophone:
Al Abreu (on 1968-03-14)
trumpet:
Hugh Masekela (on 1968-03-14)
performer:
Bruce Langhorne (on 1968-03-14)
recording of:
Grazing in the Grass (instrumental) (on 1968-03-14)
composer:
Philemon Hou
Hugh Masekela2:38
19Slip Away
recording engineer and producer:
Rick Hall
bass:
David Hood (on 1968-04-08)
drums (drum set):
Roger Hawkins (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (on 1968-04-08) and Wayne Jackson (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
recording of:
Slip Away (on 1968-04-08)
writer:
William Armstrong, Marcus Daniel and Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc.
Clarence Carter2:30
20Love Makes a Woman
producer:
Carl Davis and Eugene Record
arranger:
Sonny Sanders
part of:
The Downloader’s Music Source Book (number: 135)
recording of:
Love Makes a Woman (on 1968-03-25)
writer:
Carl Davis, Eugene Record, Sonny Sanders and Gerald Sims
publisher:
Chappell & Co., Inc., Unichappell Music, Inc., Warner–Tamerlane Publishing Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Barbara Acklin2:56
21Say It Loud - I’m Black and I’m Proud (Part 1)
producer:
James Brown
lead vocals:
James Brown
performer:
James Brown Orchestra
part of:
CBC Music: 10 Songs That Have Changed the World, Rolling Stone: 500 Greatest Songs of All Time (number: 305) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 393)
partial recording of:
Say It Loud (I’m Black, I’m Proud) (Parts 1 & 2)
lyricist and composer:
James Brown and Pee Wee Ellis
James Brown3:02
22Girls Can’t Do What the Guys Do
recording of:
Girls Can’t Do What the Guys Do
writer:
Willie Clarke and Clarence Reid
Betty Wright2:05
23Girl Watcher
recording of:
Girl Watcher
writer:
Wayne Pittman and Ronald Killette
The O’Kaysions2:34
24The Snake
producer:
Marc Gordon and Johnny Rivers
cover recording of:
The Snake
lyricist and composer:
Oscar Brown Jr.
Al Wilson3:26
25Hey, Western Union Man
producer:
Gamble & Huff
arranger:
Bobby Martin
recording of:
Hey Western Union Man
writer:
Jerry Butler, Kenneth Gamble and Leon Huff
publisher:
Copyright Control, Sony/ATV Melody and Warner–Tamerlane Publishing Corp.
Jerry Butler2:43
26Soulful Strut
producer:
Carl Davis and Eugene Record
drums (drum set):
Red Holt (in 1968)
piano:
Ken Chaney (in 1968)
strings:
Eldee Young (in 1968)
arranger:
Sonny Sanders
recording of:
Soulful Strut (in 1968)
composer:
Eugene Record and Sonny Sanders
publisher:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
version of:
Am I the Same Girl
Young–Holt Unlimited2:58
27Who’s Making Love
producer:
Donald Davis and Al Jackson, Jr.
bass:
Donald “Duck” Dunn (in 1968)
guitar:
Steve Cropper (in 1968)
membranophone:
Al Jackson, Jr. (in 1968)
organ and background vocals:
Booker T. Jones (in 1968)
piano:
Isaac Hayes (in 1968) and Allen Jones (in 1968)
lead vocals:
Johnnie Taylor (in 1968)
recording of:
Who’s Making Love? (in 1968)
writer:
Homer Banks, Bettye Crutcher, Don Davis and Raymond Jackson
Johnnie Taylor2:48
28Cloud Nine
producer:
Norman Whitfield
lead vocals:
Dennis Edwards, Eddie Kendricks and Paul Williams
phonographic copyright (℗) by:
Motown Record Company, L.P. (in 1968)
recorded at:
Motown Studios - Hitsville West in West Hollywood, California, United States (on 1968-10-02)
recording of:
Cloud Nine (on 1968-10-02)
writer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music and Stone Agate Music Division
The Temptations3:31
29I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (in 1968)
recorded at and mixed at:
Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd., EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
Marvin Gaye3:15

Credits

Release group

part of:Sweet Soul Music (order: 8)