Rock Werchter 40: 1975–2014

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD: 1975–1994
#TitleArtistLength
1Cherry Bomb
arranger:
Scott Anderson, Kim Fowley and The Runaways
phonographic copyright (℗) by:
Phonogram, Inc. (in 1976)
recorded at:
Criterion Studios in Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (number: 52)
recording of:
Cherry Bomb
lyricist:
Kim Fowley
composer:
Joan Jett
publisher:
Jett Pack Music, Inc. and Peermusic Ltd.
The Runaways2:17
22‐4‐6‐8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1977)
recorded at:
Berwick Street Studios in Westminster, London, England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson
publisher:
Konkwest Music Limited
Tom Robinson Band3:17
3A Message to You Rudy
producer:
Elvis Costello
guest trombone:
Rico Rodriguez
part of:
Indie 88: Top 500 Indie Rock Songs (number: 132)
cover recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
The Specials2:55
4Boys Don’t Cry
engineer:
Mike Hedges
producer and mixer:
Chris Parry
bass guitar:
Michael Dempsey
drums (drum set):
Lol Tolhurst
guitar and lead vocals:
Robert Smith
phonographic copyright (℗) by:
Fiction Records Ltd.
music videos:
Boys Don’t Cry by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 242)
recording of:
Boys Don’t Cry
lyricist:
Robert Smith
writer and composer:
Michael Dempsey, Robert Smith and Lol Tolhurst
publisher:
APB Music Co.
The Cure2:41
5Tunnel of Love
assistant engineer:
Jeff Hendrickson and Jon Mathias
engineer:
Shelly Yakus
producer:
Jimmy Iovine and Mark Knopfler
bass guitar:
John Illsley
drums (drum set):
Pick Withers
guitar and lead vocals:
Mark Knopfler
keyboard:
Roy Bittan
background vocals:
John Illsley and Pick Withers
phonographic copyright (℗) by:
Phonogram Ltd. (London) (in 1980, in 1988), Warner Records Inc. (in 1988, in 2022) and Mercury Records Ltd. (London) (in 1996)
recorded at:
Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1980-06-20 until 1980-08-25)
recording of:
Tunnel of Love
lyricist and composer:
Mark Knopfler
additional composer:
Oscar Hammerstein II and Richard Rodgers
publisher:
Chappell Music Ltd. and Straitjacket Songs Ltd. (in 1980)
quotes music from:
The Carousel Waltz (Carousel)
Dire Straits8:10
6Spanish Stroll
bass:
Rubén Sigüenza
guitar:
Willy DeVille and Louis X. Erlanger
membranophone:
Thomas R. "Manfred" Allen, Jr.
piano:
Bobby Leonards
lead vocals:
Willy DeVille
phonographic copyright (℗) by:
USM (in 2015)
recording of:
Spanish Stroll
lyricist and composer:
Willy DeVille
Mink DeVille3:32
7Dead or Alive
recording of:
Dead or Alive
lyricist and composer:
John Cale
John Cale3:52
8Promised You a Miracle
producer:
Keith Forsey and Peter Walsh
recording of:
Promised You a Miracle
writer:
Charlie Burchill, Derek Forbes, Jim Kerr and Michael MacNeil
Simple Minds3:57
9Love Is a Stranger
engineer:
A. Williams, D. A. Stewart and R. Crash
producer:
Dave Stewart and Adam Williams
phonographic copyright (℗) by:
RCA Ltd. (in 1982) and BMG Records (UK) Limited (in 1991)
recording of:
Love Is a Stranger
lyricist and composer:
Annie Lennox and Dave Stewart
publisher:
Arnakata Music Ltd, Logo Songs Ltd. and Warner Bros. Music Ltd.
Eurythmics3:40
10Walk on the Wild Side
producer:
David Bowie, Lou Reed and Mick Ronson
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson
arranger:
David Bowie, Lou Reed and Mick Ronson
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
recorded at:
Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1972-08)
mixed at:
Trident Studios in Soho, Westminster, London, England, United Kingdom
samples from:
Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited, EMI Music Publishing Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
Lou Reed4:13
11So. Central Rain (I’m Sorry)
recording of:
So. Central Rain
writer:
Bill Berry (in 1983), Peter Buck (in 1983), Mike Mills (in 1983) and Michael Stipe (in 1983)
publisher:
Night Garden Music
R.E.M.3:14
12A Girl Called Johnny
recording of:
A Girl Called Johnny
lyricist and composer:
Mike Scott
The Waterboys3:54
13Wide Open Road
recording engineer:
Nick Mainsbridge (in 1985-08)
engineer:
Nick Mainsbridge
producer:
Gil Norton and The Triffids
bass:
Martin Casey (in 1985-08)
drums (drum set):
Alsy MacDonald (in 1985-08)
guitar:
Evil Graham Lee (in 1985-08), David McComb (in 1985-08) and Rob McComb (in 1985-08)
organ:
Jill Birt (in 1985-08)
pedal steel guitar:
Evil Graham Lee (in 1985-08)
synthesizer:
David McComb (in 1985-08)
synthesizer [emulator]:
Adam Peters (in 1985-08)
vocals:
David McComb (in 1985-08)
arranger:
The Triffids
phonographic copyright (℗) by:
Liberation Music (in 2010)
recorded at:
Mark Angelo Studios in Acton, Ealing, London, England, United Kingdom (in 1985-08)
mixed at:
Amazon Studios in Simonswood, Lancashire, England, United Kingdom (in 1985-09)
recording of:
Wide Open Road (in 1985-08)
lyricist and composer:
David McComb
publisher:
Mushroom Music and Mushroom Music Publishing
The Triffids4:05
14Perfectly Good Guitar
recording of:
Perfectly Good Guitar
lyricist and composer:
John Hiatt
publisher:
Universal Music Careers
John Hiatt4:37
15Say What You Want
recording engineer:
Nick Addison, Ian Grimble, Ash Howes, Kenny MacDonald and Texas
additional programming:
Paul Taylor
programming:
Eddie Campbell, Richard Hynd, Johnny McElhone and Sharleen Spiteri
sound engineer:
Ash Howes
additional producer:
Boilerhouse Boys
producer and mixer:
Texas
guitar:
Johnny McElhone and Ally McErlaine
keyboard:
Eddie Campbell and Johnny McElhone
recording of:
Say What You Want
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
publisher:
EMI 10 Music
Texas3:50
16Knockin’ on Heaven’s Door
engineer:
Dan Wallin
producer:
Gordon Carroll
bass guitar:
Terry Paul (in 1973-02)
drums (drum set):
Jim Keltner (in 1973-02)
guitar:
Bob Dylan (in 1973-02) and Roger McGuinn (in 1973-02)
harmonium, organ and spinet:
Carl Fortina (in 1973-02)
background vocals:
Carol Hunter (in 1973-02), Brenda Patterson (in 1973-02) and Donna Weiss (in 1973-02)
vocals:
Bob Dylan (in 1973-02)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (in 1973)
engineered at:
The Burbank Studios in Burbank, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 190)
recording of:
Knockin’ on Heaven’s Door (in 1973-02)
additional lyricist:
Bob Dylan (on 1975-03-23)
lyricist and composer:
Bob Dylan
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC, Warner Chappell Music Ltd. and Ram’s Horn Music (in 1973)
Bob Dylan2:29
17Here Comes Your Man
assistant engineer:
Dave Snider
engineer:
Matt Lane and Gil Norton
producer:
Gil Norton
mixer:
Steve Haigler
drums (drum set):
Dave Lovering
electric bass guitar:
Kim Deal
electric guitar:
Black Francis
electric guitar [lead guitar] and background vocals:
Joey Santiago
vocals:
Black Francis and Kim Deal
phonographic copyright (℗) by:
4AD Ltd (in 1989)
recorded at:
Downtown Recorders in Boston, Massachusetts, United States
mixed at:
Carriage House Studios in Stamford, Connecticut, United States
music videos:
Here Comes Your Man by Pixies
part of:
Indie 88: Top 500 Indie Rock Songs (number: 190)
recording of:
Here Comes Your Man
lyricist and composer:
Black Francis
publisher:
Rice and Beans Music
Pixies3:21
18Fight Like a Brave
recording engineer:
Judy Clapp
engineer:
James Bauerlein
producer:
Michael Beinhorn
assistant mixer:
Russell Bracher and Stan Katayama
mixer:
John Potoker
bass:
Flea
drums (drum set):
Jack Irons
guitar:
Hillel Slovak
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
EMI Records USA (in 1987)
produced for:
Demolition Sound
recording of:
Fight Like a Brave
writer:
Jack Irons, Anthony Kiedis, Michael Peter Balzary and Hillel Slovak
publisher:
EMI Music Inc., Moebetoblame Music and Screen Gems
Red Hot Chili Peppers3:52
19Midlife Crisis
producer:
Faith No More and Matt Wallace
mixer:
Matt Wallace
ebow and electric guitar:
Jim Martin (from 1992-01 until 1992-03)
phonographic copyright (℗) by:
London Records Ltd. (in 1992) and Slash Records (in 1992)
samples:
Car Thief by Beastie Boys and Cecilia by Simon & Garfunkel (drums (drum set))
music videos:
Midlife Crisis by Faith No More
recording of:
Midlife Crisis
lyricist:
Mike Patton
composer:
Mike Bordin, Roddy Bottum, Billy Gould, Jim Martin and Mike Patton
publisher:
Big Thrilling Music, Rondor Music (London) Ltd. and Vomit God Music
live recording of:
Midlife Crisis
lyricist:
Mike Patton
composer:
Mike Bordin, Roddy Bottum, Billy Gould, Jim Martin and Mike Patton
publisher:
Big Thrilling Music, Rondor Music (London) Ltd. and Vomit God Music
Faith No More4:17
20I’m Allowed
recording of:
I’m Allowed
writer:
Chris Colbourn, Bill Janovitz and Tom Maginnis
Buffalo Tom4:19
2▶CD: 1995–2004
3▶CD: 2005–2009
4▶CD: 2010–2014