100 tubes Soul

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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5▼CD
#TitleArtistLength
1Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (on 1960-10-27)
arranger:
Stan Applebaum
phonographic copyright (℗) by:
HHO Ltd., WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music, Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt, Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music, Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
Ben E. King2:55
2Think
producer:
Bob Tischler
bass guitar:
Donald “Duck” Dunn
drums (drum set):
Willie "Too Big" Hall
guitar:
Steve Cropper and Matt Murphy
keyboard:
Murphy Dunne
saxophone:
Tom “Bones” Malone and Lou Marini
trumpet:
Al Rubin
background vocals:
Margaret Branch, Caroline Franklin and Brenda Corbett
guest lead vocals:
Aretha Franklin
performer:
Blues Brothers and Aretha Franklin
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1992) and WEA International Inc. (in 1992)
cover recording of:
Think
writer:
Aretha Franklin and Ted White
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Aretha Franklin3:17
3Try a Little Tenderness
Otis Redding3:46
4Hallelujah I Love Her So
recording of:
Hallelujah, I Love Her So
lyricist and composer:
Ray Charles
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc., Progressive Music, Unichappell Music and Unichappell Music, Inc.
Ray Charles2:36
5Hold On I’m Coming
recorded in:
Memphis, Tennessee, United States (on 1966-03-08)
producer:
Jim Stewart
vocals:
Sam & Dave (on 1966-03-08)
recording of:
Hold On, I’m Comin’ (on 1966-03-08)
writer:
Isaac Hayes and David Porter
publisher:
Cotillion Music Inc., East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. and Warner Bros. Music
sub-publisher:
ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Sam & Dave2:34
6I’ll Be Around
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I’ll Be Around (in 1973)
composer:
Thom Bell and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp.
The Spinners3:10
7Shouldn’t I Know
The Cardinals3:11
8Walk On By
vocals:
Dionne Warwick
phonographic copyright (℗) by:
WEA International Inc. (in 1984)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 51), Rolling Stone: 500 Greatest Songs of All Time (number: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 129)
recording of:
Walk On By
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control, JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd., Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 and フジパシフィックミュージック 第2事業部
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick2:52
9Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (on 1964-05-21)
strings [nine strings]:
[unknown] (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (on 1964-05-21)
tenor vocals:
Charlie Thomas (on 1964-05-21)
conductor:
Gary Sherman (on 1964-05-21)
arranger:
Gary Sherman and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1988) and WEA International Inc. (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 6), Billboard: The 500 Best Pop Songs (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick and Kenny Young
publisher:
Alley Music Corp., Intersong, TM Music Ltd. and Trio Music Company
The Drifters2:41
10Love Won’t Let Me Wait
recorded in:
Philadelphia, Pennsylvania, United States (in 1974)
producer:
Bobby Eli
bass guitar [bass]:
Ronnie Baker (in 1974)
brass [horns] and strings:
[unknown] (in 1974)
drums (drum set) [drums]:
Earl Young (in 1974)
guitar:
Bobby Eli (in 1974)
keyboard:
Ron Kersey (in 1974)
vibraphone [vibes]:
Vince Montana (in 1974)
vocals:
Major Harris (in 1974)
brass [horns] arranger and strings arranger:
Don Renaldo
arranger:
Bobby Eli
recording of:
Love Won’t Let Me Wait (in 1974)
writer:
Vinnie Barrett and Bobby Eli
publisher:
Blackwood Music Inc., Mighty Three Music, Prestige Music Co., Sony Music Publishing (Japan) Inc., Warner–Tamerlane Publishing Corp. and Winot Music
Major Harris5:32
11Do It to My Mind
Johnny Bristol4:48
12You’re Losing Me
recording of:
You’re Losing Me
lyricist and composer:
Barbara Lynn Ozen
Barbara Lynn2:19
13Loving You Is on My Mind
recording of:
Loving You Is on My Mind
composer:
Joseph Modeliste, Art Neville, Leo Nocentelli and George Porter, Jr.
The Meters3:13
14Mama Soul
The Soul Survivors2:38
15In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (in 1965)
recorded at:
Stax Studios in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc., East Publishing Inc. and Irving Music, Inc.
Wilson Pickett2:37
16Tighten Up
recording engineer:
Bert Frilot
producer:
Skipper Lee Frazier
lead vocals:
Archie Bell (in 1967-10)
vocals:
Billy Buttier (in 1967-10), Joe Cross (in 1967-10) and James Wise (in 1967-10)
performer:
The TSU Toronadoes (in 1967-10)
recorded at:
Jones Town Studio in Houston, Texas, United States (in 1967-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Tighten Up (in 1967-10)
lyricist:
Billy Butler
composer:
Archie Bell
Archie Bell & the Drells3:11
17Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr., Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music, Carlin Music Corporation, East/Memphis Music Corp. and Irving Music
Booker T. & the MG’s2:54
18A Lover’s Question
producer:
Leiber and Stoller
double bass [bass]:
Milt Hinton (on 1958-08-07)
drums (drum set) [drums]:
Belton Evans (on 1958-08-07)
guitar:
Carl Lynch (on 1958-08-07) and Sal Salvador (on 1958-08-07)
piano:
Cliff Smalls (on 1958-08-07)
tenor saxophone:
King Curtis (on 1958-08-07)
vocals:
Clyde McPhatter (on 1958-08-07)
conductor:
Ray Ellis (on 1958-08-07)
arranger:
Ray Ellis
recording of:
A Lover's Question (on 1958-08-07)
composer:
Brook Benton and Jimmy Williams
Clyde McPhatter2:36
19Stormy Weather
Doris Troy2:48
20Try Me
recording of:
Try Me (Esther Phillips' song)
writer:
Jimmy Radcliffe and Buddy Scott
Esther Phillips2:48