| # | Title | Artist | Length |
|---|
| 1 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd., WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music, Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt, Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music, Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 2:55 |
| 2 | Comin’ Home Baby | Herbie Mann | 8:36 |
| 3 | Green Onions | Booker T. & the MG’s | 2:55 |
| 4 | Up on the Roof | The Drifters | 2:36 |
| 5 | Hello Stranger | Barbara Lewis | 2:46 |
| 6 | Just One Look | Doris Troy | 2:30 |
| 7 | Walking the Dog | Rufus Thomas | 2:34 |
| 8 | Under the Boardwalk | The Drifters | 2:43 |
| 9 | Mercy Mercy | Don Covay & the Goodtimers | 2:26 |
| 10 | Got to Get You Off My Mind | Solomon Burke | 2:35 |
| 11 | I’ve Been Loving You Too Long (to Stop Now) | Otis Redding | 3:17 |
| 12 | In the Midnight Hour | Wilson Pickett | 2:34 |
| 13 | I Got You Babe | Sonny & Cher | 3:12 |
| 14 | Good Lovin’ | The Young Rascals | 2:30 |
| 15 | When a Man Loves a Woman- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- HHO Ltd., WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Warner Chappell, Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell North America, Warner/Chappell, Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 2:57 |
| 16 | Hold On, I’m Comin’- recorded in:
- Memphis, Tennessee, United States (on 1966-03-08)
- producer:
- Jim Stewart
- vocals:
- Sam & Dave (on 1966-03-08)
- recording of:
- Hold On, I’m Comin’ (on 1966-03-08)
- writer:
- Isaac Hayes and David Porter
- publisher:
- Cotillion Music Inc., East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. and Warner Bros. Music
- sub-publisher:
- ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Sam & Dave | 2:32 |
| 17 | B‐A‐B‐Y | Carla Thomas | 2:57 |
| 18 | Mustang Sally- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-10-13)
- engineer:
- Tom Dowd and Rick Hall
- producer:
- Rick Hall and Jerry Wexler
- drums (drum set):
- Roger Hawkins (from 1966-10-13 until 1966-10-14)
- electric bass guitar [electric bass]:
- Tommy Cogbill (from 1966-10-13 until 1966-10-14)
- guitar:
- Jimmy Johnson (from 1966-10-13 until 1966-10-14)
- guitar [lead guitar]:
- Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
- keyboard [piano, organ]:
- Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
- tenor saxophone:
- Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
- trumpet:
- Gene “Bowlegs” Miller (from 1966-10-13 until 1966-10-14)
- vocals:
- Wilson Pickett (from 1966-10-13 until 1966-10-14)
- recorded at:
- Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 434)
- cover recording of:
- Mustang Sally (from 1966-10-13 until 1966-10-14)
- lyricist and composer:
- Sir Mack Rice
- publisher:
- EMI Music Publishing Ltd., EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
| Wilson Pickett | 3:07 |
| 19 | For What It’s Worth | Buffalo Springfield | 2:38 |
| 20 | Sweet Soul Music | Arthur Conley | 2:21 |
| 21 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 2:26 |
| 22 | Soul Finger | The Bar‐Kays | 2:21 |
| 23 | New York Mining Disaster 1941- co-producer:
- Ossie Byrne
- producer:
- Robert Stigwood
- bass:
- Maurice Gibb (on 1967-03-21)
- drums (drum set):
- Colin Petersen (on 1967-03-21)
- guitar and background vocals:
- Barry Gibb (on 1967-03-21) and Maurice Gibb (on 1967-03-21)
- lead vocals:
- Robin Gibb (on 1967-03-21)
- arranger and orchestrator:
- Phil Dennys
- phonographic copyright (℗) by:
- Barry Gibb (in 1967), Maurice Gibb (in 1967) and Robin Gibb (in 1967)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1967), PolyGram International Music B.V. (in 1967) and RSO Records, Inc. (in 1967)
- recorded at:
- IBC Studios in London, England, United Kingdom (on 1967-03-21)
- recording of:
- New York Mining Disaster 1941 (on 1967-03-21)
- writer:
- Robin Gibb (in 1967) and Barry Gibb (in 1967-03)
- publisher:
- Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs and Gibb Brothers Music
| Bee Gees | 2:11 |
| 24 | You Keep Me Hangin’ On | Vanilla Fudge | 3:01 |
| 25 | Born Under a Bad Sign | Albert King | 2:47 |
| 26 | (You Make Me Feel Like) A Natural Woman | Aretha Franklin | 2:41 |
