Intégrale, Vol. 8 : “Swing From Paris” 1938‐1939

~ Release by Django Reinhardt (see all versions of this release, 2 available)

Annotation

From booklet and back cover then names standardization

Tracklist

1▼Digital Media
#TitleArtistLength
1Jazz Hot: Prelude to J’attendrai (sweet & hot) / J’attendrai (sweet dance band) / J’attendrai (hot guitar & violin) / J’attendrai (hot string quintet)
[unknown] / [unknown] / Django Reinhardt & Stéphane Grappelli / Quintette du Hot Club de France6:22
2Bei mir bist du schön (in english)
Léo Marjane acc. par Wal Berg et son orchestre2:54
3Bei mir bist du schön (en français)
recorded in:
Paris, Île-de-France, France (on 1938-05-05)
vocals:
Léo Marjane (on 1938-05-05)
orchestra:
Orchestre Wal-Berg (on 1938-05-05)
recording of:
Bei mir bist du schön (french lyrics) (on 1938-05-05)
additional lyricist:
Saul Chaplin
lyricist:
Sammy Cahn
composer:
Sholom Secunda
translator:
Jacques Larue
translated version of:
Bei mir bist du schön (English version)
Léo Marjane acc. par Wal Berg et son orchestre2:47
4Body and Soul
double bass:
Roger Grasset (on 1938-05-31)
guitar:
Joseph Reinhardt (on 1938-05-31) and Eugène Vées (on 1938-05-31)
harmonica:
Larry Adler (on 1938-05-31)
piano:
Stéphane Grappelli (on 1938-05-31)
solo guitar:
Django Reinhardt (on 1938-05-31)
recording of:
Body and Soul (on 1938-05-31)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Larry Adler avec acc. d’orchestre “swing”3:06
5Lover, Come Back to Me (take 1)
instrumental recording of:
Lover, Come Back to Me (from "The New Moon") (on 1938-05-31)
lyricist:
Oscar Hammerstein II (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The New Moon: Act II
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The New Moon: Act II
Larry Adler avec acc. d’orchestre “swing”2:34
6Lover, Come Back to Me (take 2)
Larry Adler avec acc. d’orchestre “swing”2:38
7My Melancholy Baby
Larry Adler avec acc. d’orchestre “swing”3:15
8I Got Rhythm (take 1)
Larry Adler avec acc. d’orchestre “swing”2:55
9I Got Rhythm (take 2)
instrumental recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Larry Adler avec acc. d’orchestre “swing”2:59
10Billets doux
recorded in:
Paris, Île-de-France, France (on 1938-06-14)
double bass:
Roger Grasset (on 1938-06-14)
guitar:
Joseph Reinhardt (on 1938-06-14) and Eugène Vées (on 1938-06-14)
solo guitar:
Django Reinhardt (on 1938-06-14)
violin:
Stéphane Grappelli (on 1938-06-14)
recording of:
Billets Doux (on 1938-06-14)
composer:
Stéphane Grappelli and Django Reinhardt
Quintette du Hot Club de France2:56
11Swing From Paris
recorded in:
Paris, Île-de-France, France (on 1938-06-14)
double bass:
Roger Grasset (on 1938-06-14)
guitar:
Django Reinhardt (on 1938-06-14), Joseph Reinhardt (on 1938-06-14) and Eugène Vées (on 1938-06-14)
solo guitar:
Django Reinhardt (on 1938-06-14)
violin:
Stéphane Grappelli (on 1938-06-14)
recording of:
Swing from Paris (on 1938-06-14)
composer:
Stéphane Grappelli and Django Reinhardt
Quintette du Hot Club de France2:32
12Them There Eyes
recorded in:
Paris, Île-de-France, France (on 1938-06-14)
double bass:
Roger Grasset (on 1938-06-14)
guitar:
Django Reinhardt (on 1938-06-14), Joseph Reinhardt (on 1938-06-14) and Eugène Vées (on 1938-06-14)
violin:
Stéphane Grappelli (on 1938-06-14)
instrumental recording of:
Them There Eyes (on 1938-06-14)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co., Redwood Music Ltd. and Warner Chappell Music Limited
Quintette du Hot Club de France3:03
13Three Little Words
recorded in:
Paris, Île-de-France, France (on 1938-06-14)
double bass:
Roger Grasset (on 1938-06-14)
guitar:
Django Reinhardt (on 1938-06-14), Joseph Reinhardt (on 1938-06-14) and Eugène Vées (on 1938-06-14)
violin:
Stéphane Grappelli (on 1938-06-14)
recording of:
Three Little Words (on 1938-06-14)
lyricist:
Bert Kalmar (in 1930)
composer:
Harry Ruby (in 1930)
publisher:
Bug Music, Chappell and MPL Music Publishing Inc.
Quintette du Hot Club de France2:54
14Appel direct (Appel indirect)
recorded in:
Paris, Île-de-France, France (on 1938-06-14)
double bass:
Roger Grasset (on 1938-06-14)
guitar:
Joseph Reinhardt (on 1938-06-14) and Eugène Vées (on 1938-06-14)
solo guitar:
Django Reinhardt (on 1938-06-14)
violin:
Stéphane Grappelli (on 1938-06-14)
performer:
Quintette du Hot Club de France (on 1938-06-14)
recording of:
Appel indirect (Appel direct) (on 1938-06-14)
composer:
Stéphane Grappelli and Django Reinhardt
Quintette du Hot Club de France3:01
15Grande Nuit du jazz : Medley : Daphné / Limehouse Blues / Swing Guitars
medley including a recording of:
Daphné (on 1938-06-30)
composer:
Stéphane Grappelli and Django Reinhardt (in 1938)
medley including a recording of:
Limehouse Blues (on 1938-06-30)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP)
medley including a recording of:
Swing Guitars (on 1938-06-30)
composer:
Stéphane Grappelli and Django Reinhardt
Quintette du Hot Club de France7:56
16Grande Nuit du jazz : Medley : Bei mir bist du schön / St. Louis Blues
Valaida Snow & Django Reinhardt2:57
17Grande Nuit du jazz : Sweet Sue (incomplet)
Michel Warlop & Django Reinhardt2:18
18The Flat Foot Floogie
recording of:
The Flat Foot Floogie (on 1938-08-30)
composer:
Slim Gaillard, Bud Green and Slam Stewart
Quintette du Hot Club de France2:57
19Lambeth Walk
recorded in:
London, England, United Kingdom (on 1938-08-30)
double bass:
Roger Grasset (on 1938-08-30)
guitar:
Django Reinhardt (on 1938-08-30), Joseph Reinhardt (on 1938-08-30) and Eugène Vées (on 1938-08-30)
solo guitar:
Django Reinhardt (on 1938-08-30)
violin:
Stéphane Grappelli (on 1938-08-30)
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (on 1938-08-30)
instrumental recording of:
The Lambeth Walk (on 1938-08-30)
lyricist:
Douglas Furber (in 1937) and L. Arthur Rose (in 1937)
composer:
Noel Gay (in 1937)
publisher:
Cinephonic Music Co., Ltd. and Richard Armitage Ltd
part of:
Roud Folk Song Index (number: 25672)
Quintette du Hot Club de France2:48
20Why Shouldn’t I?
Quintette du Hot Club de France2:51
2▶Digital Media