Je n’aime pas le classique, mais ça j’aime bien ! Spécial enfants

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD

2▼CD
#	Title	Artist	Length
1	Ave verum corpus K. 618 assistant engineer: Mike Cox engineer: Andrew Hallifax executive producer: John Kehoe producer: Morten Winding organ: Silas Standage choir vocals: The Choir of Trinity College, Cambridge (from 1993-03-15 until 1993-03-17) conductor: Richard Marlow (from 1993-03-15 until 1993-03-17) chorus master: Richard Marlow recorded at: Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1993-03-15 until 1993-03-17) recording of: Ave verum corpus, K. 618 (for chorus, string and organ) (from 1993-03-15 until 1993-03-17) composer: Wolfgang Amadeus Mozart (until 1791-06-18) part of: Köchelverzeichnis (number: K. 618), Köchelverzeichnis (number: K. 618), Köchelverzeichnis (number: K. 618), Köchelverzeichnis (number: 618) and Köchelverzeichnis (number: 618)	Wolfgang Amadeus Mozart	2:54
2	Requiem : Dies Irae choir vocals: Chicago Symphony Chorus orchestra: Chicago Symphony Chorus and Chicago Symphony Orchestra conductor: Sir Georg Solti partial recording of: Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza) composer: Giuseppe Verdi (in 1874) part of: Messa da requiem (Manzoni requiem) recording of: Messa da requiem: IIa. Dies irae: Dies irae (coro) composer: Giuseppe Verdi (in 1874) part of: Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)	Giuseppe Verdi	2:03
3	Le Messie : Alleluia choir vocals: Royal Philharmonic Chorus (in 1959) orchestra: Royal Philharmonic Chorus and Royal Philharmonic Orchestra (in 1959) conductor: Sir Thomas Beecham (in 1959) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1959) composer: George Frideric Handel (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel	3:39
4	Le Trouvère : Chœur des forgerons orchestra: Ambrosian Opera Chorus, Orchester der Wiener Volksoper and Philharmonia Orchestra conductor: Zubin Mehta chorus master: John McCarthy recording of: Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) composer: Giuseppe Verdi librettist: Salvadore Cammarano part of: Il trovatore: Atto II. La gitana	Giuseppe Verdi	2:55
5	Carmina burana : O Fortuna recording engineer: Michael Gray producer: Jay David Saks mixer and editor: Paul Goodman choir vocals: London Symphony Chorus (from 1980-12-15 until 1980-12-17) orchestra: London Symphony Orchestra (from 1980-12-15 until 1980-12-17) conductor: Eduardo Mata (from 1980-12-15 until 1980-12-17) chorus master: Richard Cooke (from 1980-12-15 until 1980-12-17) recorded at: Kingsway Hall in London, England, United Kingdom (from 1980-12-15 until 1980-12-17) recording of: Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1980-12-15 until 1980-12-17) composer: Carl Orff (in 1936) publisher: B. Schott’s Söhne version of: O Fortuna (Poem, CB 17) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff	2:51
6	La Flûte enchantée : Der Hölle Rache (Air de la reine de la nuit) soprano vocals: Sỳlvia Geszty orchestra: Staatskapelle Dresden conductor: Otmar Suitner recording of: Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) composer: Wolfgang Amadeus Mozart (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart	2:50
7	Turandot : Nessun dorma choir vocals: Chor des Bayerischen Rundfunks tenor vocals: Ben Heppner orchestra: Orchestre de la Radiodiffusion de Munich conductor: Roberto Abbado chorus master: Michael Gläser recording of: Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) composer: Giacomo Puccini (from 1921-03 until 1924-03) librettist: Giuseppe Adami and Renato Simoni publisher: Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA part of: Turandot: Atto III (Turandot: Act III)	Giacomo Puccini	3:04
8	La Traviata : Libiamo ne lieti calici (Brindisi) baritone vocals: Orazio Mori bass vocals: Enzo Capuano and Francesco Musinu choir vocals: Coro del Teatro alla Scala di Milano (from 1992-03 until 1992-04) mezzo-soprano vocals: Nicoletta Curiel soprano vocals [Violetta]: Tiziana Fabbricini (from 1992-03 until 1992-04) tenor vocals: Enrico Cossutta tenor vocals [Alfredo]: Roberto Alagna (from 1992-03 until 1992-04) orchestra: Orchestra del Teatro alla Scala di Milano (from 1992-03 until 1992-04) conductor: Riccardo Muti (from 1992-03 until 1992-04) chorus master: Roberto Gabbiani live recording of: La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1992-03 until 1992-04) composer: Giuseppe Verdi librettist: Francesco Maria Piave part of: La traviata: Atto I (La traviata: Act I)	Giuseppe Verdi	3:02
9	Carmen : Nous avons en tête une affaire baritone vocals: Jean-Christophe Benoît (in 1963) mezzo-soprano vocals: Geneviève Macaux (in 1963) soprano vocals: Monique Linval (in 1963) and Leontyne Price (in 1963) tenor vocals: Maurice Besançon (in 1963) orchestra: Wiener Philharmoniker (in 1963) conductor: Herbert von Karajan (in 1963) recorded at: Sofiensaal in Landstraße, Wien, Austria (in 1963) recording of: Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès) (in 1963) composer: Georges Bizet librettist: Ludovic Halévy and Henri Meilhac part of: Carmen : Acte II	Georges Bizet	4:55
10	Stabat Mater : Stabat Mater Dolorosa contralto vocals: Nathalie Stutzmann soprano vocals: Elizabeth Norberg-Schulz orchestra: The Hanover Band conductor: Roy Goodman recording of: Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa composer: Giovanni Battista Pergolesi part of: Stabat Mater for soprano, alto, strings and basso continuo	Giovanni Battista Pergolesi	4:42
11	Concerto pour contrebasse n°2 en si mineur : I. Allegro double bass [contrebasse]: Edgar Meyer violin: Joshua Bell orchestra: Saint Paul Chamber Orchestra conductor: Hugh Wolff recording of: Concerto no. 2 for Double-Bass and Orchestra in B minor: I. Allegro moderato composer: Giovanni Bottesini part of: Concerto no. 2 for Double-Bass and Orchestra in B minor	Giovanni Bottesini	4:58
12	Concerto pour cor KV 495 en mi bémol majeur : I. Allegro moderato French horn [Cor]: Will Sanders orchestra: SWR Symphony Orchestra conductor: Michael Gielen recording of: Concerto for Horn no. 4 in E-flat major, K. 495: I. Allegro composer: Wolfgang Amadeus Mozart (in 1786) part of: Concerto for Horn no. 4 in E-flat major, K. 495	Wolfgang Amadeus Mozart	8:14
13	Danse hongroise n°5 en sol mineur orchestra: London Festival Orchestra conductor: Alfred Scholz recording of: Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling) orchestrator: Martin Schmeling composer: Johannes Brahms publisher: Breitkopf & Härtel orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace part of: Hungarian Dances for orchestra (Schmeling orchestration)	Johannes Brahms	2:23
14	Symphonie n°9 « du nouveau monde » en mi mineur : Allegro con fuoco orchestra: Chicago Symphony Orchestra conductor: Fritz Reiner recording of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco) composer: Antonín Dvořák (from 1893-01-10 until 1893-05-24) part of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)	Antonín Dvořák	10:31
15	Jazz Suite n°2 : Valse n°2 orchestra: Radio-Sinfonie-Orchester Frankfurt conductor and performer: Dmitri Kitaenko recording of: Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite) composer: Дмитрий Дмитриевич Шостакович part of: Suite for Variety Orchestra	Дмитрий Дмитриевич Шостакович	3:53
16	Trio pour piano, violon et violoncelle n°2, op.66 en do mineur : III. Scherzo. Molto allegro - quasi presto cello: Leonard Rose piano: Eugene Istomin violin: Isaac Stern recording of: Trio for Piano, Violin and Violoncello no. 2 in C minor, op. 66: III. Scherzo. Molto allegro - Quasi presto composer: Felix Mendelssohn (in 1845) part of: Trio for Piano, Violin and Violoncello no. 2 in C minor, op. 66	Felix Mendelssohn	3:50
17	La Truite, op. 114 en la majeur recorded in: New York, New York, United States (from 1983-05-23 until 1983-05-27) recording engineer: Edwin Begley (ended) and Anthony Salvatore (ended) engineer: Sydney Davis (ended) and Thomas MacCluskey (ended) producer: John Pfeiffer (ended) cello: David Soyer (from 1983-05-23 until 1983-05-27) double bass: Julius Levine (from 1983-05-23 until 1983-05-27) piano: Emanuel Ax (from 1983-05-23 until 1983-05-27) viola: Michael Tree (from 1983-05-23 until 1983-05-27) violin: John Dalley (from 1983-05-23 until 1983-05-27) orchestra: Guarneri Quartet recording of: Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (from 1983-05-23 until 1983-05-27) composer: Franz Schubert (in 1819) publisher: G. Henle Verlag part of: Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")	Franz Schubert	7:46

Credits

Release

ASIN:	FR: B00C1MLGGM [info]

Release group

part of:	Je n’aime pas… (order: 13)

FR: B00C1MLGGM