| # | Title | Length |
|---|
| 1 | I Will Always Love You- engineer:
- David Reitzas, Bill Schnee and Peter Yianilos
- executive producer:
- Clive Davis and Whitney Houston
- producer:
- David Foster
- mixer:
- David Reitzas
- creative direction:
- Rickey Minor
- solo saxophone:
- Kirk Whalum
- arranger:
- David Foster
- vocals arranger:
- Whitney Houston
- phonographic copyright (℗) by:
- RCA Records and Arista Records, Inc. (in 1992)
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 3), New York Post: 100 Greatest Covers (2007) (number: 59), Billboard: The 500 Best Pop Songs (number: 60), Billboard: Greatest of All Time Hot 100 Songs (number: 60) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 94)
- karaoke recording of:
- I Will Always Love You
- lyricist and composer:
- Dolly Parton
- publisher:
- Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd, Owepar Publishing Inc. and Velvet Apple Music
- cover recording of:
- I Will Always Love You
- lyricist and composer:
- Dolly Parton
- publisher:
- Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd, Owepar Publishing Inc. and Velvet Apple Music
| 4:31 |
| 2 | I Have Nothing- engineer:
- David Reitzas
- producer:
- David Foster
- mixer:
- Mick Guzauski
- strings arranger:
- David Foster and Jeremy Lubbock
- arranger:
- David Foster
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1992) and RCA Records (in 1993)
- recorded at:
- Encore Recording Studios in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- I Have Nothing
- writer:
- David Foster and Linda Thompson
- part of:
- The 65th Academy Award for Best Original Song (number: 2)
| 4:50 |
| 3 | Run to You | 4:24 |
| 4 | On My Own | 4:40 |
| 5 | Count on Me | 4:26 |
| 6 | Exhale (Shoop Shoop) | 3:25 |
| 7 | All the Man That I Need | 3:56 |
| 8 | Where Do Broken Hearts Go- recording engineer and mixer:
- David Frazer
- synthesizer [synths] programming:
- Preston Glass
- additional assistant engineer:
- Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda and Ross Williams
- additional engineer:
- Lincoln Clapp, Maureen Droney, Ken Kessie, Gordon Lyon and Jay Rifkin
- assistant engineer:
- Dana Jon Chappelle
- producer:
- Narada Michael Walden
- bass synthesizer [bass synth]:
- Randy Jackson
- bell:
- Preston Glass
- drums (drum set):
- Narada Michael Walden
- electronic drum set [Simmons]:
- Greg “Gigi” Gonaway
- guitar synthesizer [Charvel GTM6 midi guitar synth]:
- Corrado Rustici
- piano and synthesizer [synths]:
- Frank Martin
- background vocals:
- Kitty Beethoven, Jim Gilstrap, Jennifer Hall and Nikki Harris
- lead vocals:
- Whitney Houston
- conductor:
- Michael Gibbs
- strings arranger:
- Michael Gibbs
- arranger:
- Narada Michael Walden
- phonographic copyright (℗) by:
- RCA Records (in 1987)
- recorded at:
- Clinton Recording Studios in New York, New York, United States, Right Track Recording in Manhattan, New York, New York, United States, Tarpan Studios in San Rafael, California, United States and The Plant Studios in Sausalito, California, United States
- recording of:
- Where Do Broken Hearts Go
- writer:
- Chuck Jackson and Frank Wildhorn
| 4:37 |
| 9 | When You Believe- recording engineer:
- Paul Boutin, Tim Boyle, Dana Chappelle and Don Murray
- miscellaneous support:
- Debbi Datz‐Pyle (task: contracted by), Sandy DeCrescent (task: contracted by) and Ivy Skoff (task: production coordinator)
- drums (drum set) [drum] programming, drums (drum set) programming and keyboard [keyboards] programming:
- Babyface
- assistant engineer:
- Luis Castello, Luis Castillo, Chuck Bailey Jr., Brian Garten, John Nelson, John Sorenson and Tom Sweeney
- engineer:
- Paul Boutin, Tim Boyle, Dana Jon Chappelle and Don Murray
- producer:
- Babyface and Ivy Skoff
- assistant mixer:
- E'lyk
- mixer:
- Jon Gass
- bass and bass guitar:
- Nathan East
- drums (drum set) and drums (drum set) [drums]:
- Ricky Lawson
- guitar:
- Michael Thompson
- keyboard:
- Babyface
- low whistle, solo bagpipe, solo low whistle [low whistles] and solo uilleann pipes [U-Union Pipes]:
- Eric Rigler
- percussion:
- Sheila E.
- piano:
- Greg Phillinganes
- choir vocals:
- Dion Allen, Vearline Board, Lynn Davis, Kevon Edmonds, Melvin Edmonds, Joy Enriquez, Sharlotte Gibson, Daryl Hawes, Kenya Ivey, Nathan Ivey, Tavia Ivey, Mark Kibble, Peach, Shanice, Syretha Smith, Ulisa Ivey, J. Valentine, Nathan Walton and Crystal Wilson
- choir vocals [choir]:
- Dion Allen, Vearline Beard, Lynn Davis, Kevon Edmonds, Melvin Edmonds, Joy Enriquez, Sharlotte Gibson, Daryl Hawes, Kenya Ivey, Nathan Ivey, Tavia Ivey, Mark Kibble, Lisa Ivey, Peach, Shanice Wilson, Syretha Smith, J. Valentine, Nathan Walton and Krystal Wilson
- vocals:
- Mariah Carey and Whitney Houston
- orchestra:
- Bill Ross and Gavin Greenaway
- conductor:
- Bill Ross, Gavin Greenaway and Damon Thomas
- chorus master:
- Damon Thomas
- arranger and orchestrator:
- Bill Ross and Hans Zimmer
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. and SKG Music L.L.C. (in 1998)
- recorded at:
- Brandon’s Way Recording Studios in Los Angeles, California, United States, Conway Recording Studios in Hollywood, Los Angeles, California, United States, Ocean Way Recording Studios in Hollywood, Los Angeles, California, United States, Right Track Recording in Manhattan, New York, New York, United States and The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Brandon’s Way Recording Studios in Los Angeles, California, United States
- recording of:
- When You Believe
- lyricist and composer:
- Stephen Schwartz
- additional composer:
- Babyface
- publisher:
- Cherry Lane Music Co., ECAF Music, Inc., SKG Songs and Songs of SKG
- version of:
- When You Believe
| 4:33 |
| 10 | Why Does It Hurt So Bad | 4:37 |
| 11 | Saving All My Love for You- engineer:
- Michael Mancini and Russell Schmitt
- producer:
- Michael Masser
- mixer:
- Bill Schnee
- bass guitar:
- Nathan East
- guitar:
- Dann Huff, Paul Jackson, Jr. and Louie Shelton
- keyboard:
- Robbie Buchanan, Randy Kerber and Richard Marx
- solo saxophone:
- Tom Scott
- background vocals:
- Debbie Thomas, Julia Waters, Maxine Waters and Oren Waters
- lead vocals:
- Whitney Houston
- publisher:
- Prince Street Productions, Inc.
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1985)
- cover recording of:
- Saving All My Love for You
- lyricist:
- Gerry Goffin
- composer:
- Michael Masser
- publisher:
- Prince Street Music, Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc.
- sub-publisher:
- Universal Music Corporation, シンコーミュージック・エンタテイメント, ソニー・ミュージックパブリッシング フジパシフィック事業部 and ユニバーサル・ミュージック・パブリッシング Synch事業部
| 3:57 |
| 12 | I Believe in You and Me | 4:03 |
| 13 | You Were Loved | 4:13 |
| 14 | Didn’t We Almost Have It All | 4:37 |
| 15 | One Moment in Time | 4:46 |
| 16 | I’ll Be Home for Christmas | 3:45 |
| 17 | Just the Lonely Talking Again- recording engineer and mixer:
- David Frazer
- additional assistant engineer:
- Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda and Ross Williams
- additional engineer:
- Lincoln Clapp, Maureen Droney, Ken Kessie, Gordon Lyon and Jay Rifkin
- assistant engineer:
- Dana Jon Chappelle
- producer:
- Narada Michael Walden
- bass [electric bass]:
- Randy Jackson
- guitar synthesizer [Charvel GTM6 midi guitar synth]:
- Corrado Rustici
- percussion:
- Narada Michael Walden
- synthesizer [DX7 Vibes, synths]:
- Frank Martin
- tenor saxophone:
- Kenny G
- background vocals:
- Kitty Beethoven, Jim Gilstrap, Jennifer Hall and Nikki Harris
- lead vocals:
- Whitney Houston
- conductor:
- Michael Gibbs
- strings arranger:
- Michael Gibbs
- arranger:
- Narada Michael Walden
- phonographic copyright (℗) by:
- RCA Records (in 1987)
- recorded at:
- Clinton Recording Studios in New York, New York, United States, Right Track Recording in Manhattan, New York, New York, United States, Tarpan Studios in San Rafael, California, United States and The Plant Studios in Sausalito, California, United States
- recording of:
- Just the Lonely Talking Again
- lyricist and composer:
- Sam Dees
| 5:34 |
| 18 | Until You Come Back- recording engineer:
- Paul Boutin and Tommy Vicari
- miscellaneous support:
- Ivy Skoff
- keyboard [keyboards] programming and membranophone programming:
- Babyface
- assistant engineer:
- Greg Dennen, Mark Eshelman and Sue McLean
- producer:
- Babyface
- assistant mixer:
- E'lyk
- mixer:
- Jon Gass
- bass:
- Larry Kimpel
- guitar:
- Michael Thompson
- membranophone:
- Ricky Lawson
- piano:
- Greg Phillinganes
- background vocals:
- Babyface, Beverly Crowder and Shanice Wilson
- lead vocals:
- Whitney Houston
- conductor:
- Bill Meyers
- orchestrator:
- Bill Meyers
- recorded at:
- Brandon’s Way Recording in Los Angeles, California, United States and Sony Pictures Studios in Culver City, California, United States
- mixed at:
- Brandon’s Way Recording in Los Angeles, California, United States
- recording of:
- Until You Come Back
- writer:
- Babyface and Daryl Simmons
- publisher:
- Boobie And DJ Songs Inc., ECAF Music, Inc. and Warner–Tamerlane Publishing Corp.
| 4:53 |
| 19 | All at Once- engineer:
- Michael Mancini
- producer:
- Michael Masser
- mixer:
- Bill Schnee
- bass guitar:
- Nathan East
- guitar:
- Dann Huff, Paul Jackson, Jr. and Louie Shelton
- keyboard:
- Robbie Buchanan, Randy Kerber and Richard Marx
- background vocals:
- Debbie Thomas, Julia Waters, Maxine Waters and Oren Waters
- lead vocals:
- Whitney Houston
- publisher:
- Prince Street Productions, Inc.
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1985)
- recording of:
- All at Once
- writer:
- Michael Masser and Jeffrey Osborne
- publisher:
- Almo Music Corp., March 9 Music, Music Sales Corporation, Prince Street Music, Prince Street Productions, Inc., シンコーミュージック・エンタテイメント, ミュージック・セールス, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| 4:30 |
| 20 | Miracle | 5:42 |
| 21 | Do You Hear What I Hear | 3:32 |
